中国風ミニマルカラーパレットの山水アートポスター

[Subject]: {Fill in}
[Main Color Gamut]: {Fill in}
[Landscape]: {Fill in}
[Micro-narrative]: {Fill in}
[Chinese Inscription]: {Fill in}
[Aspect Ratio]: 9:16

Generate a high-completion Chinese minimalist art exhibition poster, blending Oriental landscape white space, modern Editorial Design, abstract color field painting, and paper art.

Use clean warm ivory art paper as the background, and establish the mood with an irregular [Main Color Gamut] block occupying about 40%–55% of the frame. The color block should have the texture of fine mineral pigments, gouache, screen printing, and paper penetration, with natural edges and slight water marks and shading inside, while remaining clean without dirty or aged textures.

Add an extremely thin ink-black [Landscape] between the color field and white space, using distant silhouettes such as coasts, ridges, forests, long embankments, or architecture. Include a very small [Micro-narrative] to create a sense of scale contrast and storytelling through "large color field × micro landscape × small person/small building."

The Chinese main title uses tall and thin Songti or modern Mingti, prioritizing vertical layout; paired with small English Serif, dates, FIELD NOTES, and other micro-editorial information, and adding [Chinese Inscription], a few handwritten notes, and a tiny vermilion cinnabar red seal.

Maintain "simple large structure, rich micro-details": minimalist from a distance, layered up close. Redesign the color field flow, landscape structure, and narrative content for different themes, rather than just changing colors and titles.

Avoid: crude blankness, rough flat painting, template color-swapping, giant black mountains, travel illustrations, excessive traditional style, dirty aging, random cracks, AI gibberish, UI, Logo, watermark, numbers, four-pointed stars, and sparkles.