中式极简当代艺术展览海报提示词

[Theme]: {Fill in the theme of the work}
[Main Color Gamut]: {Cinnabar Orange / Indigo / Mineral Green / Mist Purple, etc.}
[Landscape]: {Wetlands / City Rooftops / Bamboo Forest / Mountain Gaps, etc.}
[Visual Dynamics]: {Migration Arc / Vertical Rain Curtain / Diagonal Wind Field / Double-sided Framing, etc.}
[Micro-narrative]: {Figures / Bird flocks / Small Boat / Suspension Bridge / Architecture, etc.}
[Chinese Title]: {Fill in}
[Chinese Colophon]: {Fill in one short sentence}
[Aspect Ratio]: 9:16

Generate a high-finish Chinese minimalist contemporary art exhibition poster, blending Eastern landscape white space, modern Editorial Design, abstract large color gamuts, paper art, and independent publication visuals.

Use clean, warm ivory white art paper as the background, and establish the main mood with a [Main Color Gamut] block occupying about 40%–55% of the frame. The color gamut should have the delicate texture of mineral pigments, gouache, screen printing, and paper penetration, with natural, irregular edges, and subtle brush marks, shading variations, and paper exposure within, while remaining clean and complete, avoiding dirtiness or random mottling.

Add a low or partially cropped ink-black [Landscape] and reorganize the composition based on the [Visual Dynamics]. Create a clear sense of direction through bird flocks, rain lines, wind paths, valleys, bridges, etc.; do not simply replicate a fixed template of "black horizontal line + bottom color block" for every image.

Include very small [Micro-narratives] within the landscape, using the scale contrast of "large color gamut × micro-landscape × small figures / small buildings" to increase the sense of space and storytelling. Details should be rich but restrained; from a distance, the color gamut and composition are seen first, and only upon closer inspection are the figures, paths, plants, buildings, and micro-narratives discovered.

The Chinese main title should use high-thin Songti or modern Ming dynasty fonts, preferably in a vertical layout, allowing the text to participate in the composition; pair it with a small amount of Serif English, dates, FIELD NOTES, observation information, [Chinese Colophon], natural handwritten notes, and a tiny cinnabar seal to form an exquisite Editorial information hierarchy.

Overall requirements: Clear large structure, rich micro-information, full yet restrained colors, minimalist but not crude, white space but not empty; each work should be redesigned with color gamut shapes, landscape structures, and visual dynamics based on the theme to form a unified series while maintaining the independence of each piece.

Avoid: Rough flat fills, cheap vector feel, template color swapping, huge black mountains, common travel illustrations, excessive ancient style, excessive white space, random cracks, dirty black spots, strong grain, AI gibberish, UI cards, logos, watermarks, frame numbering, four-pointed stars, and sparkles.

【主题】：{填写作品主题}
【主色域】：{朱砂橙 / 靛青 / 矿物绿 / 雾紫等}
【地景】：{湿地 / 城市屋脊 / 竹林 / 山隙等}
【视觉动势】：{迁徙弧线 / 垂直雨幕 / 斜向风场 / 双侧夹景等}
【微型叙事】：{人物 / 鸟群 / 小舟 / 悬桥 / 建筑等}
【中文标题】：{填写}
【中文题跋】：{填写一句短句}
【画幅】：9:16

生成一张高完成度的中式极简当代艺术展览海报，融合东方地景留白、现代 Editorial Design、抽象大色域、纸本艺术与独立出版物视觉。

以干净温润的暖象牙白艺术纸为背景，用一块占画面约 40%–55% 的【主色域】建立主要情绪。色域具有矿物颜料、水粉、丝网印刷与纸张渗透的细腻质感，边缘自然、不规则，内部保留轻微刷痕、浓淡变化与纸面露白，但保持干净完整，不做脏旧和随机斑驳。

加入低矮或局部裁切的墨黑【地景】，并根据【视觉动势】重新组织画面结构。可以通过鸟群、雨线、风径、山谷、桥梁等形成明确的方向感，不要每张都复制“黑色横线 + 下方色块”的固定模板。

在地景中加入非常小的【微型叙事】，用“大色域 × 微地景 × 小人物 / 小建筑”的尺度反差增加空间感和故事感。细节丰富但保持克制，远看先看到色域与构图，近看才发现人物、路径、植物、建筑和微型叙事。

中文主标题使用高瘦宋体或现代明朝体，优先纵向排版，让文字参与构图；搭配少量 Serif 英文、日期、FIELD NOTES、观察信息、【中文题跋】、自然手写注记与一枚极小朱砂印记，形成精致的 Editorial 信息层级。

整体要求：大结构明确、微信息丰富，色彩饱满但克制，极简但不简陋，留白但不空洞，每张作品根据主题重新设计色域形态、地景结构和视觉动势，形成统一系列感，同时保持独立作品性。

避免：粗糙平涂、廉价矢量感、模板换色、巨大黑山、普通旅游插画、过度古风、过度留白、随机裂纹、脏污黑点、强颗粒、AI 乱码、UI 卡片、Logo、水印、画面编号、四角星芒和 Sparkle。