Generate a hyper-realistic Japanese live-action Cosplay photo, vertical 2:3 composition. The overall visual style integrates Japanese sweet girl photography, classical Lolita clothing, and traditional Chinese wooden architecture. The image is gentle, fresh, and elegant, with the natural texture of real photography, as if a photographer shot a high-quality Cosplay photo in an ancient building, rather than an anime illustration or 3D rendering. [I. Character Setting] A clearly adult young East Asian female Cosplayer, with a pure, sweet, and gentle temperament, having an exquisite and natural Japanese girl feel. She has a small and soft oval face, naturally coordinated facial features proportions, dark brown eyes, a clear and gentle gaze, and a natural light smile at the corners of her mouth. The makeup adopts a clear Japanese style, paired with light pink eyeshadow, natural eyeliner, soft blush, and pinkish lip color. The character's face has the natural proportions of a real adult woman, retaining subtle skin texture, real eyelid structure, natural nose shadows, and slight facial asymmetry. The skin is delicate but not plasticized, avoiding excessive skin smoothing, exaggerated large eyes, stiff expressions, and obvious AI-generated feel. She has smooth black long hair, with hair strands naturally falling on her shoulders and back, light side-parted bangs on the forehead, and a small amount of stray hair naturally close to her cheeks. She wears an exquisite pink flower hair accessory on one side of her hair, paired with long thin black ribbons. The character faces the camera, with a gentle and natural expression, presenting a pure, sweet, quiet, and elegant temperament overall. [II. Clothing Design] The character wears an exquisite light pink and creamy white classical Lolita long dress, blending modified Hanfu standing collar design with Eastern classical clothing elements. The upper body uses soft light pink satin fabric, paired with an exquisite standing collar structure. The neckline is inlaid with dense creamy white lace, and the chest has multiple layers of horizontal pleats, exquisite lace splicing, and delicate decorative lines. There is a small teardrop-shaped cutout opening below the collarbone, with the edges wrapped in exquisite lace. The shoulders are decorated with white lace, creating a soft and delicate sense of layering. The sleeves are wide and flowing, using translucent light pink chiffon material, with multiple layers of light ruffles at the cuffs. The tulle sleeves naturally hang on both sides of the arms, with a soft, light drape. The skirt hem consists of multiple layers of light pink tulle, creamy white lace, and soft satin, with rich layers and natural folds. The skirt edge is decorated with fine flower embroidery, lace trim, small bows, and soft decorative ribbons. The skirt is wide and fluffy, naturally spreading on the surface of the stone steps as the character sits, forming an elegant fan-shaped outline. There are obvious differences between different