东方文化竖三栏展览海报设计

[Theme]:
[Chinese Title]:
[English Title]:
[Core Subject]:
[Three-Column Relationship]: Character Crossing / Same Subject Three-Column Variation / Middle Column Main Scene / Artifact Crossing / Other
[Left Column Content]:
[Middle Column Content]:
[Right Column Content]:
[Main Color Palette]:
[Date / Venue]:
[Aspect Ratio]: 9:16

Generate a high-aesthetic, high-information-density Oriental culture exhibition poster, using a "vertical three-column / left-middle-right composition."

Do not split the three columns equally, and do not make them into three independent information boxes. Flexibly adjust the width according to the theme, letting each column assume different visual responsibilities, then actively cross column lines through subjects, text, lines, or materials to reconnect the three areas into a complete image.

Choose different methods based on the content:

Character Crossing: The character is mainly located in the middle column, with sleeves, skirt hems, or ornaments entering the left and right columns, letting the left side be responsible for patterns and textures, and the right side be responsible for structure and archival information.

Same Subject Three-Column Variation: Let a continuous subject pass through all three columns simultaneously, presenting different materials, stages, or states in different columns, but the outline must be continuous and cannot become three independent objects.

Middle Column Main Scene: Place the strongest key visual in the center column, such as a mountain, building, or large image, while the left and right columns handle the title, date, materials, and research information, allowing parts of the subject or clouds/mist to cross columns.

Artifact Crossing: Large artifacts enter other columns diagonally or horizontally from one side, using the subject itself to break the vertical grid, making the three columns merely a layout order rather than physical boundaries.

Typography is redesigned according to the structure of each image, using oversized single characters, full horizontal titles, cross-column titles, medium-scale titles, or small information spines. Do not use a fixed four-character vertical layout, and do not repeat the "two horizontal characters + two vertical characters" template.

Information density should be close to mature museum posters, art catalogs, and Editorial Design: include English subtitles, materials, structures, dates, venues, curatorial short sentences, and a small number of research drawings, but concentrate them in 2–3 areas, do not spread them evenly across the whole screen.

Small structural line drawings, material research, production processes, sections, or pattern research can be added, but keep the area restrained, serving only as second-layer reading content.

Use 3–5 main colors, forming clear column relationships with large areas of pure color fields. Combinations such as black, bone white, vermilion, cobalt blue, deep cyan, and ochre are allowed, but avoid dirty gray, heavy aging, and complex gradients.

Overall requirements: High definition, clear, clean, information-rich but orderly, accurate subject proportions, sharp text and fine lines, with the completion level of a mature cultural exhibition poster.

Avoid: Mechanical three-way splitting, three independent cards, PPT information boxes, fixed title templates, subjects being too small, columns being completely fragmented, random small text, meaningless decorative lines, excessive aging, mottled noise, and low-completion AI poster feel.

【主题】：
【中文标题】：
【英文标题】：
【核心主体】：
【三栏关系】：人物跨栏 / 同一主体三栏变化 / 中栏主景 / 器物跨栏 / 其他
【左栏内容】：
【中栏内容】：
【右栏内容】：
【主色调】：
【日期 / 场馆】：
【画面比例】：9:16

生成一张高审美、高信息密度的东方文化展览海报，采用「竖三栏 / 左中右构图」。

三栏不要平均分割，也不要做成三个独立信息框。根据主题灵活调整宽度，让每一栏承担不同视觉职责，再通过主体、文字、线条或材质主动跨越栏线，把三个区域重新连接成一个完整画面。

可根据内容选择不同方式：

人物跨栏：人物主要位于中栏，衣袖、裙摆或饰物进入左右栏，让左侧负责纹样与材质，右侧负责结构与档案信息。

同一主体三栏变化：让一件连续主体同时穿过三栏，在不同栏位呈现不同材质、阶段或状态，但轮廓必须连续，不能变成三个独立物体。

中栏主景：中央栏放置最强主视觉，例如山体、建筑或大型图像，左右栏承担标题、日期、材质、研究信息，并允许部分主体或云雾越栏。

器物跨栏：大型器物从一侧斜向或横向进入其他栏位，用主体本身打破竖向网格，让三栏只是排版秩序，而不是物理边界。

Typography 根据每张画面的结构重新设计，可使用超大单字、完整横排标题、跨栏标题、中等尺度标题或小型信息脊柱。不要固定使用四字纵排，也不要重复“两字横排 + 两字竖排”的模板。

信息密度要接近成熟博物馆海报、艺术图录和 Editorial Design：加入英文副标题、材质、结构、日期、场馆、策展短句和少量研究图，但集中在 2–3 个区域，不要平均铺满全画面。

可以加入小型结构线稿、材质研究、制作流程、剖面或纹样研究，但面积保持克制，只作为第二层阅读内容。

色彩使用 3–5 个主要颜色，以大面积纯净色域形成明显栏位关系。允许黑、骨白、朱红、钴蓝、深青、赭色等组合，但避免脏灰、严重做旧和复杂渐变。

整体要求：高清、清晰、干净、信息丰富但有秩序，主体比例准确，文字与细线锐利，具有成熟文化展览海报完成度。

避免：机械三等分、三个独立卡片、PPT 信息框、固定标题模板、主体过小、栏位完全割裂、随机小字、无意义装饰线、过度做旧、斑驳噪点和低完成度 AI 海报感。