瑞士国际主义风格现代角色海报

[Character], retaining the character's most core identity recognition, hairstyle silhouette, signature colors, clothing features, and temperament, redesigned as a Modern Swiss Style character poster.

Modern Swiss Style × International Typographic Style × Oversized Typography × Asymmetric Grid × Editorial Character Poster.

Using a large close-up portrait of [Character] as the core visual, the character occupies one side of the frame or cuts in from the edge, not using a traditional centered full-body illustration. Adopt a close-up perspective, slight low-angle shot, or unconventional cropping, letting the head, shoulder line, and clothing form strong geometric silhouettes.

The image is composed of oversized sans-serif typography, large areas of negative space, strict grids, asymmetric layouts, and very little information. Giant English letters or character-related text span the frame, which can be cropped by edges or obscured by the character; the font itself becomes the primary graphic element rather than a common title.

The overall base is black, white, off-white, and dark gray, retaining only one high-saturation accent color automatically extracted based on the character, used for giant fonts, geometric color blocks, or a minimal number of visual anchors.

The character expression leans towards high-end Editorial illustration / semi-realistic Japanese manga portrait, with restrained details and avoiding complex backgrounds. It allows for the addition of a very small amount of urban architectural photography fragments, coordinates, numbers, short phrases, small font information, and thin lines as secondary information layers, but maintaining a large amount of negative space.

The layout emphasizes scale contrast: giant typography × micro text, character close-ups × large areas of blank space, solid color blocks × black and white characters. The overall look is clean, sharp, rational, with the visual tension of International Typographic Style graphic design and contemporary culture magazine covers.

The text content is automatically generated based on [Character]'s identity, worldview, abilities, or personality, without fixed copy.

Vertical poster, single character.

【角色】，保留角色最核心的身份识别、发型轮廓、代表色、服装特征与气质，重新设计为现代瑞士主义角色海报。

Modern Swiss Style × International Typographic Style × Oversized Typography × Asymmetric Grid × Editorial Character Poster。

以【角色】的大幅近景肖像作为核心视觉，人物占据画面一侧或从边缘切入，不使用传统居中立绘。采用近距离视角、轻微仰拍或非常规裁切，让头部、肩线与服装形成强烈几何轮廓。

画面由超尺度无衬线字体、大面积留白、严格网格、非对称布局和极少量信息共同构成。巨大英文字母或角色相关文字跨越画面，可被边缘裁切、被人物遮挡，字体本身成为主要图形元素，而不是普通标题。

整体以黑、白、米白、深灰为基础，只保留一种根据角色自动提取的高饱和强调色，用于巨大字体、几何色块或极少量视觉锚点。

人物表现偏高级 Editorial 插画 / 半写实日漫肖像，细节克制，避免复杂背景。允许加入极少量城市建筑摄影碎片、坐标、编号、短句、小字号信息和细线作为次级信息层，但保持大量负空间。

版式强调尺度反差：巨大字体 × 微型文字，人物局部特写 × 大面积空白，纯色色块 × 黑白人物。整体干净、锐利、理性、具有国际主义平面设计和当代文化杂志封面的视觉张力。

文字内容根据【角色】的身份、世界观、能力或性格自动生成，不固定文案。

竖版海报，单人角色。