东方古物现代版式文化海报模板

[Theme]: {Fill in Oriental culture / Antique theme}
[Core Antique]: {Guqin / Lacquerware / Bronze mirror / Mortise and tenon / Porcelain / Bronzeware, etc.}
[Main Chinese Title]: {Fill in a meaningful theme title}
[Auxiliary Cultural Elements]: {Patterns / Landscapes / Structural diagrams / Rubbings / Fragments of ancient paintings, etc.}
[Main Color Palette]: {Xuan paper white + 1–2 traditional low-saturation colors}
[Accent Color]: {Cinnabar red / Mineral blue / Bronze green, etc.}
[Aspect Ratio]: {3:4 / 4:5 / 9:16}

Generate a modern cultural poster with an Oriental antique theme, combining traditional objects with contemporary editorial layout.

Take [Core Antique] as the absolute main visual, enlarged at a large scale, occupying about 40%–65% of the frame, allowing it to cut in from the edges of the frame or partially exceed the frame without needing a complete display. Establish a strong visual focus through incomplete cropping, proportional contrast, and large areas of negative space, avoiding ordinary centered display compositions.

Add a small number of [Auxiliary Cultural Elements] directly related to the [Theme] around the subject. You can use enlarged patterns, cropped ancient paintings, landscape geometry, rubbings, structural line drawings, or local details, and reorganize them through circles, semicircles, open color blocks, thin lines, and negative space to form a modern yet restrained visual hierarchy.

The main Chinese title uses large Songti, modern Chinese fonts, or fonts with a slight calligraphic feel, making the text itself part of the composition, which can overlap, interweave, or be cropped with the antique. Pair with a small amount of English Serif fonts, small cultural descriptions, object information, or structural annotations to form a three-level typography of "Large Title—Auxiliary Information—Miniature Annotations."

The overall layout adopts an asymmetric editorial style, not placing elements evenly. The background remains clean Xuan paper white or ivory white, with a slight paper fiber, ancient book printing, or printmaking grain texture, but do not make it overall yellowed, over-aged, or look dirty.

Colors are dominated by low-saturation traditional Oriental colors, keeping only one strong accent color as a visual anchor. All text in the image must be real, meaningful, and related to the theme, without using random English or meaningless placeholder characters.

The overall effect is like a modern museum exhibition visual, a cultural and art publication, or a high-end cultural and creative poster: the traditional content is clear, but the layout is modern, restrained, and has a sense of design.

【主题】：{填写东方文化 / 古物主题}
【核心古物】：{古琴 / 漆器 / 铜镜 / 榫卯 / 瓷器 / 青铜器等}
【中文主标题】：{填写有意义的主题标题}
【辅助文化元素】：{纹样 / 山水 / 结构图 / 拓片 / 古画局部等}
【主色调】：{宣纸白 + 1–2 种传统低饱和色}
【强调色】：{朱砂红 / 矿物蓝 / 青铜绿等}
【画幅比例】：{3:4 / 4:5 / 9:16}

生成一张东方古物主题的现代文化海报，将传统器物与当代编辑版式结合。

把【核心古物】作为绝对主视觉，大尺度放大，占画面约 40%–65%，允许从画面边缘切入、局部超出画幅，不必完整展示。通过不完整裁切、比例反差和大面积留白建立强视觉重心，避免普通的居中陈列式构图。

围绕主体加入少量与【主题】直接相关的【辅助文化元素】，可使用纹样放大、古画裁切、山水几何、拓片、结构线稿或局部细节，并通过圆形、半圆、开放色块、细线和留白重新组织，形成现代而克制的视觉层次。

中文主标题使用较大的宋体、现代中文字体或带少量书写感的字体，使文字本身成为构图的一部分，可与古物产生遮挡、穿插或裁切关系。搭配少量英文 Serif 字体、小型文化说明、器物信息或结构标注，形成“大标题—辅助信息—微型注释”三级排版。

整体采用非对称编辑式布局，不平均摆放元素。背景保持干净的宣纸白或象牙白，带轻微纸张纤维、古籍印刷或版画颗粒质感，但不要整体发黄、做旧过度或显得脏。

色彩以低饱和东方传统色为主，只保留一个较强的强调色作为视觉锚点。所有画面文字必须真实、有意义，并与主题相关，不使用随机英文或无意义占位字符。

整体效果像现代博物馆展览视觉、文化艺术出版物或精品文创海报：传统内容明确，但版式现代、克制、有设计感。