古风红衣女子穿衣九宫格摄影

[Ancient Style Dressing Process | Red Dress Mu Peiling · Ancient Boudoir]

Professional high-end ancient style portrait photography; 9:16 vertical full canvas, strict internal 3 columns × 3 rows grid, each cell size consistent, narrow and neat spacing; each cell mainly features full-body or near full-body composition, completely presenting the character, clothing, and dressing actions.

Using the same adult Oriental female from the input reference image as the sole character subject. The reference image is only used to lock the character's facial features, hairstyle, body proportions, clothing design, clothing colors, patterns, materials, and final styling, without copying the white background, six-view character setting board, front/side/back views, or portrait layout of the reference image.

The character maintains the adult Oriental female image from the reference image: black long hair, classical double-bun hairstyle, gentle and exquisite Oriental features, light makeup, dignified and soft feminine temperament. The nine cells always maintain the same face, same hair color, same body proportions, and character identity.

The final clothing strictly refers to the complete costume design in the input image: an ancient style long dress with orange-red as the main body, a red close-fitting inner layer, a light beige-brown translucent outer long coat with wide sleeves, layered skirt structure, waist belt with exquisite metal decorations, overall presenting the characteristics of classical Tang-style female clothing. Strictly maintain the red-orange and beige-brown color scheme, clothing silhouette, sleeve type, skirt type, patterns, fabric transparency, and decorative details from the reference image, without independently modifying it into Song-style, Ming-style, modern clothing, or Xianxia clothing.

The nine cells represent the same adult woman continuously completing the entire set of clothing in an ancient woman's boudoir:

Cell 1: Wearing only traditional ancient Oriental women's inner garments, the upper body is a plain ancient bodice style, the lower body is matching plain ancient underwear, using ancient fabrics and traditional clothing structures, simple and elegant; black long hair is naturally draped, the final double-bun hairstyle is not yet completed, outer clothing and decorations are not worn, standing next to a wooden clothing rack preparing to change.

Cell 2: On the basis of the existing ancient inner garments, put on the red-orange close-fitting inner top from the reference image, retaining all clothing from Cell 1.

Cell 3: Put on the red-orange main long skirt from the reference image, tidying the waist and hem, forming a complete inner clothing layer.

Cell 4: Step into the light beige-brown translucent outer long coat, naturally putting arms into the wide sleeves, maintaining all previous clothing.

Cell 5: Complete the wearing of the translucent outer robe, tidying the wide sleeves, lapel, and layered skirt hem, making the clothing silhouette from the reference image fully presented.

Cell 6: Tie the waist belt and metal decorations from the reference image, tidying the waist and lapel in front of the vanity mirror.

Cell 7: Tidying the outer long coat and skirt hem, adjusting the wide sleeves and hem so that all clothing layers fall naturally, the overall styling is near completion.

Cell 8: Sitting on the edge of the boudoir couch putting on the ancient style footwear from the reference image, while wearing simple accessories such as earrings already in the reference image, and completing the double-bun hairstyle.

Cell 9: Complete all hairstyles, clothing, and accessories, the black double-bun hairstyle is complete, the red-orange main long skirt, beige-brown translucent outer coat, waist decorations, footwear, and all accessories are all finished; standing naturally in front of an ancient bronze mirror, presenting the complete final look from the input reference image.

Each cell strictly inherits all completed clothing from the previous cell, only adding or completing one clear step; the clothing state accumulates cell by cell and must not disappear, be replaced, change color, be redesigned, or change style. Cell 1 must maintain the state of traditional ancient inner garments, and Cell 9 must be highly consistent with the complete clothing in the reference image. The hairstyle is also completed step by step, with Cell 1 keeping naturally draped hair, and the double-bun hairstyle from the reference image being gradually completed from Cell 8 to Cell 9.

The background is a real ancient woman's boudoir with a sense of ancient life; wooden lattice windows, plain gauze curtains, ancient wooden clothing racks, dressing tables, bronze mirrors, clothing boxes, low couches, wooden screens, a few scrolls, and flower branches; the space is elegant, warm, and restrained, without piling up palace-style decorations, and no modern furniture or modern objects appear. The overall environment is mainly warm beige, light wood, and dark red-orange, naturally coordinated with the reference clothing.

Natural window light enters the room, soft and real light and shadow, professional ancient style portrait photography, high-end fashion Editorial visual quality; real natural skin texture, real hair strands, real fabric folds and sense of weight, translucent outer clothing has a natural light-transmitting effect, embroidery, fabric texture, waist metal decorations, and clothing layers are clearly visible; the whole has a real photographic quality, avoiding obvious CG character setting diagram effects.

The nine-grid maintains a unified photography system and spatial continuity; character facial features, hairstyle, body type, clothing design, colors, materials, boudoir structure, and light direction remain highly consistent; character poses change naturally according to real dressing behaviors, allowing actions such as standing, turning, tidying clothes, sitting on the edge of the couch, looking in the mirror, etc., but each cell must have a clear change in dressing state.

Signature at the bottom left “● DeepBlue”; “●” is a pure #0B3D91 dark blue solid dot, “DeepBlue” is a natural, delicate white handwritten font.

