彩线旅行姿态笔记双联海报

Please make each of my uploaded personal travel photos into an independent high-end color line editing poster, not a multi-photo collage, output each photo individually. The overall composition uses a 3:4 vertical diptych, with the clearly visible real original photo kept at the top and the same person refined as a 'Color Line Travel Gesture Note' at the bottom; the height of the top and bottom areas is close to 1:1, separated by a clear, horizontal boundary, no fogging, no overlapping. Only output the front of the poster, do not generate photo frames or display mockups.

The top half occupies about 47%–50% of the screen, faithfully retaining the original photo. Accurately maintain the character identity, quantity, head-to-body direction, movements, gestures, facial orientation, clothing, camera, mobile phone, backpack, umbrella, and other key travel objects, as well as the real positional relationship between characters and locations. Retain the original natural light and shadow, real texture, and color atmosphere, only performing slight travel magazine-style color grading and extremely thin film grain processing. Do not redraw characters, change faces and gestures, add or delete objects, replace backgrounds, stretch, mirror, or move the subject.

In the bottom half, do not redraw the complete photo, and do not trace the entire background. First, identify the most expressive body movement axis of the photo, such as raising a camera, reaching out to point, holding an umbrella, waving, walking, looking back, cycling, or moving forward with a backpack; only keep the character's movement, head-to-body direction, key objects, main clothing color, and one environmental clue that can explain the location. Keep only minimal facial expressions, focusing on expressing posture, direction, and the body feeling at that time.

Adopt a reduced and refined composition. Color line figures usually occupy about 35%–58% of the redrawing area, placed in the center or towards the side of the movement, with about 45%–65% continuous warm white paper space around them. Form a relationship of density and direction between characters, location clues, and text, do not squeeze everything in the center. Only one to three environmental clues are kept, such as a section of mountain shape, tower shadow, eaves, flower branches, railings, water surface, or road direction, drawing a complete street scene is prohibited.

Use four to six colored markers, crayons, or fiber pens with slightly uneven thickness and manual jitter to reorganize characters. The colored lines themselves bear the structure of hair, clothing, arms, movements, and objects, and full coloring is not performed. Allow broken lines, misalignments, re-tracing, pressure changes, contour echoes, and a small amount of scratches, making the lines like real handwriting left during casual observation rather than clean vector icons.

Add at most three small symbols related to movement, such as directional arrows, action echoes, focus frames, star points, or simplified flower shapes, which cannot form a graffiti sticker wall.

配色从上方照片提取四至六种明快但柔和的颜色，并用黑色、深灰或照片中的深色统一表情和文字。保持服装与环境的原有色彩性格，不套用彩虹模板，不使用霓虹高饱和，也不凭空添加与照片无关的颜色。
Extract four to six bright but soft colors from the photo above, and use black, dark gray, or dark colors from the photo to unify expressions and text. Maintain the original color character of clothing and environment, do not apply rainbow templates, do not use neon high saturation, and do not add colors unrelated to the photo out of thin air.

Add a set of clearly readable hand-drawn text in the continuous paper-white area. Refine a 1–3 English word main title based on the movements, location clues, or travel objects actually visible in the photo; add the field 'GESTURE NOTE 01', numbering multiple photos in sequence; then add a row of 5–12 English word observation sentences.

The main title uses a larger hand-drawn marker font consistent with the line drawing, which must be clearly identifiable in normal chat previews; the fields and short sentences are smaller but still readable. Text can be slightly misaligned or re-traced, but no garbled characters may appear. Use movements or scene themes when the location cannot be confirmed, do not fabricate place names, dates, and coordinates.

The whole thing should be like a movement footnote carefully preserved in a travel sketchbook: character postures are accurate, color lines are relaxed and have a handmade feel, white space is sufficient, and text naturally participates in the composition.

Avoid anime characters, full-color cartoons, clean vector icons, fine realistic portraits, panoramic redrawing, dense stickers, children's coloring books, extra characters, wrong fingers, author names, accounts, logos, QR codes, watermarks, fake Chinese, and garbled characters.

请将我上传的每一张人物旅行照片分别制作成一张独立的高级彩线编辑海报，不多图拼接，每张照片单独输出。整体采用3:4竖版双联构图，上方保留清楚可见的真实原图，下方将同一人物提炼为“彩线旅行姿态小记”；上下区域高度接近1:1，以清晰、水平的边界分隔，不雾化、不重叠。只输出海报正面，不生成相框或展示Mockup。

上半部分约占画面47%–50%，忠实保留原始照片。准确保持人物身份、数量、头身方向、动作、手势、面部朝向、衣着、相机、手机、背包、雨伞等关键旅行物件，以及人物与地点之间的真实位置关系。保留原有自然光影、真实质感和色彩氛围，只进行轻微旅行杂志式调色与极薄胶片颗粒处理。不得重绘人物、改变脸部和手势、增删物件、替换背景、拉伸、镜像或移动主体。

下半部分不要转绘完整照片，也不要描摹全部背景。先识别照片最有表现力的身体动作轴线，例如举起相机、伸手指向、撑伞、挥手、行走、回头、骑行或背包前进；只保留人物动作、头身方向、关键物件、服装主色，以及一项能够说明地点的环境线索。脸部只保留最低限度表情，重点表现姿态、方向和当时的身体感觉。

采用缩小提炼构图。彩线人物通常占转绘区约35%–58%，置于中央或偏向动作前进的一侧，周围保留约45%–65%连续暖白纸面。人物、地点线索和文字之间形成疏密与方向关系，不把所有内容挤在中心。环境只保留一至三条线索，例如一段山形、塔影、屋檐、花枝、栏杆、水面或道路方向，禁止重画完整街景。

使用四至六种粗细略不均、带手工抖动的彩色马克笔、蜡笔或纤维笔线条重新组织人物。色线本身承担头发、服装、手臂、动作和物件结构，不进行完整填色。允许出现断线、错位、重描、压力变化、轮廓回声和少量擦痕，使线条像随手观察时留下的真实笔迹，而不是干净的矢量图标。

最多加入三枚与动作有关的小符号，例如方向箭头、动作回声、焦点框、星点或简化花形，不能形成涂鸦贴纸墙。

配色从上方照片提取四至六种明快但柔和的颜色，并用黑色、深灰或照片中的深色统一表情和文字。保持服装与环境的原有色彩性格，不套用彩虹模板，不使用霓虹高饱和，也不凭空添加与照片无关的颜色。

在连续纸白处加入一组清楚可读的手绘文字。根据照片真实可见的动作、地点线索或旅行物件提炼一个1–3个英文单词的主标题；加入字段“GESTURE NOTE 01”，多张照片依次编号；再加入一行5–12个英文单词的观察句。

主标题采用与线画一致的较大手绘马克笔字，在正常聊天预览中必须清楚辨认；字段与短句较小但仍可读。文字可轻微错位或重描，但不得出现乱码。无法确认地点时使用动作或场景主题，不编造地名、日期和坐标。

整体应像一本旅行速写册里被认真保留下来的动作注脚：人物姿态准确，彩线轻松而有手感，留白充足，文字自然地参与构图。

避免动漫人物、完整填色卡通、干净矢量图标、精细写实肖像、全景转绘、密集贴纸、儿童涂色书、额外人物、错误手指、作者名、账号、Logo、二维码、水印、假中文和乱码。