Case 26768
粗野主义建筑空间排版海报系列
Prompt
Create a 9:16 vertical poster series in English with a high-end editorial visual style, combining brutalist architecture, monumental perspective typography, realistic young adult figures, and strong three-dimensional spatial design. The series should feel bold, clean, architectural, and visually sophisticated, with a deep cobalt-blue sky, warm raw-concrete gray, warm ivory typography, charcoal styling for the figures, and safety orange as the only strong accent color. Use dramatic low-angle perspectives so the architecture, typography, human figure, and spatial structures all belong to the same perspective system. Keep the buildings monumental, simple, and geometric. Typography should be oversized, tall, condensed, and integrated into the composition rather than floating as flat overlay text. Human figures should look realistic, naturally posed, and scaled against the architecture. Add clean editorial microcopy, secondary headlines, and small annotations with strong hierarchy and controlled information density. Poster 1: TYPE VOID Create a monumental concrete wall with the word “VOID” carved completely through the structure as real architectural openings. The inner surfaces of the carved letters should be safety orange, revealing strong physical depth. A realistic young man stands or steps naturally within the D-shaped opening. Place the word “TYPE” in giant warm-ivory perspective typography across the sky. Add secondary text such as “WORDS BECOME OPENINGS”, “STEP THROUGH”, and “POSITIVE / NEGATIVE”. The image should feel architectural, clear, and conceptually striking. Poster 2: SHIFT FRAME Create a dramatic low-angle view of offset brutalist concrete platforms with a realistic young woman seated near the edge. Surround and intersect her with a rotated semi-transparent orange spatial frame that has visible depth and thin ivory structural edges. Place the main title “SHIFT FRAME” across the sky in huge perspective typography. Add secondary text such as “OFF AXIS”, “MOVE THE GRID”, and “BETWEEN PLANES”. The image should feel bold, layered, and spatially dynamic. Poster 3: TYPE DEPTH Create a brutalist concrete setting where the word “TYPE” becomes giant three-dimensional extruded letterforms with warm-ivory faces and orange side depth. A realistic young woman moves naturally through or between the letters, making the typography feel inhabitable. Place the word “DEPTH” farther back in perspective in the sky. Add secondary text such as “WORDS HAVE WEIGHT”, “STEP INSIDE”, and “TYPE IN SPACE”. The image should clearly show typography turning into physical space. Poster 4: FLOAT LEVEL Create two large offset concrete slabs with a realistic young man walking along the upper level. Add two separated translucent spatial planes, one larger and smoky behind him and one smaller orange plane in front, as if a box has been pulled apart into layers. Place the main title “FLOAT LEVEL” in huge perspective typography across the sky. Add secondary text such as “BETWEEN PLANES”, “NO FIXED GROUND”, and “OFFSET HEIGHT”. The image should feel open, suspended, and layered. All four posters should belong to the same visual family while each one explores a different relationship between architecture, typography, human scale, and three-dimensional spatial intervention. Create a 9:16 vertical poster series in English with a high-end editorial visual style, combining brutalist architecture, monumental perspective typography, realistic young adult figures, and strong three-dimensional spatial design. The series should feel bold, clean, architectural, and visually sophisticated, with a deep cobalt-blue sky, warm raw-concrete gray, warm ivory typography, charcoal styling for the人物, and safety orange as the only strong accent color. Use dramatic low-angle perspectives so the architecture, typography, human figure, and spatial structures all belong to the same perspective system. Keep the buildings monumental, simple, and geometric. Typography should be oversized, tall, condensed, and integrated into the composition rather than floating as flat overlay text. Human figures should look realistic, naturally posed, and scaled against the architecture. Add clean editorial microcopy, secondary headlines, and small annotations with strong hierarchy and controlled information density. Poster 1: TYPE VOID Create a monumental concrete wall with the word “VOID” carved completely through the structure as real architectural openings. The inner surfaces of the carved letters should be safety orange, revealing strong physical depth. A realistic young man stands or steps naturally within the D-shaped opening. Place the word “TYPE” in giant warm-ivory perspective typography across the sky. Add secondary text such as “WORDS BECOME OPENINGS”, “STEP THROUGH”, and “POSITIVE / NEGATIVE”. The image should feel architectural, clear, and conceptually striking. Poster 2: SHIFT FRAME Create a dramatic low-angle view of offset brutalist concrete platforms with a realistic young woman seated near the edge. Surround and intersect her with a rotated semi-transparent orange spatial frame that has visible depth and thin ivory structural edges. Place the main title “SHIFT FRAME” across the sky in huge perspective typography. Add secondary text such as “OFF AXIS”, “MOVE THE GRID”, and “BETWEEN PLANES”. The image should feel bold, layered, and spatially dynamic. Poster 3: TYPE DEPTH Create a brutalist concrete setting where the word “TYPE” becomes giant three-dimensional extruded letterforms with warm-ivory faces and orange side depth. A realistic young woman moves naturally through or between the letters, making the typography feel inhabitable. Place the word “DEPTH” farther back in perspective in the sky. Add secondary text such as “WORDS HAVE WEIGHT”, “STEP INSIDE”, and “TYPE IN SPACE”. The image should clearly show typography turning into physical space. Poster 4: FLOAT LEVEL Create two large offset concrete slabs with a realistic young man walking along the upper level. Add two separated translucent spatial planes, one larger and smoky behind him and one smaller orange plane in front, as if a box has been pulled apart into layers. Place the main title “FLOAT LEVEL” in huge perspective typography across the sky. Add secondary text such as “BETWEEN PLANES”, “NO FIXED GROUND”, and “OFFSET HEIGHT”. The image should feel open, suspended, and layered. All four posters should belong to the same visual family while each one explores a different relationship between architecture, typography, human scale, and three-dimensional spatial intervention.
