中轴夹景文化展览海报设计提示词

[Subject]: ____
[Chinese Main Title]: ____
[English Title]: ____
[Left Subject]: ____
[Right Subject]: ____
[Composition Method]: Double-sided Squeezed View / Mirroring Contrast / Four-corner Array / Dual-object Juxtaposition
[Main Background Color]: ____
[Title Color]: ____
[Subject Material / Style]: ____
[Date / Venue]: ____
[Aspect Ratio]: 9:16

Generate a "Central Axis Squeezed View" poster with strong visual impact and a high-end cultural exhibition temperament.

First establish a clear and stable vertical central axis, then let the left and right subjects jointly apply visual weight toward the center, "squeezing" the main title and core information into the visual focus of the frame.

The left and right subjects must be large enough to occupy the main visual weight and be close to the edges of the frame to create a sense of cropping. The two sides can differ in form, size, material, and details, but the overall visual weight must be balanced, avoiding mechanical mirroring or simple duplication.

Choose a composition method based on the content:

Double-sided Squeezed View: Two large subjects move from the left and right toward the center, with a huge title placed on the central axis.
Mirroring Contrast: Two faces, masks, or profiles of characters face each other, creating intense dialogue and tension in the middle.
Four-corner Array: 4 subjects of the same type but different shapes are arranged around a central longitudinal title, forming a stable collection array.
Dual-object Juxtaposition: Two artifacts are placed side by side, with the central axis establishing order through the title, date, and decorative patterns.

The Chinese main title must become an important visual element, which can use oversized vertical alignment, mixed horizontal and vertical layout, partial cropping, or slight overlapping with the subject, rather than just being plainly placed at the top.

Small English, dates, locations, and exhibition descriptions should be concentrated within 2–3 information zones, creating a distinct font size contrast through the oversized title and tiny text. Information density can be rich, but it must be concentrated and hierarchical, not evenly spread across the layout.

Use a large area of solid color background to establish strong recognition, such as vermilion, cobalt blue, lemon yellow, purple, dark brown, or grass green. Control the overall palette to 3–4 main colors, creating contrast through subject materials, typography, and a small amount of accent colors.

Visual style reference: Museum Exhibition Poster × Contemporary Editorial Graphic Design: historical artifacts, figures, cultural relics, or traditional cultural subjects combined with bold, modern, and clear typography.

Overall requirements: strong central axis, strong subject, strong color gamut, stable but not stiff composition; rich in detail but not cluttered; obvious collision between classical content and modern design language.

【主题】：____
【中文主标题】：____
【英文标题】：____
【左侧主体】：____
【右侧主体】：____
【构图方式】：双侧夹景 / 镜像对照 / 四角阵列 / 双器并置
【背景主色】：____
【标题颜色】：____
【主体材质 / 风格】：____
【日期 / 场馆】：____
【画面比例】：9:16

生成一张具有强视觉冲击和高级文化展览气质的「中轴夹景」海报。

先建立一条明确、稳定的垂直中轴，再让左右主体共同向中央施加视觉重量，把主标题与核心信息“夹”成画面焦点。

左右主体必须足够大，占据主要视觉重量，并靠近画面边缘产生裁切感。两侧可以在形态、尺寸、材质和细节上不同，但整体视觉重量要平衡，避免机械镜像或简单复制。

根据内容选择构图方式：

双侧夹景：两个大型主体从左右向中央靠拢，中轴放置巨大标题。
镜像对照：两张脸、面具或人物侧面相向，中间形成强烈对话与张力。
四角阵列：4 个同类但不同造型的主体围绕中央纵向标题排列，形成稳定馆藏阵列。
双器并置：两件器物左右并列，中轴通过标题、日期和装饰纹样建立秩序。

中文主标题必须成为重要视觉元素，可采用超大纵排、横竖混排、局部裁切或与主体轻微叠压，不要只是普通放在顶部。

小型英文、日期、地点、展览说明集中在 2–3 个信息区内，通过超大标题与极小文字形成明显字号反差。信息密度可以丰富，但必须集中、有层级，不要平均撒满版面。

使用一个大面积纯色背景建立强烈识别度，例如朱红、钴蓝、柠檬黄、紫色、深棕或草绿。整体控制在 3–4 个主要颜色，通过主体材质、Typography 与少量点缀色形成对比。

视觉风格参考 Museum Exhibition Poster × Contemporary Editorial Graphic Design：历史器物、人物、文物或传统文化主体，与大胆、现代、清晰的 Typography 结合。

整体要求：强中轴、强主体、强色域，构图稳定但不僵硬；细节丰富但不杂乱；古典内容与现代设计语言发生明显碰撞。