materials, with satin showing a soft luster, lace texture being delicate, and tulle being light and translucent. [III. Pantyhose Design] The character wears a pair of exquisite light lavender purple pantyhose, using an integrated pantyhose design, continuously wrapping the hips, legs, and extending to the toes from the waist, rather than independent stockings or over-the-knee socks. The pantyhose use a soft light purple translucent gauze fabric, with natural transparency, able to faintly show the real leg outlines while retaining a delicate and uniform fabric texture. The surface of the socks is decorated with exquisite small white flowers, bows, and delicate interlaced line patterns. The decorative patterns naturally extend along the legs, distributed coordinately and continuously, without obvious breaks, misalignments, or asymmetry. The overall color of the pantyhose is uniform and soft, forming a coordinated pastel color scheme with the light pink dress, creamy white lace, and pink shoes. The pantyhose extend continuously from the waist to the toes, with a complete integrated structure. There are no independent sock openings at the thighs, no stocking edges, no garters, and no exposed boundary between the legs and the sock openings. The character wears light pink Mary Jane shoes, with thin buckle straps, small bows, and exquisite decorations on the upper. The pantyhose naturally wrap both feet, with the toes inside the shoes, and the structure of the socks and shoes is realistic and reasonable. The pantyhose need to have a real tulle fabric texture, with delicate and clear patterns, fitting the natural contours of the legs, without unreasonable folds, material melting, or floating patterns. [IV. Character Pose and Action] The character naturally sits on the wide stone steps of a traditional Chinese building, the overall pose is elegant, relaxed, with a slight sense of laziness. Her hips are seated on the stone steps, her upper body is slightly leaning forward, her head is tilted slightly to one side, her face is towards the camera, and her eyes naturally look at the camera with a gentle and sweet smile. One hand is propped on the stone steps slightly behind her body, the palm naturally contacting the stone surface, and the fingers are slightly stretched to support the body weight. Another hand is raised near the cheek, gently holding a pink and white lotus flower. The flower is close to the face but does not block the eyes or main facial features. Both legs naturally extend towards the lower right of the frame, slightly crossed, forming an elegant diagonal composition. The angles of the knees, ankles, and feet conform to real human body structure, and the leg lines are natural and smooth. Both feet are naturally placed on the stone steps, and both light pink Mary Jane shoes are clearly visible. The light lavender purple pantyhose extend continuously along the legs to the feet, naturally connecting with the shoes. The wide multi-layered skirt naturally spreads around the