Build a morning greeting-style visual around any theme: first transform the theme's semantics into a core carrier with a forward direction, placed in the lower-middle to right part of the frame, retaining a clear large outline and a few key details, while using slow shutter panning to create intense horizontal trailing shadows, edge splitting, and an air-wiping sensation; the movement direction is from the bottom left to the top right, with the light-receiving side forming a soft, bright outline and local warm glow, allowing the emotion of "moving towards the light" to be perceived before the specific object. Keep the upper part open, clean, and continuous high-brightness white space as a breathing area for large characters; the lower part uses low-angle environment, dark foreground, and slightly blurred textures to bear weight, with distant outlines softened, and the core carrier partially merging with the background in motion blur, yet the visual focus remains on the bright area to the right. Colors are derived from the theme itself: select high-brightness, low-to-medium saturation primary colors that best express morning, hope, and cleanliness to cover large background areas, paired with low-brightness dark colors of the same theme concentrated in the lower environment, using near-white for light-receiving surfaces and main text, and extracting a tiny amount of high-saturation highlights from complementary or adjacent warm colors of the theme; the overall look is bright and transparent, with a strong sense of air and pure color planes, warm light only seeping along the direction of movement, not forming muddy and heavy composite colors. Typography adopts multi-level editorial design: the top features ultra-large white English handwriting spanning the white space, with slender ligatures, exaggerated ascenders and descenders, and long-tail underlines forming a light sense of speed; below it are two lines of large, high-contrast Chinese Songti, with relaxed letter spacing and offset line breaks, interspersed with small italic years or short notes; the top left and right are placed with small circular logos, brand short words, date, and day of the week, forming a quiet corner order. A fine hairline vertical line and rotated small serif English are set on the left to lengthen the reading path; the lower dark area centrally carries short sentences, starting with a line of warm script as an emotional introduction, then using bold white sans-serif titles and thinner white body text to form a clear hierarchy, ending with a small square information seal in the lower right. All text content is generated from the current theme, retaining a large amount of breathing space, a top-light bottom-heavy balance, and the tension of the right-side dynamic focus; imaging maintains natural backlighting, lens flare, shallow depth of field, and panning blur of real photography, the image is clean and soft, not treating motion blur as a uniform filter, nor letting text press down on the theme outline and morning light channel. Theme: City elements + Good morning greetings + 2026-07-20 + Dos and Don'ts 围绕任意主题内容构建清晨问候式视觉:让主题语义先转化为一个具有前进方向的核心载体,置于画面中下部偏右,保留清晰的大轮廓与少量关键细节,同时以慢门追随拍摄制造强烈横向拖影、边缘分身和空气擦拭感;运动方向由左下向右上,受光侧形成柔亮轮廓与局部暖光晕,使“向光而行”的情绪先于具体对象被感知。上方保持开阔、洁净、连续的高明度留白,作为大字呼吸区;下方以低机位环境、深色近景和轻微虚化纹理承接重量,远处轮廓柔化,核心载体与背景在速度模糊中局部融合,但视觉焦点仍落在偏右的明亮区域。色彩由主题自行派生:选取最能表达清晨、希望与洁净感的高明度低至中饱和主色覆盖大片背景,搭配同主题的低明度深色集中于下方环境,以接近白色承担受光面和主要文字,再从主题的互补或邻近暖色中提取极少量高饱和点睛;整体明亮通透、空气感强、色面纯净,暖光只沿运动方向渗入,不形成浑浊厚重的综合色。排版采用多层级编辑设计:上方以超大白色英文手写体横跨留白,细长连笔、夸张升降部与长尾划线形成轻盈速度感;其下安排两行大号高反差中文宋体,字距舒展、错位换行,穿插小号斜体年份或短注;顶部左右分置小型圆形标识、品牌短字、日期与星期,形成安静的边角秩序。左侧设置细发丝竖线与旋转的小号衬线英文,拉长阅读路径;下方深色区域集中承载短句,先以一行暖色书写体作情绪引子,再用粗白无衬线标题和较细白色正文形成清晰跳级,右下以小型方形信息章收束。文字内容全部从当前主题生成,保留大量呼吸空间、上轻下重与右侧动态焦点的张力;成像保持真实摄影的自然逆光、镜头炫光、浅层次景深和追焦拖影,画面干净柔和,不把速度模糊处理成均匀滤镜,也不让文字压住主题轮廓与晨光通道。 主题:城市元素+早安问候+2026-07-20+今日宜忌

Créez une image avec un ratio 1:1 une publicité rêveuse de [Brand], une marque conçue sous forme de capsule bulle avec un emballage parachute en couleur de la marque contenant leur produit classique, sur fond de ciel bleu et d'autres emba

Convertissez cela en une scène ultra-réaliste, cinématique, pleinement photoréalistique. Les personnages doivent être transformés en versions réelles humaines des références originales téléchargées, tout en maintenant leur identité, leur st