高级字符网点模拟印刷旅行拼贴海报

Please turn every portrait photo I upload into an independent high-end character halftone travel collage poster, outputting each photo separately, no multi-image stitching. The overall composition uses a 3:4 vertical layout, setting clear upper and lower contrast areas. The upper and lower areas are roughly balanced, separated by a clean and clear horizontal boundary; do not stretch, distort, or move the characters in the original photo for the sake of proportions. The upper half faithfully preserves the original photo, accurately maintaining the character identity, facial features, expressions, postures, hands, clothing layers, headphones, books, devices, personal items, environmental structures, natural lighting, and original color atmosphere. Only perform slight high-end photographic color grading and extremely thin film grain processing; do not redraw the character. The lower half reconstructs the same character on a warm gray old paper background into an analog print collage composed of photographic slices, ASCII character fields, and photocopy halftone dots. Retain the character's face, hands, hairstyle, headphones, clothing layers, and one key object, keeping the character's identity clearly identifiable. Use real photographic slices with torn edges to represent the face and key structures, allowing part of the clothing, shadows, and environment to gradually dissolve into fixed-width ASCII characters, black photocopy halftone dots, and broken print grains. Add rough white paper fiber edges, slight overprint misalignment, old paper stains, a small amount of crop marks, and one restrained red calibration bar. Retain the original photo colors after they have been desaturated; do not fully monochromatize; the overall palette is dominated by warm gray old paper, black ink, original photo colors, and one calibration red. The main subject of the lower half occupies about 60%—88% of the frame width; the character scale can be adjusted based on the original image to make the composition more impactful than the original photo. Still need to reserve about 22%—38% of continuous unprinted paper surface to avoid making it into a dense computer terminal interface. Generate a readable monospace English title based on the theme of the image, paired with "REC. STUDY 01" and a short observation text. A small amount of ASCII symbols can enter the edges of the character as texture, but do not use garbled characters to impersonate body text, and do not fabricate equipment parameters. The overall appearance presents a texture of early digital systems, analog photocopying, underground publications, and modern travel editorial design overlapping. The character seems to be developing layer by layer between photography, characters, and dots, restrained, calm, with a sense of archives and printing experimentation. Avoid all-black computer interfaces, dense terminal code, cyberpunk neon, completely obscuring the face, random cultural symbols, fake technical data, garbled characters, author names, brand logos, QR codes, and watermarks.

请将我上传的每一张肖像照片分别制作成一张独立的高级字符网点旅行拼贴海报，每张照片单独输出，不得多图拼接。

整体采用3:4竖版构图，设置清晰的上下对比区域。上下区域大致均衡，以干净明确的水平边界分隔，不得为了比例拉伸、扭曲或移动原照片中的人物。

上半部分忠实保留原始照片，准确维持人物身份、面部五官、表情、姿态、手部、服装层次、耳机、书本、设备、随身物件、环境结构、自然光影和原有色彩氛围。仅进行轻微高级摄影调色和极薄胶片颗粒处理，不得重新绘制人物。

下半部分在暖灰色旧纸背景上，将相同人物重构为摄影切片、ASCII字符场与复印网点共同组成的模拟印刷拼贴。

保留人物的脸、手、发型、耳机、服装层叠和一件关键物件，使人物身份保持清晰可辨。使用带有撕裂边缘的真实摄影切片表现面部与关键结构，让部分衣料、阴影和环境逐渐溶解成等宽ASCII字符、黑色复印网点和断裂的印刷颗粒。

加入粗糙的白色纸纤维边缘、轻微套印错位、旧纸污迹、少量裁切线和一处克制的红色校准条。保留压低后的原照片色彩，不要完全单色化；整体以暖灰旧纸、黑墨、照片原色和一处校准红为主。

下半部分主体占画面宽度约60%—88%，可以根据原图调整人物尺度，使构图比原始照片更有冲击力。仍需保留约22%—38%的连续未印刷纸面，避免做成密集的电脑终端界面。

根据画面主题生成一个可读的等宽英文标题，搭配“REC. STUDY 01”和一句简短的观察文字。少量ASCII符号可以作为纹理进入人物边缘，但不得使用乱码冒充正文，也不得虚构设备参数。

整体呈现早期数字系统、模拟复印、地下出版物与现代旅行编辑设计交叠的质感。人物像在摄影、字符和网点之间逐层显影，克制、冷静、具有档案感和印刷实验性。

避免全黑电脑界面、密集终端代码、赛博朋克霓虹、完全遮挡面部、随机文化符号、虚假技术数据、乱码、作者名字、品牌标志、二维码和水印。