character and on the surface of the stone steps, with tulle, lace, and ribbons forming natural folds according to the sitting posture. Ensure the character has correct body proportions, natural neck and shoulder structure, accurate hand shapes, and complete coherent legs. The number of fingers is correct, limbs are not repeated, and no extra arms or unnatural joints appear. [V. Lotus Prop] The character holds an exquisite pink and white lotus flower in her hand. The lotus is in a semi-open state, composed of multiple layers of naturally stretching petals. The center of the petals is creamy white, gradually transitioning to soft light pink towards the edges, with faint warm yellow details at the flower center. The petal layers are clear, the edges are soft and natural, with the delicate texture of a real plant. The lotus is moderate in size and elegant in shape, forming a natural visual echo with the character's face. The lotus must have a clear and complete petal structure, without repeated petals, melted shapes, or unreasonable connections. [VI. Environment and Background] The scene is a historical Chinese traditional wooden building entrance or a classical veranda. Behind the character is a dark brown traditional wooden door, the door panels having clear natural wood grain, classical rectangular decorative frames, and real wooden surface textures. On both sides of the building are dark and thick wooden pillars, the pillar bases supported by light gray carved stone plinths. The background walls use beige-gray stone material, with a natural stone joint structure. The character sits on wide light gray stone steps. The stone steps extend diagonally, with the surface having real natural stone textures, subtle wear marks, and natural light and dark changes. The dark brown wooden door and light gray stone steps form a warm and quiet color contrast, highlighting the character's light pink clothing while retaining the simple atmosphere of traditional architecture. The background is simple and real, without adding modern furniture, neon lights, exaggerated decorations, or items inconsistent with the traditional architectural environment. [VII. Photography Composition] Adopts a real digital camera portrait photography style, vertical 2:3 composition. The camera is located at a slightly higher position in front of the character, using a slight high-angle perspective, presenting a natural spatial perspective relationship. The character is located slightly to the left of the center of the frame, the head is in the upper part of the frame, and the body, skirt, and legs expand towards the lower right of the frame along a diagonal line. Adopts a natural perspective effect close to a 35mm to 50mm lens, avoiding deformation of the face and limbs caused by excessive wide-angle. The character is fully presented in the frame from head to feet, with the lotus, skirt, pantyhose, and both shoes clearly visible; do not accidentally crop the feet. The frame retains enough wooden doors, wooden pillars, and