蜡笔旅行小记对比海报摄影插画

Please turn each travel photo I upload into an independent "Crayon Travel Notes" comparison poster, no multi-image stitching, each photo output individually.

Overall adopts a 3:4 vertical composition, the top and bottom two areas are close to 1:1 in height, separated by a clear, straight horizontal boundary. Do not use gradients, feathering, or mutual penetration effects in the middle.

The top half faithfully preserves the original photo, accurately maintaining the people, animals, buildings, vehicles, boats, natural landscapes, action directions, observation angles, spatial relationships, real textures, natural light and shadow, and the original color atmosphere in the photo. Only perform slight travel magazine photography color grading and add very thin film grain. Do not redraw, move, replace, or distort the main subjects in the original photo.

The bottom half is a piece of warm off-white drawing paper with obvious fibers and slight paper teeth, preserving large areas of clean, continuous paper white space.

In the center of the bottom half, embed an independent horizontal drawing paper fragment. The paper fragment occupies about 70%—80% of the width and about 40%—50% of the height of the bottom area, with soft, natural, slightly irregular hand-torn deckle edges and paper fibers, do not use smooth regular digital frames.

The crayon illustration in the horizontal paper fragment must come from the same photo above. Do not just extract an isolated person or object, but instead preserve the most important narrative composition and spatial relationship of the original photo:

- Preserve one most recognizable main subject;
- Preserve the main subject's original posture, direction, and positional relationship;
- Preserve one to three clues that can explain the location or environment;
- Let the main subject, roads, buildings, mountains, water, sky, or other key elements in the illustration clearly correspond with the photo above;
- Delete messy backgrounds, distant details, photographic noise, tiny text, and irrelevant decorations.

The bottom is not a mechanical tracing of the entire photo, but rather a compression of the complete scene into a short, naive, memory-evoking horizontal crayon drawing. Appropriately change cropping, detail density, and the number of colors, but do not change the subject's identity, quantity, action direction, and key scene relationships.

Complete the illustration using round-tip thick crayons, oil pastels, and a very, very small amount of pencil. Use intermittent, slightly hesitant dark grey or black thick crayon outlines as the main structure, expressing uneven hand pressure, pen stops, re-tracing, over-the-line coloring, paper grain showing through, slight smudging, colors not completely filled, and irregular stroke breaks.

Shapes are simple, rounded, and slightly clumsy, with the intimacy of a private travel sketchbook and old picture books. You can choose not to depict realistic facial features or pursue accurate perspective, but the main subject must remain instantly recognizable through its outline, posture, and iconic items. The image should be naive but not childish, relaxed but not sloppy.

Extract two to four soft colors from the photo above, paired with black or dark grey outlines. Retain the most memorable characteristic colors of the photo, such as the blue of buildings, the orange of vehicles, the grey-blue of lake water, the green of grass, or the pink of flowers. Reduce the number of colors and saturation, do not use fixed navy blue, rainbow palettes, or colors unrelated to the original photo.

Add a natural English handwritten caption above and below the horizontal drawing core respectively:

- The top text describes the location, weather, subject, or scene relationship truly visible in the photo;
- The bottom text records a slight emotion or observation brought by this moment;
- The two sentences should be short, natural, and human-like, like sentences jotted down during a trip;
- Do not use numbers, years, archive fields, advertising slogans, or standardized poster titles.

The text uses loose, slightly shaky graphite pencil or crayon handwriting, preserving paper teeth, broken strokes, and natural writing errors. The font size must be clearly readable in chat previews; the text should look like it is truly written on the paper surface, rather than post-added smooth digital typography.

The overall presentation is a gentle contrast between real travel photography and a private crayon sketchbook. The top records the scene that actually happened at the time, while the bottom leaves behind shapes and colors after memory deletion and a light annotation.

Avoid isolated character icons, sticker-style subjects, complete realistic background redrawing, children's cartoons, emojis, rainbow color schemes, smooth vector lines, automatic photo outlining, digital filters, full-bleed illustrations, regular frames, dense decorations, gibberish, fake Chinese, author names, signatures, brand logos, QR codes, and watermarks.

