Brand: [BRAND NAME] Product / Campaign: [PRODUCT OR CAMPAIGN] Main Word: [SHORT WORD] Subject: [PERSON / PRODUCT ONLY / BOTH] Product Perspective Role: [FRAME / RAIL / CORRIDOR / VIEWFINDER / OTHER] Perspective Type: [LOW ANGLE / SINGLE-POINT / TUNNEL / FRAME / OTHER] Main Color: [COLOR] Accent Color: [COLOR] Campaign Details: [SLOGAN / SPECS / DATE] Aspect Ratio: [9:16] Create a bold commercial campaign poster where **the product itself becomes the starting point of the perspective system**. Do not simply place the product inside a perspective scene. Use its real geometry, edges, frame, lens, sole, bottle shape, handles, or other structural features to establish the direction, depth, and vanishing point of the entire composition. Place the product prominently in the foreground with strong but controlled forced perspective. Keep its structure realistic, accurate, recognizable, and commercially believable. Build the rest of the scene outward from the product. Extend its visual lines into a runway, corridor, frame system, tunnel, or other spatial structure, using **one clear perspective direction and one consistent vanishing point**. Integrate one oversized main word into this same spatial system. The typography should become part of the perspective rather than flat background text. Let letters grow larger toward the foreground, shrink into the distance, frame the subject, or form spatial structures that follow the same perspective geometry. If a human subject is included, capture them during a natural dynamic movement such as walking, running, turning, or crossing the space. Keep anatomy, hands, limbs, clothing, and body balance realistic. The subject should interact naturally with both the product and oversized typography. Create clear foreground–subject–background layering. Allow selected parts of the product or typography to move in front of the subject while other parts remain behind, creating real dimensional depth without excessive fragmentation. Use a bold high-saturation color system with one dominant color, one strong contrasting accent, and restrained black, white, or metallic neutrals. Add 2–3 compact information areas with meaningful campaign details such as the brand name, product name, specifications, materials, performance features, or slogan, plus a clean footer. The final image should feel like a finished premium campaign key visual — bright, dimensional, dynamic, product-focused, information-rich, and immediately eye-catching in a social feed. 品牌:[BRAND NAME] 产品 / 活动:[PRODUCT OR CAMPAIGN] 关键词:[SHORT WORD] 主体:[PERSON / PRODUCT ONLY / BOTH] 产品透视角色:[FRAME / RAIL / CORRIDOR / VIEWFINDER / OTHER] 透视类型:[LOW ANGLE / SINGLE-POINT / TUNNEL / FRAME / OTHER] 主色:[COLOR] 点缀色:[COLOR] 活动详情:[SLOGAN / SPECS / DATE] 纵横比:[9:16] 创建一个大胆的商业活动海报,其中产品本身成为透视系统的起点。 不要只是简单地将产品放入透视场景中。利用其真实的几何形状、边缘、框架、镜头、鞋底、瓶身形状、手柄或其他结构特征,建立整个构图的方向、深度和消失点。 将产品显著地放置在前景中,采用强烈但受控的强制透视。保持其结构真实、准确、可辨识且具有商业可信度。 以产品为中心向外构建场景的其余部分。将其视觉线条延伸到跑道、走廊、框架系统、隧道或其他空间结构中,使用一个清晰的透视方向和一个一致的消失点。 将一个超大的主词集成到这个相同的空间系统中。排版应成为透视的一部分,而不是扁平的背景文本。让字母向前景变大,向远处缩小,框住主体,或形成遵循相同透视几何结构的空间结构。 如果包含人物主体,请捕捉他们在行走、跑步、转身或穿过空间等自然动态运动中的瞬间。保持解剖结构、手部、四肢、服装和身体平衡的真实性。主体应与产品和超大排版自然互动。 创建清晰的前景-主体-背景层次。允许产品或排版的选定部分移动到主体前面,而其他部分保留在后面,在没有过度碎片化的情况下创造真实的维度深度。 使用大胆的高饱和度色彩系统,包含一种主导色、一种强烈的对比点缀色,以及克制的黑色、白色或金属中性色。 添加2-3个简洁的信息区域,包含有意义的活动详情,如品牌名称、产品名称、规格、材料、性能特征或标语,以及一个干净的页脚。 最终图像应感觉像是一张完成的高端活动主视觉图——明亮、立体、动态、以产品为中心、信息丰富,且在社交动态中立即引人注目。

TITLE: Taking Out the Trash IDENTITY LOCK: None. STYLE: Ultra-realistic photorealism. Authentic handheld iPhone 16 Pro photography. Casual Instagram-style lifestyle photo. Natural HDR with minimal retouching. Authentic skin texture. SUBJ

A photorealistic cinematic vertical portrait of a young woman in her early twenties, around 20 years old, seated closely to the camera in a warm, intimate indoor party setting. Her specific ethnicity or race cannot be reliably determined fr

3:4 aspect ratio, collarbone, from the bed in the room, elongated eye composition, lying on back, sleepy expression, not noticing here, composition from above, holding a cylindrical body pillow to cover the front, crossing legs to clamp the