现代东方器物编辑风海报提示词

【Subject】：____
【Core Artifact】：____
【Main Title】：____
【Subtitle】：____
【Main Color】：____
【Continuous Linear Element】：Branches / Water ripples / Slanted lines / Free curves / ____
【Small Area Accent Color】：____

Design a 2:3 vertical Oriental artifact Editorial poster. Use warm ivory white paper, slight fiber and printing grain as the base, combining real artifact photography, Chinese fonts, small English text, line drawings, and a small amount of Oriental graphics.

Maintain medium-to-high information density in the image, but avoid cluttering. Organize the layout with 2–3 main visual blocks and design a "visual thread" running through the frame, connecting the title, artifacts, and auxiliary graphics, allowing elements to interweave: text can be partially obscured by artifacts, lines wrap around the subject, patterns can extend from artifacts to the layout, and light-colored large characters are hidden in the background.

Typography establishes a clear four-level scale: giant visual characters / medium Chinese titles / small English / tiny information text, combined in horizontal, vertical, and staggered arrangements, partially overstepping boundaries but overall controlled by an invisible grid, creating a "disorderly yet orderly" editorial feel.

Artifacts avoid simple centered display; use multi-layer presentation such as complete subject + partial cropping + faint line drawings. Add low-contrast large characters, plant line drawings, artifact outlines, or textures to the background blank areas, so the white space has content but does not overpower the main subject.

The overall style uses low-saturation main colors, adding only one small area of high-recognition accent color for labels, thin lines, or local graphics. The image should be elegant, restrained, and have a sense of modern Oriental cultural design.

Avoid: PPT-style partitioning, elements scattered individually, large areas of empty space without content, simple "artifact + title" placement, template-like logos, numbering, four-pointed stars, excessive "Guochao" decorations.

【主题】：____
【核心器物】：____
【主标题】：____
【副标题】：____
【主色】：____
【贯穿线性元素】：枝条 / 水纹 / 斜线 / 自由曲线 / ____
【小面积点缀色】：____

设计一张 2:3 竖版东方器物 Editorial 海报。以暖象牙白纸本、轻微纤维与印刷颗粒为底，结合真实器物摄影、中文字体、英文小字、线稿与少量东方图形。

画面保持中高信息密度，但避免堆砌。用 2–3 个主要视觉团块组织版面，并设计一条贯穿画面的“视觉脉络”，连接标题、器物和辅助图形，让元素彼此穿插：文字可被器物局部遮挡，线条绕过主体，纹样可从器物延伸到版面，浅色大字藏在背景中。

Typography 建立明显的四级尺度：巨型视觉字 / 中型中文标题 / 小型英文 / 极小信息文字，横排、竖排和错位组合，局部越界但整体受隐形网格控制，形成“乱中有序”的编辑感。

器物避免简单居中陈列，可使用完整主体 + 局部裁切 + 淡线稿等多层呈现。背景留白区域也加入低对比度的大字、植物线描、器物轮廓或纹理，让留白有内容但不喧宾夺主。

整体采用低饱和主色，只加入一次小面积高识别度点缀色，用于标签、细线或局部图形。画面要优雅、克制、有现代东方文化设计感。

避免：PPT 式分区、元素各自散开、大面积无内容空白、单纯“器物 + 标题”摆放、模板感 Logo、编号、四角星芒、过度国潮装饰。