stone steps as environmental background. The character is the main visual focus, and the architecture provides a real sense of spatial depth. The character's face and clothing details are clear, and the background has a moderate depth of field, but the wooden door, stone pillars, and stone steps can still be identified with real textures. [VIII. Light and Color] Adopts soft natural ambient light, the light entering from one side of the building entrance, uniformly lighting the character's face, hair, and pink clothing. The character's face has natural highlights and delicate shadows, and the eyes retain real light reflections. The black hair has clear hair strand layers, and the white lace can retain rich textures without overexposure turning white. The light lavender purple pantyhose present a soft, uniform light purple under the light, the white decorative patterns are clearly discernible, while retaining natural fabric transparency and delicate texture. The overall color is mainly light pink, creamy white, lavender purple, beige-gray, and dark brown. The image is warm and soft, the colors are coordinated, maintaining accurate white balance and natural skin tones. Use natural exposure and soft contrast from real photography, without adding strong orange-yellow filters, exaggerated dreamy halos, or excessive HDR effects. [IX. Final Image Quality] Hyper-realistic live-action photography, high-quality Japanese Cosplay photo, natural and real adult East Asian female face, clear Japanese makeup, black long hair and pink flower hair accessories, pink and white classical Lolita long dress, fine lace and translucent chiffon, light lavender purple patterned pantyhose, pink Mary Jane shoes, holding a pink and white lotus flower, naturally sitting on the stone steps of a traditional Chinese building. Emphasis is placed on real skin texture, natural human body proportions, exquisite clothing craftsmanship, real fabric physical effects, accurate hand structures, natural ambient light, and real stone textures. The pantyhose must be an integrated design, extending continuously from the waist to the toes, with a consistent light purple tone and continuous white decorative patterns, and must not generate independent stockings, over-the-knee socks, garter socks, or exposed thigh sock openings. Avoid anime style, illustration style, 3D rendering feel, plastic skin, excessive skin smoothing, exaggerated large eyes, heavy filters, stiff poses, wrong fingers, extra limbs, wrong leg structure, repeated shoes, melted clothing textures, pantyhose breaks, misaligned sock patterns, distorted background structures, heavy noise, over-sharpening, and unnatural HDR effects. 生成一张超写实日系真人 Cosplay 写真,竖版 2:3 构图。整体融合日系甜美少女写真、古典 Lolita 服饰与中国传统木建筑的视觉风格。画面温柔、清新、优雅,具有真实摄影的自然质感,仿佛摄影师在古建筑中拍摄的高质量 Cosplay 写真,而不是动漫插画或 3D 渲染。 【一、人物设定】 一名明确成年的年轻东亚女性 Cosplayer,气质清纯、甜美、温柔,具有精致自然的日系少女感。 她拥有小巧柔和的鹅蛋脸,自然协调的五官比例,深棕色眼睛,清澈温柔的眼神,嘴角带着自然的淡淡微笑。妆容采用清透的日系风格,搭配淡粉色眼影、自然眼线、柔和腮红和粉嫩唇色。 人物面部具有真实成年女性的自然比例,保留细微的皮肤纹理、真实的眼睑结构、自然的鼻部阴影和轻微的面部不对称。