现代东方梦境立体剪纸世界之树

9:16 vertical version, modern oriental female dreamscape 3D papercut art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, epic oriental papercraft fantasy, poetic female dreamscape, contemporary oriental art poster.

The theme of the work is "She looks up under the crown of the World Tree."

The core narrative of the scene is: a young Oriental woman comes between the roots and a high platform of a giant paper-art divine tree, looking up to see the canopy unfolding upwards layer by layer like an entire sky palace, with flowers, light, and birds pouring down from the top of the tree. She finally sees the truly magnificent appearance of life and realizes for the first time that she is standing beneath some kind of sacred and great center.

The main character is an Oriental adult female with a visual age of about 25 years old, soft and poetic, gentle and firm, with a sense of shock and softness when facing great life. The character has a soft oval face, bright almond eyes looking up slightly, and a quiet, relieved expression with a slight hint of wonder. The character uses exquisite Oriental paper art illustration-style shaping, not real photography, and not over-cartoonized.

The character's hairstyle and headwear are: black long hair naturally flowing, the ends of the hair naturally connected with paper-cut flower vines, wearing light gold leaves and small paper flower hair accessories. The headwear is light and exquisite, not overly complex. The long hair naturally extends backward in the breeze at high altitudes, forming soft flowing paper ribbon lines.

The character's clothing is: a cyan-green and milky-white paper art long dress, the hem of the skirt growing layer by layer like leaves, petals, and long branches, with light gold hollow patterns added locally. The clothing is composed of multiple layers of paper-cut garment pieces, flower-and-leaf-shaped paper pieces, slender draped silks, precision hollowed edges, and real paper thickness, where paper fibers, slight creases, hand-cut edges, and layering relationships can be clearly seen. The hem and draped silks have a light sense of growth, but the character must be significantly small in the frame.

The dream carrier is: a giant paper art divine tree and a high platform.

Dream imagery includes: divine tree, flowers, flower vines, flying birds, clouds, long steps. All tree trunks, branches and leaves, flowers, clouds, birds, steps, and characters must be unified into a high-completion 3D paper sculpture language, no realistic tree texture can appear, nor can it look like a regular garden illustration.

The overall paper-cut structure adopts: a surrounding dreamscape style.

The main subject of the picture is a giant paper art divine tree with a true sense of epic scale. The divine tree must rise from the bottom of the frame, with a trunk extremely thick and towering, far larger than the characters and the high platform. The interior of the tree body is filled with complex hollow patterns, entwined branch structures, corridors, lattice windows, small pavilions, and palace-like paper sculpture levels. The trunk is not an ordinary trunk, but like a giant tower of life woven together by countless paper sculpture vines, branch veins, arches, and palace structures.

The crown of the divine tree must be extremely huge, like an entire celestial palace propping up the sky. The crown unfolds layer by layer from a high place in all directions, occupying a large area in the upper part of the frame, creating a sense of a crown that obscures the sun and the sky. Inside the crown, dense paper art branches and leaves, hollow patterns, paper sculpture flowers, hanging vines, glowing flower hearts, circular canopy layers, and layer-by-layer structures like sky palaces are visible. Visually, it must clearly make people feel that: the scale of the crown far exceeds that of the character and the trunk, like an entire world suspended above.

The composition adopts a low-angle upward view or a strong upward-looking perspective, emphasizing the overwhelming sense of scale that "the tree is much larger than the person." The character is located near the bottom center of the screen or near the high platform, occupying only a small proportion, standing on the edge of tree roots, platforms, or long steps, with the body slightly lifted upwards, looking up at the high canopy. The character is only an emotional anchor in the huge space, must not be too large, and must not steal the visual focus. The real protagonist is the divine tree itself.

The divine tree is surrounded by layers of flower vines, paper sculpture flower clusters, circling vines, and surrounding long steps forming a huge space. Long steps and small platforms meander upwards or outwards from the roots as a scale reference. A small number of paper art flying birds travel between the tree body and the canopy, further strengthening the huge divine scale of the tree. The background clouds support the divine tree from both sides of the screen and in the distance, forming a high-altitude, god-realm-like negative space and sacred atmosphere.

