[Keyword]: {2–4 Chinese characters, e.g.: Floating Light / Deep Clouds / One Color / Tide Rising}
[Original Poetry Line]: {Fill in the corresponding original ancient poem/prose line}
[Scene]: {Water surface / Misty mountain / Sea and sky / Mirrored shoal / Other Oriental natural spaces}
[Tiny Subject]: {Character / Buoy / Small boat / Installation / Other}
[Vermilion Touch]: {Red umbrella / Red hat / Red ribbon / Small mark, etc.}
[English Subtitle]: {Fill in a short English title}
Use Images 2.5 to generate a 9:16 Oriental poetic minimalist cultural poster, translating the mood of Chinese classical poetry into a modern editorial vision.
The overall color scheme uses a low-saturation cold color system consisting of fog blue, ice blue, light cyan-gray, moon white, and ink blue. The image is quiet, ethereal, and restrained, possessing the temperament of Oriental minimalism and cultural exhibition posters.
Retain a large area of airiness and negative space; the subject should not fill the frame. Construct a vast, quiet, and distant space through the [Scene], retaining only one main visual event. Add the [Tiny Subject] to make it a small-scale visual coordinate in the vast space.
Add only one [Vermilion Touch] to the entire image, keeping the area very small to break the cold blue color field and establish a visual focus, without adding a second high-saturation color.
Typography must participate in the composition. Use the [Keyword] for the main title, forming the image structure through huge fonts, vertical layout, edge cropping, displacement, or interleaving with scenery. Add the smaller [Original Poetry Line], which can use vertical layout, edge inscriptions, or fine editorial typography, without overshadowing the main title.
Add a small amount of English information:
“BLUE DISTANCE”
[English Subtitle]
And a very small amount of exhibition-style dates or visual research information, using thin serif or ultra-fine modern fonts, small font sizes, and low information density.
The whole emphasizes obvious scale contrast: huge Chinese theme characters, tiny natural or human subjects, miniature poetic lines and English information, and large areas of blue negative space.
The image texture remains realistic, soft, low-contrast, and low-saturation; mist, atmospheric perspective, slight water surface reflections, or natural soft light can be added.
Avoid HDR, tech blue, cyberpunk, heavy grain, aged paper, tourism promotion feel, complex stacking of traditional symbols, and commercial advertising feel.
The final presentation is a quiet, ethereal, and restrained Oriental modern cultural poster.
Core visual principles: large space, small event; large text, small information; cold blue color field, a touch of vermilion; poetry provides the mood, modern typography completes the visual translation.
【主题词】:{2–4 个中文,例如:浮光 / 云深 / 一色 / 潮生}
【诗词原句】:{填写对应古诗文原句}
【场景】:{水面 / 雾山 / 海天 / 镜面浅滩 / 其他东方自然空间}
【微小主体】:{人物 / 浮标 / 小舟 / 装置 / 其他}
【朱红点睛】:{红伞 / 红帽 / 红色织带 / 小型标记等}
【英文副题】:{填写简短英文标题}
用 Images 2.5 生成一张 9:16 东方诗境极简文化海报,将中国古典诗词的意境转译成现代编辑视觉。
整体采用雾蓝、冰蓝、浅青灰、月白、墨蓝组成的低饱和冷色体系,画面宁静、空灵、克制,具有东方极简与文化展览海报气质。
保留大面积空气感和负空间,主体不要占满画面。通过【场景】构建辽阔、安静、有距离感的空间,只保留一个主要视觉事件。加入【微小主体】,让它成为巨大空间中的小尺度视觉坐标。
整张画面只加入一处【朱红点睛】,面积保持很小,用来打破冷蓝色域并建立视觉焦点,不增加第二处明显高饱和颜色。
Typography 必须参与构图。主标题使用【主题词】,通过巨大字体、纵向排版、边缘裁切、错位或与景物穿插形成画面结构。加入较小的【诗词原句】,可使用竖排、边缘题记或细小编辑排版,不抢主标题。
加入少量英文信息:
“BLUE DISTANCE”
【英文副题】
以及极少量展览式日期或视觉研究信息,使用细衬线或极细现代字体,小字号、低信息密度。
整体强调明显的尺度反差:巨大中文主题字,极小自然或人物主体,微型诗句与英文信息,大面积蓝色留白。
画面质感保持真实、柔和、低反差、低饱和,可加入薄雾、空气透视、轻微水面反光或自然柔光。
避免 HDR、科技蓝、赛博朋克、重颗粒、做旧纸张、旅游宣传感、复杂古风符号堆叠和商业广告感。
最终呈现一张宁静、空灵、克制的东方现代文化海报。
核心视觉原则:大空间,小事件;大文字,小信息;冷蓝色域,一点朱红;诗词提供意境,现代排版完成视觉转译。
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