现代东方纸纤维大色域活动海报

[Poster Theme]
[Main Title]
[Core Large Color Gamut]
[Large Color Gamut Structure]
[Main Tone]
[Miniature Cultural Scene]
[Core Action]
[Cultural Artifact]
[Activity Information]
[Aspect Ratio]
9:16 Vertical Version

Design a modern Oriental cultural event poster centered on "paper fiber + large color gamut structure + active white space + miniature cultural scene."

Use warm ivory handmade paper for the background, retaining approximately 45%–60% white space. Use the [Core Large Color Gamut] to establish the first visual subject, and form fiber bundles, spirals, flakes, positive and negative shapes, interleaving, nesting, or other clear large-form relationships according to the [Large Color Gamut Structure]. From a distance, the composition method is seen first; up close, it is discovered to be related to the actual craft or material in the [Poster Theme].

The large color gamut has obvious natural paper fibers, pulp particles, watercolor or mineral pigment deposition, natural deckle edges, and matte textures. The [Main Tone] is used throughout; colors are low-saturation but complete and concentrated, without being dirty/old, faded, randomly mottled, heavily noisy, or having digital gradients.

Add a very small [Miniature Cultural Scene] near the large color gamut, where figures are realistically completing the [Core Action]. Figures, tools, and [Cultural Artifacts] overall account for only about 3%–5%, with no product display.

Figures uniformly adopt a 2D paper light-color illustration style: minimalist facial features, light volume, complete flat color blocks, and a few continuous clothing fold lines; no photographic skin, 3D miniature model feel, CGI lighting/shadows, strong projections, or real depth of field.

Add a "scale connection" from a real source between the micro scene and the huge main visual, such as fiber, rotation trajectories, thin foil edges, imprints, positioning lines, or the material itself, allowing the material being handled by the small figure to visually extend into a huge color gamut structure. The connection must have clear starting and ending points, not floating or mechanically repeating the same curve.

The main title [Main Title] uses small-scale modern Songti or Mingti type, placed in the white space area; English categories, dates, locations, and [Activity Information] use even smaller font sizes for restrained typography. All text must have real meaning.

The overall reading order is:

White space and large color gamut → Large shape structure → Material texture → Miniature cultural scene → Craft action → Title and activity information.

The final presentation is a modern Oriental editorial poster with clear large shapes from a distance, rich paper fibers up close, and cultural narrative and material details.

Avoid huge titles, ordinary Chinese-style illustrations, realistic figures, 3D miniature models, photographic backgrounds, PPT grids, commercial advertising feel, dirty/old paper, random noise, CGI, glass or mirror materials, Logos, watermarks, numbering, and starburst decorations.

【海报主题】
【主标题】
【核心大色域】
【大色域结构】
【主色调】
【微型文化场景】
【核心动作】
【文化器物】
【活动信息】
【画幅比例】
9:16 竖版

设计一张现代东方文化活动海报，以「纸纤维 + 大色域结构 + 主动留白 + 微型文化场景」为核心。

背景使用暖象牙白手工纸，保留约 45%–60% 留白。使用【核心大色域】建立第一视觉主体，并根据【大色域结构】形成纤维束、螺旋、薄片、正负形、穿插、嵌套或其他清晰的大形关系。远看先看到构图方法，近看才发现它与【海报主题】中的真实工艺或材料相关。

大色域具有明显天然纸纤维、纸浆颗粒、水彩或矿物颜料沉积、自然毛边和哑光质感。整体使用【主色调】，颜色低饱和但完整、有浓度，不做脏旧、褪色、随机斑驳、强噪点和数字渐变。

在大色域附近加入非常小的【微型文化场景】，人物正在真实完成【核心动作】，人物、工具和【文化器物】整体只占约 3%–5%，不做商品陈列。

人物统一采用二维纸本淡彩插画画法：五官极简、轻体积、完整平面色块、少量连续衣褶线，不出现摄影皮肤、3D 微缩模型感、CGI 光影、强投影或真实景深。

微场景与巨大主视觉之间加入一处真实来源的“尺度连接”，例如纤维、旋转轨迹、薄箔边缘、印迹、定位线或材料本身，让小人物正在处理的材料视觉上延展成巨大色域结构。连接必须有明确起点和终点，不漂浮、不机械重复同一种曲线。

主标题【主标题】使用小尺度现代宋体或明朝体，放在留白区域；英文类别、日期、地点和【活动信息】使用更小字号克制排版。所有文字必须具有真实意义。

整体阅读顺序为：

留白与大色域 → 大形结构 → 材料质感 → 微型文化场景 → 工艺动作 → 标题与活动信息。

最终呈现远看大形清楚、近看纸纤维丰富、有文化叙事和材料细节的现代东方编辑海报。

避免巨大标题、普通国风插画、写实人物、3D 微缩模型、摄影背景、PPT 网格、商业广告感、脏旧纸张、随机噪点、CGI、玻璃或镜面材质、Logo、水印、编号和星芒装饰。