东亚编辑设计风格博物馆海报生成提示词

[Theme]:
[Main Visual Object]:
[Chinese Core Character]:
[Chinese Title]:
[English Title]:
[Physical Relationship]: Projection / Reflection / Transfer / Overlap Revelation / Others
[Archive Information]: Structural Diagram / Material / Dimensions / Process / Local Sample / Others
[Theme Color]:
[Aspect Ratio]: 9:16

Generate a vertical poster with a mature East Asian Editorial Design, Museum Poster, and cultural publication texture.

Use an "unbalanced rule-of-thirds composition," letting the three areas in the image respectively bear:

1. Main Visual Object
2. Giant Chinese Title
3. Archive and Auxiliary Information

Do not slice into three equal columns, and do not draw obvious dividing lines.

Most importantly, design at least one real cross-zone interaction based on the [Physical Relationship], creating a causal relationship between the three areas:

For example, the main body generates an enlarged projection, mirror-reflects text, printing paper peels up from the layout, or a rubbing rolls up to reveal the original.

Don't just put elements near each other; let them truly occlude, intersperse, reflect, transfer, or reveal front and back.

The overall use of warm ivory uncoated art paper, paired with ink black Typography and one main theme color. Chinese uses modern high-contrast Songti / Mingti, English titles use Serif, and small archive information uses Grotesk / Monospace.

The main visual must have a clear large shape, recognizable even as a thumbnail. The giant [Chinese Core Character] must participate in spatial relationships; it can be crossed by shadows, reflected by mirrors, appear in printing results, or form a front-and-back hierarchy with real objects.

Add [Archive Information] truly related to the theme, such as materials, dimensions, process steps, structural sections, surface samples, or observation records, making the poster have both visual impact and content depth.

Maintain medium-to-high information density, but keep at least 20%–30% effective white space, forming a rhythm of "high density for main visual, medium density for archives, low density for paper surface."

Final reading order:

First glance sees the strong main visual and giant Chinese; second glance discovers the cross-zone physical relationship; third glance understands the structure, material, or process; fourth glance reads the work title and archive information.

The same series should unify the paper, font system, information hierarchy, and editorial temperament, but each should be redesigned according to different [Physical Relationships], not just template skin-swapping.

【主题】：
【主视觉对象】：
【中文核心字】：
【中文标题】：
【英文标题】：
【物理关系】：投影 / 反射 / 转印 / 覆盖揭示 / 其他
【档案信息】：结构图 / 材料 / 尺寸 / 过程 / 局部样本 / 其他
【主题色】：
【画面比例】：9:16

生成一张具有成熟 East Asian Editorial Design、Museum Poster 与文化出版物质感的竖版海报。

使用“非均衡三分构图”，让画面中的三个区域分别承担：

1. 主视觉对象
2. 巨型中文标题
3. 档案与辅助信息

不要平均切成三栏，也不要画明显分割线。

最重要的是，根据【物理关系】设计至少一处真实的跨区互动，让三个区域产生因果关系：

例如主体产生放大投影、镜面反射文字、印刷纸从版面揭起、拓片卷起露出原件等。

不要只是让元素彼此靠近，要让它们真正发生遮挡、穿插、反射、转印或前后揭示。

整体使用暖象牙色未涂布艺术纸，搭配墨黑 Typography 和一个主要主题色。中文采用现代高对比宋体 / 明朝体，英文标题使用 Serif，小型档案信息使用 Grotesk / Monospace。

主视觉必须具有明显大形，缩略图也能成立。巨型【中文核心字】要参与空间关系，可以被影子穿过、被镜面反射、出现在印刷结果中，或与真实物体形成前后层级。

加入与主题真正相关的【档案信息】，例如材料、尺寸、工艺步骤、结构剖面、表面样本或观察记录，让海报既有视觉冲击，也有内容深度。

信息密度保持中高，但至少保留约 20%–30% 有效留白，形成“主视觉高密、档案中密、纸面低密”的节奏。

最终阅读顺序：

第一眼看到强主视觉与巨大中文；第二眼发现跨区的物理关系；第三眼理解结构、材料或过程；第四眼阅读作品标题与档案信息。

同系列统一纸张、字体体系、信息层级和编辑气质，但每张根据不同【物理关系】重新设计构图，不做模板换皮。