傍晚公交车熟睡女性生活写真

Character Reference: Strictly refer to the female appearance and body proportions in Figure 1. Diverse dynamic bangs and hairstyle states that comply with physical effects (must not be identical to the hair and bangs state in the original Figure 1).
Suggested Aspect Ratio: 9:16
Full Prompt:
Subject: On a bus returning in the evening, an adult East Asian woman falls asleep unknowingly while sitting in a window seat; a close-up lifestyle photo taken from the perspective of a companion in the adjacent seat.
Character and Clothing: She is wearing a relaxed, long-version American retro off-shoulder short-sleeved T-shirt in a faded off-white base color, with low-saturation retro letters and old poster-style prints on the chest; the state of the clothing is as reasonable as a Western woman not wearing a bra; the thin cotton fabric is soft and oversized, with the length naturally hanging down near the buttocks; the wide off-shoulder collar falls to one side following her posture, forming an asymmetrical shoulder-baring effect. On her lower body, she is only wearing simple light gray cotton underwear, without a skirt or shorts; the long T-shirt covers most of the lower garment in a normal sitting position, only revealing a small amount of the underwear edge and thigh when the body tilts and the hem stacks up.
Sleeping Posture and Movement: She is sitting in the window seat, her back relaxed and sunk into the backrest, having completely fallen asleep. When the vehicle turns, her body naturally tilts toward the window due to inertia, with her head, shoulders, and waist leaning in the same direction; her head is not deliberately pressed against the glass, but gradually moves closer to the window with the swaying of the vehicle. Her legs are naturally put together and placed diagonally; one hand is loosely placed next to a canvas bag on her lap, and the other hand hangs inside the seat.
Fabric Physics: After the body tilts toward the window, the wide off-shoulder collar slides toward the lower shoulder following gravity, revealing the shoulder, clavicle, and soft side of the neck. The main part of the long T-shirt still loosely covers the body, but the fabric at the waist is slightly pinched by the seat and the body; one side of the clothing clearly highlights her good figure, while the hem on the other side stacks upward according to the tilting posture, forming layers of soft folds, briefly revealing the side of the cotton underwear and a section of the upper thigh. All fabric changes come from the vehicle turning, sitting posture, gravity, and contact with the seat.
Expression and State: She is sleeping soundly without realizing it, eyelashes drooping naturally, brows relaxed, lips slightly parted, presenting a tired, relaxed, soft, and alluring state.
Hairstyle State: Maintain the basic identification of the character reference, only letting the bangs, side hair, and hair ends be affected by the sleeping posture, vehicle turning inertia, gravity, and weak airflow inside the car. The hair as a whole shifts toward the window with the body, with a few strands of stray hair sliding across her cheeks, the corners of her mouth, and her exposed shoulder.
Lens Composition: The lens is at the eye level of a companion in a normal sitting position, looking at the woman from a close distance diagonally from the inside. The frame captures the moment the vehicle has just turned and her body is tilting toward the window: the sleepy side profile is at the top of the frame, the wide off-shoulder collar and loose T-shirt sliding to one side are in the center, and the stacked hem, looming underwear side, and closed thighs are at the bottom. The 9:16 close-up composition shoots from the top of the head to the middle of the thighs, not showing the full body.
Scene Lighting: Inside the bus in the evening, the continuous passing blue-gray streetscape, warm shop lights, and red car lights outside the window are reflected on the glass. Cold window light illuminates her forehead, bridge of the nose, and neck, while the warm yellow ceiling light inside the car leaves soft highlights on the cheeks, knitted fabric, and legs; blurry reflections and flowing light bands are retained in the glass.
Photography Texture: A designed intimate lifestyle photo, simulating a real moment seen by a companion friend from a close distance. Slight mobile phone high ISO grain, low contrast, natural highlight overflow, and a small amount of vehicle swaying sensation; the face and main clothing fabrics remain clear. The overall atmosphere is quiet, tired, soft, and ambiguous; the tension comes from the extremely close adjacent distance, the body tilt after falling asleep, and the natural relaxation of the fabric produced by gravity.