Must not appear: modern bras, modern triangular panties, modern underwear sets, modern lace underwear, modern underwear shoulder strap structures, modern underwear cuts, modern clothing, modern furniture, modern objects, modern makeup/styling, different characters, different hair colors, modern hairstyles, Xianxia clothing, Song-style clothing, clothing suddenly disappearing, clothing suddenly increasing, clothing color changes, clothing style changes, hairstyle suddenly changing, scene jumps, reference image six-view layout, character setting boards, white studio backgrounds, repeated steps, extra characters, text, numbers, titles, watermarks, or brand logos.

【古风穿衣全过程｜红衣慕沛灵 · 古代闺房】

专业高级古风人像摄影；9:16竖版完整画布，内部严格3列×3行九宫格，每格尺寸一致、间距细窄整齐；每格以全身或接近全身构图为主，完整呈现人物、服装与穿衣动作。

以输入参考图中的同一位成年东方女性为唯一人物主体。参考图仅用于锁定人物面容、发型、体型比例、服装设计、服装颜色、纹样、材质与最终造型，不复制参考图的白色背景、六视图角色设定板、正侧背视图或头像排版。

人物保持参考图中的成年东方女性形象：黑色长发，古典双髻发式，温婉精致的东方五官，淡雅妆容，端庄柔和的女性气质。九格始终保持同一张脸、同一发色、同一体型比例与人物身份。

最终服装严格参考输入图中的完整服饰设计：以橙红色为主体的古风长裙，红色贴身内层，浅米棕色半透明外层长衣与宽袖，层叠裙装结构，腰部系带与精致金属装饰，整体呈现古典唐风女性服饰特征。严格保持参考图中的红橙色与米棕色配色、服装轮廓、袖型、裙型、纹样、面料透明度与装饰细节，不自行改造成宋制、明制、现代服装或仙侠服装。

九格表现同一位成年女子在古代女子闺房中连续完成整套服饰的穿衣过程：

第1格：仅穿古代东方女子传统贴身衣物，上身为素色古代胸衣形制，下身为配套素色古代内衣，采用古代布料与传统服饰结构，简洁素雅；黑色长发自然披散，尚未完成最终双髻发式，未佩戴外层服饰与装饰，站在木质衣架旁准备更衣。

第2格：在已有古代贴身衣物基础上，穿上参考图中的红橙色贴身内层上衣，保留第1格所有衣物。

第3格：穿上参考图中的红橙色主体长裙，整理裙腰与裙摆，形成完整内层服装。

第4格：穿入浅米棕色半透明外层长衣，将双臂自然穿入宽袖，保持前面所有服装。

第5格：完成半透明外层衣袍的穿着，整理宽袖、衣襟与层叠裙摆，使参考图中的服装轮廓完整呈现。

第6格：系上参考图中的腰部系带与金属装饰，在梳妆镜前整理腰部和衣襟。

第7格：整理外层长衣与裙摆，调整宽袖和衣摆，使所有服装层次自然垂落，整体造型接近完成。

第8格：坐在闺房榻边穿好参考图中的古风鞋履，同时佩戴参考图中已有的耳饰等简单配饰，并完成双髻发式。

第9格：完成全部发型、服装与配饰，黑色双髻发式完整，红橙色主体长裙、米棕色半透明外衣、腰部装饰、鞋履与所有配饰全部完成；在古代铜镜前自然站立，呈现输入参考图中的完整最终造型。

每一格严格继承上一格已经完成的全部衣物，只新增或完成一个明确步骤；服装状态逐格累积，不得消失、替换、变色、重新设计或改变款式。第1格必须保持古代传统贴身衣物状态，第9格必须与参考图中的完整服装高度一致。发型同样逐步完成，第1格保持自然披发，第8至第9格逐渐完成参考图中的双髻发式。

背景为真实古代女子闺房，具有古代生活感；木质格窗、素色纱帘、古木衣架、梳妆台、铜镜、衣箱、低矮榻、木质屏风、少量书卷与花枝；空间雅致、温暖、克制，不堆砌宫殿式装饰，不出现现代家具与现代物品。整体以暖米色、浅木色、暗红橙色为主要环境关系，与参考服装自然协调。

自然窗光进入室内，柔和真实光影，专业古风人像摄影，高级时尚Editorial视觉质感；真实自然肤质，真实头发丝，真实布料褶皱与重量感，半透明外衣具有自然透光效果，刺绣、织物纹理、腰部金属装饰与衣物层次清晰可见；整体具有真实摄影质感，避免明显CG角色设定图效果。

九宫格保持统一摄影系统与空间连续性；人物面容、发型、体型、服装设计、颜色、材质、闺房结构、光线方向保持高度一致；人物姿势根据真实穿衣行为自然变化，允许站立、转身、整理衣物、坐在榻边、照镜等动作，但每格必须具有明确的穿衣状态变化。

左下签名“● DeepBlue”；“●”为纯 #0B3D91 深蓝色实心圆点，“DeepBlue”为自然、细腻的白色手写字体。

不得出现现代文胸、现代三角内裤、现代内衣套装、现代蕾丝内衣、现代内衣肩带结构、现代内衣剪裁、现代服装、现代家具、现代物品、现代妆造、不同人物、不同发色、现代发型、仙侠服装、宋制服装、服装突然消失、服装突然增加、服装颜色改变、服装款式改变、发型突然改变、场景跳变、参考图六视图排版、角色设定板、白色摄影棚背景、重复步骤、额外人物、文字、数字、标题、水印或品牌Logo。