The overall color scheme is: primarily cyan-green, milky-white, and warm gold, with a small amount of light pink as accents. Cyan-green is used for branches, leaves, distant cloud shadows, and the inner layers of the character's clothing; milky-white is used for the main tree trunk, flowers, high platforms, bright parts of clouds, and the outer layers of the character's clothing; warm gold is used for highlights, the center of the canopy, flower hearts, local outlines, and paper foil decorations; a small amount of light pink is used only as finishing touches on parts of the flowers. The overall color must be bright, holy, transparent, and gorgeous, not gray, not darkened, not dirty or muddy.

Lighting and paper texture: Warm white skylight from above spills down between the canopy, forming strong but soft sacred light beams, illuminating the middle of the trunk, the character, flower vines, and the high platform. The center of the canopy should have a clear sense of luminescence, like skylight pouring from the depths of life. The edges of flower vines and leaves are slightly translucent, the tree trunk, branches and leaves, and high platform paper layers are clearly layered, and the fibers and cut edges are clearly visible. Strengthen the real paper thickness, hand-cut marks, fine hollow patterns, interlaminar shadows, and edge light transmission, making the entire picture look like a museum-grade large-scale paper sculpture art installation.

The overall image should have a sense of modern Oriental paper sculpture art, World Tree, sky palace, life mythology, epic dream space, and high-end art poster. Key highlights: The divine tree must be visually overwhelmingly huge, the canopy must have an epic sense of "propping up the sky," the character is clearly small, it cannot be made into a regular garden scene, nor can the tree just look like a decorative tree. Let the viewer feel at a glance that this is a World Tree like the center of a divine realm.

Supplementary requirements: The character must be small, the divine tree must be huge, the canopy must unfold layer by layer like a sky palace, strengthening the overwhelming sense and epic life sense that "the tree is much larger than the person," no ordinary garden feel, don't let the tree look not big enough.

Negative prompts: minors, youthful face, real photography, ordinary anime, plastic 3D, resin material, clay, felt, children's handicraft, ordinary garden trees, ordinary forest, bonsai sense, small tree, oversized character, half-body character close-up, small canopy, thin trunk, no depth, no high-altitude sense, no paper layering, no hollow structure, messy paper layers, blurred paper edges, heavy shadows, dead black dark parts, gray screen, overall dirty yellow, extra characters, text, Logo, watermark.

9:16竖版，现代东方女性梦境立体剪纸艺术，modern oriental papercut art，layered paper cut illustration，dimensional paper sculpture，intricate paper carving，paper diorama，layered shadow box，epic oriental papercraft fantasy，poetic female dreamscape，contemporary oriental art poster。

作品主题为“她在世界之树的冠冕下抬头”。

画面核心叙事为：一位年轻东方女性来到一棵巨大纸艺神树的根部与高台之间，抬头看见树冠像一整座天空宫殿般向上层层展开，花朵、光与飞鸟从树顶倾泻而下。她终于看见生命真正恢弘的样子，也第一次意识到自己正站在某种神圣而伟大的中心之下。

主体人物为视觉年龄约25岁的东方成年女性，柔美诗意、温柔坚定，带有面对伟大生命时的震撼与柔和感。人物拥有柔和鹅蛋脸，明亮杏眼微微仰望，神情安静、释然，带一点轻微惊叹。人物采用精致东方纸艺插画式塑形，不是真人摄影，也不过度卡通化。

人物发型与头饰为：黑色长发自然披散，发尾与花藤剪纸自然连接，佩戴浅金叶片与小型纸花发饰。头饰轻盈精致，不过度复杂。长发在高处微风中自然向后延展，形成柔和流动的纸带线条。

人物服装为：青绿色与奶白色纸艺长裙，裙摆像叶片、花瓣和长枝层层生长，局部加入浅金镂空纹样。服装由多层剪纸衣片、花叶形纸片、细长披帛、精密镂空边缘和真实纸张厚度组成，能够明显看见纸张纤维、轻微折痕、手工裁切边缘与层叠关系。裙摆与披帛具有轻盈生长感，但人物在画面中必须明显偏小。