请将我上传的每一张旅行照片分别制作成一张独立的“蜡笔旅行小记”对比海报，不多图拼接，每张照片单独输出。

整体采用3:4竖版构图，上下两个区域高度接近1:1，以清晰、平直的水平边界分隔。不得在中间使用渐变、羽化或相互渗透效果。

上半部分忠实保留原始照片，准确保持原照片中的人物、动物、建筑、车辆、船只、自然景观、动作方向、观察角度、空间关系、真实材质、自然光影和原有色彩氛围。仅进行轻微的旅行杂志摄影调色，并加入极薄的胶片颗粒。不得重新绘制、移动、替换或扭曲原照片中的主体。

下半部分是一张具有明显纤维和轻微纸齿的温暖米白色画纸，保留大面积干净、连续的纸张留白。

在下半部分中央嵌入一张独立的横向绘画纸片。纸片占下半区域宽度约70%—80%、高度约40%—50%，边缘带有柔软、自然、轻微不规则的手撕毛边和纸纤维，不使用光滑规则的数码相框。

横向纸片中的蜡笔插画必须来自上方同一张照片。不要只提取一个孤立人物或物件，而是保留原照片最主要的叙事构图和空间关系：

- 保留一个最具识别度的主体；
- 保留主体原本的姿态、方向和位置关系；
- 保留一至三项能够说明地点或环境的线索；
- 让插画中的主体、道路、建筑、山、水、天空或其他关键元素能够与上方照片清楚对应；
- 删除杂乱背景、远处细节、摄影噪声、微小文字和无关装饰。

下方不是将整张照片机械描摹一遍，而是把完整确的场景压缩成一幅简短、稚拙、带有记忆感的横向蜡笔小画。适当改变裁切、细节密度和色彩数量，但不得改变主体身份、数量、动作方向和关键场景关系。

使用圆头粗蜡笔、油画棒和少少少量量铅笔完成插画。以断断续续、略带迟疑的深灰或黑色粗蜡笔轮廓作为主要结构，表现软硬不均的手部压力、停笔、重描、越线填色、纸纹透底、轻微擦脏、颜色没有完全填满以及不规则的笔触断口。

造型简洁、圆润、略显笨拙，带有私人旅行画本和旧绘本的亲切感。可以不描绘写实五官，也不追求准确透视，但必须通过主体轮廓、姿态和标志性物件保持一眼可辨。画面应稚拙但不幼稚，轻松但不潦草。

从上方照片中提取两至四种柔和颜色，配合黑色或深灰色轮廓。保留照片最具有记忆点的特征色，例如建筑的蓝色、车辆的橙色、湖水的灰蓝、草地的绿色或花朵的粉色。降低颜色数量和饱和度，不使用固定海蓝色、彩虹色盘或与原照片无关的颜色。

在横向画芯上方和下方分别加入一句自然的英文手写配文：

- 上方文字描述照片中真实可见的地点、天气、主体或画面关系；
- 下方文字记录这一刻带来的轻微情绪或观察；
- 两句话应简短、自然、有人味，像旅行途中随手写下的句子；
- 不使用编号、年份、档案字段、广告口号或标准化海报标题。

文字采用松动、略微摇晃的石墨铅笔或蜡笔手写体，保留纸齿、断笔和自然书写误差。字号必须能在聊天预览中清楚阅读，文字像真正写在纸面上，而不是后期添加的光滑数码排版。

整体呈现真实旅行摄影与私人蜡笔画本之间的温柔对照。上方记录当时真正发生的场景，下方留下经过记忆删减后的形状、颜色和一句轻轻的注解。

避免孤立人物图标、贴纸式主体、完整背景写实重画、儿童卡通、表情包、彩虹配色、光滑矢量线条、自动照片描边、数字滤镜、满版插画、规则相框、密集装饰、乱码、假中文、作者名字、签名、品牌标志、二维码和水印。