现代东方立体剪纸群门之后王城升起

9:16 vertical version, modern oriental papercut art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, epic oriental papercraft fantasy, contemporary oriental art poster. The theme of the work is "She sees the royal city rising behind the gates." The core narrative of the scene is: a young oriental woman passes through layers of nested giant paper art arches and sees a long-sleeping paper-carved royal city rising from the sea of clouds at the end of the gates. She stands before the long stairs leading to the royal city, realizing she has finally reached the threshold where fate truly begins. The entire picture emphasizes the grand sense of order of "doors within doors," the shock of the royal city slowly appearing from the depths of the sea of clouds, and the epic entrance quality leading to a higher world. The main character is an oriental adult female with a visual age of about 24, clear-headed and independent, mysterious and elegant, with a sense of calmness when facing fate. The character has a delicate oval face, slender almond eyes slightly raised, a quiet and focused gaze, and an expression of restraint with a slight shock. The character uses oriental paper art illustration-style modeling, not real photo texture, nor over-cartoonized. The character's hairstyle and headwear are: long black hair half-draped and half-tied, hair strands extending into flowing hollow paper ribbons, wearing small light-gold flower branches and crescent moon hair ornaments. The headwear is exquisite and light, not complex or tall. The long hair and silk drape extend backward in the high-altitude breeze, creating a sense of flow. The character's clothing is: an ivory white and deep fog blue paper art long dress, with the hem edge featuring arch, ripple, and star-point hollow structures, the outer silk drape is light and slender, with local light gold paper foil details. The clothing must have a clear multi-layer paper structure, fine-cut edges, hollow patterns, paper thickness, fiber texture, and slight creases, overall gorgeous, clear, and light. The dream carrier is: a group of nested giant paper art arches. Dream imagery includes: arches, royal city, sea of clouds, flying birds, long stairs, distant mountains. All door frames, long stairs, clouds, royal cities, mountains, flying birds, and decorative elements are unified into a highly completed three-dimensional paper carving language. The overall papercut structure adopts: a multi-layer stage style. Composition and lens requirements: From foreground to background, multiple giant arches progress layer by layer, forming a very strong oppressive perspective space and rhythmic order. The center of the screen is a long staircase and longitudinal passage leading to the distant royal city, with multiple giant arches continuously nested, forming a mythological entrance of "doors within doors." The character is located in a relatively small position in the lower center of the screen, with her back or semi-side back to the camera, standing in front of or walking towards the long stairs, serving as an emotional anchor in the vast space. High in the distance, the royal city rises from the sea of clouds, located after multiple arches overlap, becoming the final visual focus. The arches must be very huge, and the foreground door frames can even exceed the edges of the screen. Door frames, lintels, pillars, inner arches, and outer arches all bear high-precision paper carving hollow patterns, including cloud patterns, spiral patterns, star points, flying birds, waves, and oriental geometric patterns. The scale of each weight of the door decreases clearly, the repetitive rhythm is strong, forming an epic mythological entrance feeling. The distant royal city must be huge, gorgeous, and sacred, floating as a whole in the depths of the sea of clouds, composed of multiple layers of palaces, pavilions, towers, arches, and the main hall. The royal city is not an ordinary group of buildings, but like a sky royal city awakening from sleep, with the central main hall illuminated by bright sky light and the surrounding palaces unfolding layer by layer. The edge of the royal city is slightly translucent, and the sea of clouds surges below it, making the royal city look as if it has just risen from the sea of clouds. The character must be clearly small and cannot become a close-up. She is just a small figure in the huge paper art space, used to set off the hugeness of the arches and the distance of the royal city. The character can stand at the starting point of the long stairs, her body facing the distant royal city, her long hair and silk drape extending backward, forming a forward and upward momentum. The overall color scheme is: ivory white, deep fog blue, and light gold as the main colors, with a small amount of cool gray for balance. On this basis, the colors should be slightly more saturated than the basic version, but still remain high-end, transparent, and clear, not dirty, not gray, and not vulgar. Ivory white is used for door frames, long stairs, cloud highlights, and the main body of the royal city; deep fog blue is used for the inner walls of doors, distant mountains, shadow layers, and the inner layers of character clothing; light gold is used for outlines, hollow details, star points, and highlight decorations; a small amount of cool gray is only used for the deepest space balance. The overall screen requires clear, bright, airy sense and high-end completeness like a paper art display cabinet. Lighting and paper texture are: bright sky light from the direction of the distant royal city enters through layers of arches, the shadow of the door frame paper layers is clear, the edge of the royal city is slightly translucent, and the paper thickness, cut edges, and textures are finely visible. The overall picture adopts bright and transparent high-altitude sky light, with moderate fusion of cold and warm, not darkened or blacked out. Strengthen the following paper art details: clear paper fibers, manual cutting marks, paper layer thickness, layered shadows, edge translucency, and fine hollow patterns of door frames and clouds. The overall effect should present a more exquisite, clearer, and more high-end paper carving poster feeling. The overall picture has the sense of modern oriental paper carving art, giant paper art mythological scenes, sky royal cities, epic dream entrances, and high-end art posters. Emphasize the "epic mythological entrance" atmosphere: characters are extremely small, arches are huge and rhythmic, the distant royal city rises shockingly, the spatial layers are extremely deep, the picture is bright and transparent, the colors are slightly more saturated, and the overall look is clear and not gray. Supplementary requirements: The character must be small, the arch must be huge and have a clear repetitive rhythm, strengthening the sense of "epic mythological entrance"; the color is slightly more saturated, the overall feeling is clearer and brighter, avoiding grayness and dullness. Negative Prompt: Minors, childish face, real photo photography, ordinary anime, plastic 3D, resin material, clay, felt, children's handmade, ordinary ancient style door opening, modern arch, royal city too small, character too large, character close-up, crowded scene, too few door frames, no repetitive rhythm, no depth, no sea of clouds, royal city not obvious, gray picture, dead black shadows, overall yellowish, overall blue in a mess, chaotic paper layers, blurry paper edges, fragmented materials, hand deformity, extra characters, text, Logo, watermark.