梦境载体为：巨型纸艺神树与高台。

梦境意象包括：神树、花朵、花藤、飞鸟、云层、长阶。所有树干、枝叶、花朵、云层、飞鸟、台阶和人物都必须统一为高完成度立体纸雕语言，不能出现写实树木质感，也不能像普通花园插画。

整体剪纸结构采用：环绕梦境式。

画面主体是一棵真正具有史诗尺度感的巨型纸艺神树。神树必须从画面下方拔地而起，树干极其粗壮高耸，远大于人物与高台，树身内部布满复杂的镂空纹样、枝蔓缠绕结构、回廊、花窗、小型亭台和宫殿般的纸雕层级。树干不是普通树干，而像由无数纸雕藤蔓、枝脉、拱门与宫阙结构共同编织出的生命巨塔。

神树树冠必须极其巨大，像撑起天空的一整座天穹宫殿。树冠从高处向四周层层展开，占据画面上部大面积空间，形成遮天蔽日般的冠冕感。树冠内部可见密集的纸艺枝叶、镂空花纹、纸雕花朵、悬垂藤蔓、发光花心、环形冠层以及像天空宫阙一样的层层结构。视觉上要明确让人感受到：树冠远远超出人物与树干的尺度，像一整个世界悬浮在上方。

构图采用低角度仰视或强烈向上观看的视角，强调“树比人巨大得多”的压倒性尺度感。人物位于画面下方偏中央或高台附近，只占很小比例，站在树根、平台或长阶边缘，身体微微向上抬起，仰望高处树冠。人物只是巨大空间中的情绪锚点，不可过大，不可抢走视觉重心。真正的主角是神树本身。

神树周围由层层花藤、纸雕花丛、盘旋枝蔓和环绕长阶构成巨大空间。长阶与小型平台从树根向上或向四周蜿蜒，作为尺度参照。少量纸艺飞鸟从树身与树冠之间穿行，进一步强化树的巨大神性尺度。背景云层从画面两侧和远处托起神树，形成高空、神域般的留白和神圣氛围。

整体色彩方案为：青绿、奶白、暖金为主，少量浅粉点缀。青绿色用于枝叶、远处云层阴影和人物服装内层；奶白用于树干主体、花朵、高台、云层亮部和人物服装外层；暖金用于高光、树冠中心、花心、局部描边和纸箔装饰；少量浅粉仅用于花朵局部点睛。整体色彩必须明亮、圣洁、通透、华丽，不灰蒙，不压暗，不脏浊。

光线与纸张质感为：高处暖白天光从树冠间洒下，形成强烈但柔和的神圣光束，照亮树干中段、人物、花藤与高台。树冠中心应有明显的发光感，像天光从生命深处倾泻。花藤与叶片边缘轻微透光，树干、枝叶和高台纸层层次分明，纤维与裁切边缘清晰可见。强化真实纸张厚度、手工裁切痕迹、细密镂空纹样、层间投影和边缘透光感，使整幅画面看起来像博物馆级大型纸雕艺术装置。

画面整体要具有现代东方纸雕艺术、世界之树、天空宫殿、生命神话、史诗级梦境空间和高级艺术海报感。重点突出：神树必须在视觉上压倒性巨大，树冠要有“撑起天空”的史诗感，人物明显偏小，不能做成普通花园场景，也不能让树只像一棵装饰树。要让观者一眼感受到这是一棵如同神域中心般的世界之树。

补充要求：人物必须小，神树必须巨大，树冠必须像天空宫殿一样向上层层展开，强化“树比人巨大得多”的压迫感与史诗生命感，不要普通花园感，不要树看起来不够大。

负面提示词：未成年人，幼态脸，真人摄影，普通动漫，塑料3D，树脂材质，黏土，毛毡，儿童手工，普通花园树木，普通森林，盆景感，小树，人物过大，半身人物特写，树冠过小，树干过细，没有纵深，没有高空感，没有纸张层次，没有镂空结构，纸层混乱，纸张边缘模糊，阴影过重，暗部死黑，画面灰蒙，整体脏黄，多余人物，文字，Logo，水印。