皮肤细腻但不塑料化,避免过度磨皮、夸张大眼、僵硬表情和明显的 AI 生成感。 她留着柔顺的黑色长发,发丝自然垂落在肩部和背后,额前是轻盈的侧分刘海,少量碎发自然贴近脸颊。头发一侧佩戴精致的粉色花朵发饰,并搭配细长的黑色飘带。 人物面向镜头,神态温柔自然,整体呈现清纯、甜美、安静而优雅的气质。 【二、服装设计】 人物穿着一套精致的浅粉色与乳白色古典 Lolita 长裙,融合改良汉服的立领设计与东方古典服饰元素。 上半身采用柔和的浅粉色缎面面料,搭配精致的立领结构。领口镶嵌细密的乳白色蕾丝,胸前具有多层横向褶皱、精致的蕾丝拼接和细腻的装饰线条。锁骨下方设有小巧的水滴形镂空开口,边缘采用精致蕾丝包边。肩部搭配白色蕾丝装饰,营造柔美细腻的层次感。 袖子宽大而飘逸,采用半透明的浅粉色雪纺材质,袖口带有多层轻盈的荷叶边。薄纱袖子自然垂落在手臂两侧,具有柔软、轻盈的垂坠感。 裙摆由多层浅粉色薄纱、乳白色蕾丝和柔软缎面组成,具有丰富的层次与自然的褶皱。裙边装饰精细的花朵刺绣、蕾丝花边、小巧蝴蝶结和柔软的装饰飘带。 裙摆宽大蓬松,随着坐姿自然铺散在石阶表面,形成优雅的扇形轮廓。不同材质之间具有明显区别,缎面呈现柔和光泽,蕾丝纹理细腻,薄纱轻盈半透明。 【三、连裤袜设计】 人物穿着一条浅薰衣草紫色的精致连裤袜,采用一体式 pantyhose 设计,从腰部连续包裹臀部、双腿并延伸至脚尖,而不是独立的长筒袜或过膝袜。 连裤袜采用柔和的淡紫色半透明纱质面料,透明度自然,能够隐约呈现真实的腿部轮廓,同时保留细腻均匀的织物质感。 袜面装饰精致的白色小花朵、蝴蝶结和细腻的交织线条图案。装饰图案自然地沿着双腿延伸,分布协调、连续,不出现明显的断层、错位或不对称。 连裤袜整体颜色均匀柔和,与浅粉色裙装、乳白色蕾丝和粉色鞋子形成协调的 pastel 配色。 连裤袜从腰部连续延伸至脚尖,具有完整的一体式结构。大腿处没有独立袜口,没有长筒袜边缘,没有吊带,也没有裸露的腿部与袜口分界。 人物脚穿浅粉色玛丽珍鞋,鞋面带有纤细的搭扣带、小巧蝴蝶结和精致装饰。连裤袜自然包裹双脚,脚尖位于鞋内,袜子与鞋子的结构真实合理。 连裤袜需要具有真实的薄纱织物质感,图案细腻清晰,贴合腿部自然轮廓,不出现不合理的褶皱、材质融化或图案漂浮。 【四、人物姿势与动作】 人物自然地坐在传统中式建筑的宽阔石阶上,整体姿势优雅、放松,带有轻微的慵懒感。 她的臀部坐在石阶上,上半身微微向前倾,头部轻轻向一侧倾斜,脸部朝向镜头,双眼自然注视镜头,带着温柔甜美的微笑。 一只手撑在身体侧后方的石阶上,手掌自然接触石面,手指轻轻舒展,以支撑身体重量。 另一只手抬至脸颊附近,轻轻拿着一朵粉白色莲花。花朵靠近脸部,但不遮挡眼睛和主要面部特征。 双腿沿画面右下方自然伸展,略微交错,形成优雅的对角线构图。膝盖、脚踝和双脚的角度符合真实人体结构,腿部线条自然流畅。 两只脚自然放置在石阶上,两只浅粉色玛丽珍鞋均清晰可见。浅薰衣草紫色连裤袜沿双腿连续延伸至脚部,与鞋子自然衔接。 宽大的多层裙摆自然铺散在人物周围及石阶表面,薄纱、蕾丝和飘带顺着坐姿形成自然的褶皱。 确保人物具有正确的身体比例、自然的肩颈结构、准确的手部形态和完整连贯的双腿。手指数量正确,肢体不重复,不出现多余手臂或不自然的关节。 【五、莲花道具】 人物手中拿着一朵精致的粉白色莲花。 莲花呈半开放状态,由多层自然舒展的花瓣构成。花瓣中心为乳白色,向边缘逐渐过渡为柔和的浅粉色,花心带有淡淡的暖黄色细节。 花瓣层次清晰,边缘柔和自然,具有真实植物的细腻质感。莲花大小适中,形态优雅,与人物面部形成自然的视觉呼应。 莲花必须具有清晰完整的花瓣结构,不出现重复花瓣、融化的形状或不合理的连接。 【六、环境与背景】 场景是一处具有历史感的中国传统木建筑入口或古典廊下。 人物身后是一扇深棕色的传统木门,门板具有清晰的天然木纹、古典矩形装饰框和真实的木质表面纹理。 建筑两侧分布着深色粗壮木柱,柱脚由浅灰色雕刻石质柱础支撑。背景墙面采用米灰色石材,具有自然的石块拼接结构。 人物坐在宽阔的浅灰色石阶上。石阶沿斜向延伸,表面具有真实的天然石材纹理、细微磨损痕迹和自然的明暗变化。 深棕色木门与浅灰色石阶形成温暖而沉静的色彩对比,突出人物浅粉色的服装,同时保留传统建筑的古朴氛围。 背景简洁真实,不添加现代家具、霓虹灯、夸张装饰或不符合传统建筑环境的物品。 【七、摄影构图】 采用真实数码相机人像摄影风格,竖版 2:3 构图。 摄影机位于人物前方略高的位置,采用轻微俯拍视角,呈现自然的空间透视关系。 人物位于画面中央偏左的位置,头部处于画面上半部分,身体、裙摆和双腿沿对角线向画面右下方展开。 采用接近 35mm 至 50mm 镜头的自然透视效果,避免过度广角造成的面部和四肢变形。 人物从头部到双脚完整地呈现在画面中,莲花、裙摆、连裤袜和两只鞋子均清晰可见,不要意外裁切脚部。 画面保留足够的木门、木柱和石阶作为环境背景。人物是主要视觉焦点,建筑提供真实的空间纵深感。 人物面部和服装细节清晰,背景具有适度的景深,但木门、石柱与石阶仍然能够辨认出真实纹理。 【八、光线与色彩】 采用柔和的自然环境光,光线从建筑入口一侧进入,均匀照亮人物的面部、头发和粉色服装。 人物面部具有自然的高光与细腻阴影,眼睛保留真实的光线反射。黑色头发具有清晰的发丝层次,白色蕾丝能够保留丰富纹理,不出现过曝发白。 浅薰衣草紫色连裤袜在光线下呈现柔和、均匀的淡紫色,白色装饰图案清晰可辨,同时保留自然的织物透明感与细腻纹理。 整体色彩以浅粉色、乳白色、薰衣草紫、米灰色和深棕色为主。画面温暖柔和,色彩协调,保持准确的白平衡和自然的肤色。 使用真实摄影中的自然曝光和柔和反差,不添加过强的橙黄色滤镜、夸张梦幻光晕或过度 HDR 效果。 【九、最终画面质量】 超写实真人摄影,高质量日系 Cosplay 写真,自然真实的成年东亚女性面部,清透日系妆容,黑色长发与粉色花朵发饰,粉白色古典 Lolita 长裙,精细蕾丝与半透明雪纺,浅薰衣草紫色花纹连裤袜,粉色玛丽珍鞋,手持粉白色莲花,自然坐在传统中式建筑的石阶上。 重点突出真实皮肤质感、自然人体比例、精致服装工艺、真实布料物理效果、准确的手部结构、自然环境光和真实石材纹理。 连裤袜必须是一体式设计,从腰部连续延伸至脚尖,具有一致的淡紫色调和连续的白色装饰图案,不得生成独立长筒袜、过膝袜、吊带袜或裸露的大腿袜口。 避免动漫风、插画风、3D 渲染感、塑料皮肤、过度磨皮、夸张大眼、浓重滤镜、僵硬姿势、错误手指、额外肢体、腿部结构错误、重复鞋子、服装纹理融化、连裤袜断层、袜面图案错位、背景结构扭曲、严重噪点、过度锐化和不自然的 HDR 效果。

Аспектное соотношение 4:5, разрешение 2К, редакционный фотореалистичный и сверхдетализированный портрет. Источник: сохранить точные черты лица, цвет кожи, прическу и естественное сходство с приведенной ниже фотографии-образца. Субъект может