东方纤维美学：大色域与微缩文化叙事

{
  "Poster_Theme": "[海报主题]",
  "Main_Title": "[主标题]",
  "Core_Large_Color_Field": "[核心大色域]",
  "Main_Color_Tone": "[主色调]",
  "Miniature_Cultural_Scene": "[微型文化场景]",
  "Core_Action": "[核心动作]",
  "Cultural_Artifacts": "[文化器物]",
  "Activity_Information": "[活动信息]",
  "Aspect_Ratio": "9:16",
  "Design_Concept": "Design a cultural activity poster with modern Eastern editorial aesthetics, using 'paper fiber + large color field + active white space + miniature cultural scene' as the core visual method.",
  "Background_Specifications": "Background uses warm, clean ivory handmade paper, preserving extremely light natural fibers and fine pulp texture. The composition actively retains about 45%–60% large-area white space, making the void itself part of the composition, without filling the background with landscape, plants, architecture, or decorative elements.",
  "Visual_Subject_Large_Color_Field": {
    "Area_Ratio": "25%–40%",
    "Form": "Expressed as a curtain, nested layer, long scroll, thin paper, pulp, artifact structure, or other abstract large shapes based on [Poster_Theme], not an ordinary realistic object.",
    "Material_Texture": "Real and high-end handmade paper material feel, including natural long and short fibers, pulp particles, watercolor or mineral pigment deposits, large-scale natural color differences, slight indentations, natural deckle edges, and matte surfaces. Rich but clean and complete, no dirt, yellow spots, severe damage, random mottling, strong noise, or cheap retro effects."
  },
  "Color_System": {
    "Overall_Tone": "[Main_Color_Tone]",
    "Constraint": "Restrained color quantity, low saturation but complete and concentrated color surfaces. Avoid faded, hazy, or old 'Eastern' clichés.",
    "Focal_Point": "One tiny cinnabar red seal or a very small warm color node as a finishing touch, area controlled at 1%–2%."
  },
  "Miniature_Narrative_Scene": {
    "Area_Ratio": "3%–5%",
    "Composition": "Scale is very small but narrative is complete, featuring characters, desktops, tools, and artifacts. Viewers see large shapes and white space first, then discover characters performing [Core_Action] upon closer inspection."
  },
  "Character_Visual_Language": {
    "Style": "2D paper-based light color illustration language, consistent with the poster's paper and pigment texture.",
    "Face_Details": "Restrained lines and dots summarizing facial features, no real skin texture, pores, eye highlights, or photographic shadows.",
    "Body_and_Clothing": "Slight 2D shading for basic volume, clothing uses complete, low-saturation, matte flat color blocks with a few natural linear folds. Faint sticker-contact shadow under feet.",
    "Negative_Constraints": "Prohibit photographic realism, 3D miniature model feel, CGI volume, plastic skin, cinematic lighting, strong rim light, photographic depth of field, and strong projection."
  },
  "Artifacts_and_Integration": {
    "Execution": "Small number of [Cultural_Artifacts] participating in character actions, no neat product displays or cluttered workbenches. Paper-based light color and light Gongbi texture."
  },
  "Scale_Connection": {
    "Mechanism": "A clear but restrained visual link between the miniature scene and huge main visual using a zither string, puppet rod, fiber, lacquer line, paper edge, tool trajectory, or other thin lines.",
    "Requirement": "Real starting point, complete movement, and clear end point; no floating, breaking, or meaningless decoration."
  },
  "Typography_and_Information_Hierarchy": {
    "Main_Title_Style": "Placed in large white space, using slender, upright modern Eastern Songti or Mingti fonts. Medium to small scale, not huge Typography, as the second visual level.",
    "Information_Layout": "Tiny English activity category above the title, short Chinese subtitle below. Date, location, and [Activity_Information] arranged in edge white space with smaller font sizes, forming a professional cultural poster information hierarchy."
  },
  "Overall_Style_Synthesis": "Handmade paper collage, watercolor/mineral pigment texture, 2D paper-based light color illustration, miniature cultural narrative, and modern Eastern editorial design."
}

【海报主题】
【主标题】
【核心大色域】
【主色调】
【微型文化场景】
【核心动作】
【文化器物】
【活动信息】
【画幅比例】9:16 竖版

设计一张具有现代东方编辑美学的文化活动海报，以「纸纤维 + 大色域 + 主动留白 + 微型文化场景」作为核心视觉方法。

背景使用温润、干净的暖象牙白手工纸，保留极轻天然纤维和细腻纸浆纹理。画面主动保留约 45%–60% 的大面积留白，让空白本身成为构图的一部分，不使用大量山水、植物、建筑或装饰元素填满背景。

使用【核心大色域】作为画面的第一视觉主体。大色域占据约 25%–40% 的画面，根据【海报主题】可以表现为幕布、嵌套层、长轴、薄纸、纸浆、器物结构或其他抽象大形，但不要直接做成普通写实物体。

大色域必须拥有真实而高级的手工纸材料感，包括天然长短纤维、纸浆颗粒、水彩或矿物颜料沉积、大尺度自然色差、轻微压痕、自然毛边与哑光表面。材质丰富但保持干净、完整，不做脏旧、黄斑、严重破损、随机斑驳、强噪点或廉价复古效果。

整体主色使用【主色调】，颜色数量保持克制。低饱和但色面必须完整、有浓度，不要把“东方感”理解成褪色、灰蒙或陈旧。可以设置一枚极小朱砂红印记或一个极小暖色节点作为点睛，总面积控制在画面 1%–2%。

在大色域附近加入一个尺度非常小但叙事完整的【微型文化场景】。人物、桌面、工具和器物整体只占画面约 3%–5%，让观者远看先看到大形和留白，靠近后才发现人物正在完成【核心动作】。

所有人物必须采用二维纸本淡彩插画语言，与整张海报使用同一种纸、同一套颜料和同一个画师般的视觉语言。人物面部只用少量克制线点概括五官，不刻画真实皮肤纹理、毛孔、眼球高光或摄影式面部阴影。

人物身体只使用轻微二维明暗表达基础体积，服装主要使用完整、低饱和、哑光的平面色块，仅加入少量连续自然的线性衣褶。人物脚下只保留非常淡的贴纸接触阴影。

禁止摄影真人感、3D 微缩模型感、CGI 体积感、塑料皮肤、电影光影、强轮廓光、摄影景深和强投影。人物必须像直接画在纸上的东方编辑插画。

根据主题加入少量【文化器物】，器物真正参与人物动作，不做整齐商品陈列，不堆满工作台。器物、人物与场景均保持纸本淡彩和轻工笔质感。

在微型场景和巨大主视觉之间建立一个清楚但克制的“尺度连接”。可以根据主题使用一根琴弦、操偶杆、纤维、漆线、纸边、工具轨迹或其他真实来源的细线，将微型手工行为视觉上连接到巨大色域。

连接元素必须有真实起点、完整走势和明确终点，不得漂浮、断裂或作为无意义装饰。

主标题【主标题】放在大面积留白区域，使用纤细、端正、具有现代东方文化机构气质的中文宋体或明朝体。标题保持中小尺度，不使用巨大 Typography，让文字成为第二视觉层级。

标题上方可加入极小英文活动类别，标题下方加入一行简短中文副题。日期、地点与活动信息使用更小字号集中排布在边缘留白区，形成真实文化海报的信息层级。

整体风格融合手工纸拼贴、水彩或矿物颜料肌理、二维纸本淡彩插画、微型文化叙事与现代东方编辑设计。