{
  "角色参考": "严格参考图1女性容貌，女性身材比例。有符合物理效果的多样化动态刘海状态和发型状态（不能和原图1头发和刘海状态一致）。",
  "建议画幅": "9:16",
  "完整提示词": {
    "主题": "傍晚回程公交车上，成年东亚女性坐在靠窗位置不知不觉睡着，从身旁同行者座位看过去的近距离生活写真。",
    "人物与服装": "她穿一件松弛长版的美式复古斜领一字肩短袖 T 恤，褪色米白底色，胸前带低饱和复古字母与旧海报式印花，衣服状态就像西方女性不穿BAR那么合理，薄棉面料柔软宽大，衣长自然垂到臀部附近；宽阔斜领随姿态落向一侧，形成不对称露肩效果。下身只穿简洁的浅灰色棉质内裤，没有裙子或短裤；长版 T 恤在正常坐姿下覆盖大部分下装，只在身体侧倾、衣摆堆叠时露出少量内裤边缘与大腿。",
  "睡姿动作": "她坐在靠窗座位，背部松弛地陷进椅背，已经完全睡着。车辆转弯时，身体受到惯性影响自然向窗户一侧倾斜，头部、肩膀和腰身沿同一方向偏过去；头并非刻意贴紧玻璃，只是随着车身晃动逐渐靠近窗边。双腿自然并拢斜放，一只手松松搭在腿上的帆布包旁，另一只手垂在座椅内侧。",
  "衣料物理": "身体向窗边倾斜后，宽大斜领顺着重力滑向较低的一侧肩膀，露出肩头、锁骨与柔和颈侧。长版 T 恤的主体仍松垮覆盖身体，但腰侧衣料被座椅与身体轻微夹住，一侧衣服明显凸显出好身材，另一侧衣摆随倾斜姿势向上堆叠，形成层层柔软褶皱，短暂露出棉质内裤侧边与一段大腿根部。所有衣料变化均来自车辆转弯、坐姿、重力与座椅接触。",
  "表情状态": "她毫无察觉地熟睡着，眼睫自然垂落，眉心放松，嘴唇轻轻分开，呈现出疲惫、松弛而柔软的诱人状态。",
  "发型状态": "保持角色参考的基础识别，仅让刘海、脸侧碎发和发梢受到熟睡姿势、车辆转弯惯性、重力与车内微弱气流影响。头发整体随身体向窗边偏移，几缕碎发滑过脸颊、嘴角和露出的肩头。",
  "镜头构图": "镜头位于旁边同行者正常坐姿的视线高度，从女性内侧斜上方近距离看过去。画面捕捉车辆刚刚转弯、她的身体正向窗边倾斜的瞬间：困倦侧脸位于画面上方，滑向一侧的宽斜领和松垮 T 恤位于中央，堆叠衣摆、若隐若现的内裤侧边与并拢大腿位于下方。9:16近距离构图从完整头顶拍到大腿中部，不展示全身。"
    "场景光线": "傍晚公交车内，窗外连续掠过的蓝灰街景、商店暖光和红色车灯映在玻璃上。冷色窗光照亮她的额头、鼻梁和肩颈，车内暖黄顶灯在脸颊、针织衣料和腿部留下柔和高光；玻璃中保留模糊倒影与流动光带。",
    "摄影质感": "经过设计的亲密生活写真，模拟同行朋友近距离看到的真实瞬间。轻微手机高ISO颗粒、低对比、自然高光溢出与少量车辆晃动感，面部和主要衣料仍保持清晰。整体安静、疲惫、柔软而暧昧，张力来自极近的相邻距离、熟睡后的身体侧倾和衣料随重力产生的自然松弛。"
  }
}