9:16竖版，现代东方女性梦境立体剪纸艺术，modern oriental papercut art，layered paper cut illustration，dimensional paper sculpture，intricate paper carving，paper diorama，layered shadow box，epic oriental papercraft fantasy，contemporary oriental art poster。

作品主题为“她在群门之后看见王城升起”。

画面核心叙事为：一位年轻东方女性穿过层层相套的巨大纸艺拱门，在群门尽头看见一座沉睡已久的纸雕王城从云海中升起。她站在通往王城的长阶之前，意识到自己终于走到了命运真正开始的门槛上。整个画面强调“门中有门”的宏大秩序感、王城从云海深处缓缓显现的震撼感，以及通往更高世界的史诗式入口气质。

主体人物为视觉年龄约24岁的东方成年女性，清醒独立、神秘优雅，带有面对命运时的冷静感。人物拥有清秀鹅蛋脸，细长杏眼微微抬起，目光安静而专注，神情克制中带有轻微震撼。人物采用东方纸艺插画式塑形，不是真人摄影质感，也不过度卡通化。

人物发型与头饰为：黑色长发半披半挽，发丝延展成流动镂空纸带，佩戴浅金小型花枝与月牙发饰。头饰精致轻盈，不复杂、不高耸。长发和披帛在高处微风中向后延展，形成流动感。

人物服装为：象牙白与深雾蓝纸艺长裙，裙摆边缘带有拱门、波纹与星点镂空结构，外层披帛轻盈修长，局部带浅金纸箔细节。服装必须具有清晰的多层纸片结构、精细裁切边缘、镂空纹样、纸张厚度、纤维纹理与轻微折痕，整体华丽、明净、轻盈。

