日本文化展高密度图文艺术海报设计提示词

【Subject】{Fill in subject}
【Chinese Main Title】{2–4 characters}
【English Title】{Short English title}
【Core Subject】{Person / Pottery / Bronze / Musical Instrument / Mask / Craft, etc.}
【Visual Conflict】{e.g., Stable subject × Wild calligraphy / Detailed image × Giant bold characters}
【Auxiliary Materials】{Production photos / Sketches / Historical images / Detail patterns, 1–3 items}
【Main Color Palette】{Fill in}
【Accent Color】{Fill in}
【Aspect Ratio】9:16

Generate a high-density text-image poster with the temperament of Japanese cultural exhibition posters, art publications, and Editorial Graphic Design. First establish a sufficiently heavy [Core Subject]; the subject should not be neatly centered, but can be boldly enlarged, cropped, offset, or enter from the edges, making it a stable visual anchor.

Typography must become the composition itself. Break the [Chinese Main Title] into huge characters of different scales and positions; use rough brushwork, giant Hanzi, high-contrast fonts, or cultural fonts with strong personality; allow text to bleed off the edges, press over the subject, be obscured by the subject, or enter images and negative space, avoiding the standard "title on top, image below" structure. Establish only one strongest design action around the [Visual Conflict] to give the entire poster a clear memory point.

Add 1–3 very small [Auxiliary Materials], such as making-of hands, craft sketches, historical photos, material records, or partial structures; do not use regular grids or cards. Dates, locations, English subtitles, craft keywords, and Micro Typography can be horizontal, vertical, diagonal, or grow naturally along the subject and giant fonts, forming local high density rather than being spread evenly across the layout.

Establish a scale contrast of "Giant Title × Weighty Subject × Small Archive Images × Tiny Information Text." Allow for slight ink stains, dry brush edges, paper fibers, registration errors, and handmade printing traces, but keep it premium, clear, and orderly in its chaos; the roughness should not evolve into dirtiness, severe aging, or full-screen noise. Control the color palette within 2–4 main color systems, using [Accent Color] to create a small amount of visual explosive points; the subject material must be real, complete, and have weight.

The final effect should look like a visual identity for an exhibition at a real art-directed Japanese cultural institution, art museum, craft hall, or design museum: strong subject, wild Typography, high information density, intertwined images and text; each image itself is a complete work of art, rather than replacing content in the same template.

Avoid: regular grids, card UI, PPT-style info modules, left-right symmetry, ordinary title bars, full centered display of the subject, overly clean template feel, meaningless English, random gibberish, severe aging, full-screen ink dots, CG light effects, numbering like 01 / 02 / Vol., four-pointed stars, and sparkle.

【主题】{填写主题}　
【中文主标题】{2–4 个字}　
【英文标题】{简短英文标题}　
【核心主体】{人物 / 陶器 / 青铜器 / 乐器 / 面具 / 工艺品等}　
【视觉冲突】{例如：稳重主体 × 狂放书写 / 精细图像 × 巨型粗字}　
【辅助素材】{制作照片 / 草图 / 历史影像 / 局部纹样等 1–3 个}　
【主色调】{填写}　
【强调色】{填写}　
【画幅】9:16

生成一张具有日本文化展览海报、艺术出版物与 Editorial Graphic Design 气质的高密度图文海报。先建立一个足够有重量的【核心主体】，主体不要规整居中，可大胆放大、裁切、偏置或从边缘进入，让它成为稳定的视觉锚点。

Typography 必须成为构图本身。将【中文主标题】拆成不同尺度与位置的巨大文字，可使用粗犷书写感、巨型汉字、高对比字体或具有强烈人格的文化字体；允许文字出界、压住主体、被主体遮挡、进入图像和负空间，不使用普通“标题在上、图片在下”的结构。围绕【视觉冲突】只建立一个最强设计动作，让整张海报具有明显记忆点。

加入 1–3 个很小的【辅助素材】，例如制作手部、工艺草图、历史照片、材料记录或局部结构，不做规则网格和卡片。日期、地点、英文副题、工艺关键词与 Micro Typography 可横排、竖排、斜排或沿主体与巨大字体自然生长，形成局部高密度，而不是平均铺满整个版面。

建立“巨大标题 × 重量感主体 × 小型档案图像 × 极小信息文字”的尺度反差。允许轻微墨迹、干笔边缘、纸张纤维、套印偏差和手作印刷痕迹，但保持高级、清楚、乱中有序；粗粝感不能演变成脏污、严重做旧或满屏噪点。配色控制在 2–4 个主要色系内，用【强调色】制造少量视觉爆点，主体材质必须真实、完整、有重量。

最终效果应像真正经过艺术指导的日本文化机构、美术馆、工艺馆或设计博物馆展览主视觉：强主体、野 Typography、高信息密度、图字纠缠，每张图本身都是一件完整作品，而不是同一模板替换内容。

避免：规则网格、卡片 UI、PPT 式信息模块、左右对称、普通标题栏、主体完整居中陈列、过度干净的模板感、无意义英文、随机乱码、严重做旧、满屏墨点、CG 光效、编号 01 / 02 / Vol.、四角星芒和 sparkle。