疾线建筑观察纪实海报

Please turn each travel photo I upload into an independent "Fast Line Architectural Observation" editorial poster, no multi-image stitching, each photo output individually.

The overall layout uses a 3:4 vertical composition. The top part retains the original photo with substantial area, accurately maintaining the building's identity, number of floors, proportions, domes, towers, eaves, column grids, arches, roads, waterfronts, human and spatial relationships, applying only slight artistic publication color grading and extremely thin film grain treatment, without stretching, moving, reshaping, or illustrating the photographic subject.

The bottom part uses warm natural off-white sketch paper, actively shrinking, deleting, and reorganizing the buildings from the same photo into an unfinished rapid black ink architectural observation sketch. Do not completely replicate the photo background; retain only the main outline that determines the identity of the location, main axes, roofs or spires, opening rhythms, and one to three necessary road, bridge, waterfront, or tree shadow directional lines.

Use black pens, fineliners, and a small amount of dry brush tips for drawing. Outlines should be repeatedly searched for and corrected, retaining overlapping lines, double outlines, hand tremors, pauses, ink breaks, overshooting lines, and unerased exploratory marks; establish column grids with hurried vertical lines, and press structural boundaries with short, dense parallel lines. Black density should only concentrate on a few key nodes, not evenly covering the entire building.

The architectural sketch occupies about 45%–65% of the width and 38%–58% of the height of the lower area, and can be tilted to one side; retain at least 40%–55% of continuous complete paper white. Lines should stop naturally on the paper surface, with clear but unfinished boundaries, without using digital feathering, soft focus, or regular rectangular frames.

The lower part uses only paper white and carbon black ink, without adding watercolors, gray washes, colored lines, or fixed accent colors.

Add a small amount of text based on the photographic facts:
- A main title of 1–3 English words;
- The field "INK NOTE 01";
- A field observation sentence of 5–10 English words.

Text is concentrated in the continuous white space area, using narrow lead type or simple handwriting with ink absorption and slight gaps, potentially accompanied by a short ink line. The title must be clearly readable at normal preview sizes and must not be shrunk into decorative gray lines.

Overall style is like an architect or travel painter standing on-site quickly searching for structure: sharp, hurried, restrained, and incomplete, yet accurately retaining the architectural temperament.

Avoid: photo stroke filters, CAD drawings, uniform fine hatching, academic pen drawings, full-page dense lines, complete backgrounds, transparent watercolors, gray washes, colored washes, softened edges, isomorphic copies, unreadable small text, author names, signatures, logos, QR codes, and watermarks.

请将我上传的每一张旅行照片分别制作成一张独立的「疾线建筑观察」编辑海报，不得多图拼接，每张照片单独输出。

整体采用3:4竖版构图。上方保留具有实质面积的原始照片，准确保持建筑身份、层数、比例、穹顶、塔楼、屋檐、柱网、拱券、道路、水岸、人物与空间关系，只进行轻微艺术出版物调色和极薄胶片颗粒处理，不得拉伸、移动、重塑或插画化摄影主体。

下方使用温暖的天然米白速写纸，将同一照片中的建筑主动缩小、删减并重新组织为一幅未完成的快速黑墨建筑观察稿。不要完整复刻照片背景，只保留决定地点身份的主体轮廓、主轴、屋顶或塔尖、开口节奏，以及一至三条必要的道路、桥梁、水岸或树影方向线。

使用黑色钢笔、针管笔和少量干涩毛笔尖绘制。轮廓应经过反复寻找与修正，保留重叠线、双重轮廓、手抖、停顿、断墨、越线和未擦除的试探痕迹；以急促竖线建立柱网，用短促密排线压住结构交界。黑色密度只集中在少量关键节点，不要平均铺满整座建筑。

建筑速写约占下方区域宽度45%–65%、高度38%–58%，可以偏向一侧；至少保留40%–55%的连续完整纸白。线条应在纸面自然停笔，边界清楚但未完成，不使用数字羽化、柔焦或规则矩形画框。

下方只使用纸白与碳黑墨，不加入水彩、灰色铺染、彩色线条或固定强调色。

根据照片事实加入少量文字：
- 1–3个英文单词的主标题；
- 字段“INK NOTE 01”；
- 一句5–10个英文单词的现场观察。

文字集中在连续纸白区域，使用具有吸墨与轻微缺口的窄体铅字或朴素手写体，可配一条短墨线。标题在正常预览尺寸下必须清楚可读，不得缩成装饰灰线。

整体像建筑师或旅行画者站在现场快速寻找结构：敏锐、急促、克制、不完整，却准确保留建筑气质。

避免：照片描边滤镜、CAD制图、均匀精细排线、学院派钢笔画、满页密线、完整背景、透明水彩、灰洗、彩色淡彩、柔化边缘、同构图临摹、不可读小字、作者名、签名、Logo、二维码与水印。