梦境载体为：层层相套的巨型纸艺拱门群。

梦境意象包括：拱门、王城、云海、飞鸟、长阶、远山。所有门框、长阶、云层、王城、山脉、飞鸟与装饰元素均统一为高完成度立体纸雕语言。

整体剪纸结构采用：多层舞台式。

构图与镜头要求：从前景到远景由多重巨型拱门层层递进，形成极强的压迫性透视空间与秩序节奏。画面中心是一条通向远方王城的长阶和纵向通道，多个巨大拱门不断嵌套，形成“门中有门”的神话入口。人物位于画面下方中央偏小位置，背对或半侧背对镜头，站在长阶前方或正走向长阶，作为巨大空间中的情绪锚点。远方高处，王城从云海中升起，位于多个拱门套叠之后，成为最终视觉焦点。

拱门必须非常巨大，前景门框甚至可以超出画面边缘。门框、门楣、柱体、内拱和外拱都带有高精度纸雕镂空纹样，包括云纹、旋纹、星点、飞鸟、波浪和东方几何花纹。每一重门的尺度递减清晰，重复节奏强烈，形成史诗神话入口感。

远方王城必须巨大、华丽、神圣，整体漂浮在云海深处，由多层宫阙、殿阁、塔楼、拱门与主殿共同组成。王城不是普通建筑群，而像一座从沉睡中苏醒的天空王城，中心主殿被明亮天光照亮，周围群殿层层展开。王城边缘轻微透光，云海在其下方翻涌，使王城仿佛刚刚从云海中升起。

人物必须明显偏小，不能成为大特写。她只是庞大纸艺空间中的一点身影，用来衬托拱门的巨大与王城的遥远。人物可站在长阶起点，身体朝向远方王城，长发与披帛向后延展，形成向前与向上的动势。

整体色彩方案为：象牙白、深雾蓝、浅金为主，少量冷灰平衡。在此基础上，颜色要比基础版稍微更饱和一些，但仍保持高级、通透、清澈，不脏、不灰、不俗艳。象牙白用于门框、长阶、云层高光与王城主体；深雾蓝用于门内壁、远山、阴影层和人物服装内层；浅金用于描边、镂空细节、星点与高光装饰；少量冷灰只用于最深层空间平衡。整体画面要求清透、明亮、有空气感和纸艺展柜般的高级完成度。

光线与纸张质感为：远处王城方向的明亮天光穿过层层拱门照入，门框纸层投影清晰，王城边缘轻微透光，纸张厚度、裁切边缘和纹理精细可见。画面整体采用明亮通透的高空天光，冷暖适度融合，不压暗、不压黑。强化以下纸艺细节：清晰纸张纤维、手工裁切痕迹、纸层厚度、层叠投影、边缘透光感、门框和云层的细密镂空纹样。整体要呈现更精致、更清透、更有高级纸雕海报感的效果。

画面整体具有现代东方纸雕艺术、巨型纸艺神话场景、天空王城、史诗级梦境入口和高级艺术海报感。强调“史诗神话入口”氛围：人物极小，拱门巨大且节奏强烈，远方王城震撼升起，空间层次极深，画面明亮通透，色彩稍微更饱和，整体清透而不灰蒙。

补充要求：人物必须小，拱门必须巨大且有明显重复节奏，强化“史诗神话入口”感；色彩稍微更饱和一些，整体感觉更清透、更明亮，避免灰蒙和闷暗。

负面提示词：未成年人，幼态脸，真人摄影，普通动漫，塑料3D，树脂材质，黏土，毛毡，儿童手工，普通古风门洞，现代拱门，王城过小，人物过大，人物特写，场景拥挤，门框太少，没有重复节奏，没有纵深，没有云海，王城不明显，画面灰蒙，暗部死黑，整体偏黄，整体偏蓝成一团，纸层混乱，纸张边缘模糊，材质割裂，手部畸形，多余人物，文字，Logo，水印。