Surrealist Japanese ink wash painting

Create a highly detailed surreal Japanese sumi-e illustration blending ancient Edo-period aesthetics with futuristic absurdity. At twilight, under a vast sky streaked with vermilion and indigo brushstrokes, Doraemon stands atop a traditional pagoda roof reinforced with glowing fiber cables and neon scaffolding. He pilots a weathered, patchwork mecha painted in faded indigo lacquer, shaped like a vintage wind-up toy with exposed gears, silk-banner decals, and steam exhausts puffing from shoulder vents. The mecha wears a digital mawashi displaying shifting kanji runes. Doraemon’s expression is intense but comically determined, his paw gripping a lever made from polished bamboo and chrome.

Across the composition, Hello Kitty appears inside a towering golden-armored mecha resembling an ornate Hannya mask, with sakura-shaped LEDs pulsing across its chestplate. Her stance mirrors that of a sumo rikishi mid-tachiai, legs wide, palms extended, toes digging into the glowing tatami rooftop below. Tiny holographic cherry blossoms swirl in the air, catching the last ambient light from futuristic Edo lanterns floating in midair via anti-gravity rings.

Below, dozens of onlookers in layered kimono-hologram hybrids cheer with glowing fans shaped like old kabuki masks. Some wear AR visors shaped like fox spirits, their faces half-lit by the flickering light of vending machines embedded in shrine walls. In one corner, an elderly monk with cybernetic arms calmly sketches the scene on a floating washi-scroll, eyes glowing faintly behind antique round glasses.

The entire piece is rendered in expressive sumi-e ink washes with chaotic splashes for motion trails, delicate dry-brush hatching for armor texture, and faint pastel watercolors to accent light sources. Negative space is used deliberately around the combatants to amplify their presence. A red artist seal (宝雷印) is stamped boldly in the lower corner, harmonizing the traditional technique with the scene’s absurd modernity.

创作一幅细节丰富的超现实主义日式水墨画，融合江户时代的古典美学与未来主义的荒诞风格。暮色降临，在朱红与靛蓝交织的广袤天空下，哆啦A梦站在一座由发光纤维缆绳和霓虹灯脚手架加固的传统宝塔屋顶上。他驾驶着一架饱经风霜、涂着褪色靛蓝漆的机甲，外形酷似老式发条玩具，齿轮外露，饰有丝绸旗帜图案，肩部通风口喷出蒸汽。机甲上系着一条印有不断变化的汉字图案的数码腰带。哆啦A梦表情严肃而又滑稽地坚定，他的爪子紧紧握着一个由抛光竹子和镀铬制成的操纵杆。

画面中，Hello Kitty 出现在一座高耸的金色铠甲机甲内，机甲造型宛如一副华丽的般若面具，胸甲上闪烁着樱花形状的 LED 灯。她的站姿如同相扑力士立合的姿势，双腿分开，手掌伸展，脚趾深深扎入下方发光的榻榻米屋顶。细小的全息樱花在空中飞舞，捕捉着未来感十足的江户灯笼在反重力环的辅助下悬浮于半空中时散发的最后一丝光芒。

下方，数十名身着层叠和服与全息投影混合服饰的围观者挥舞着形似古老歌舞伎面具的发光扇子欢呼雀跃。一些人戴着狐狸精造型的增强现实（AR）头盔，他们的脸庞被神社墙壁上自动售货机闪烁的灯光照亮了一半。在一个角落里，一位装着机械手臂的老僧正平静地在一张漂浮的和纸卷轴上描绘着眼前的景象，他那双透过古董圆眼镜闪烁着微光的眼睛。

整幅作品以极富表现力的水墨晕染技法绘制而成，奔放的泼墨笔触勾勒出动感轨迹，精细的干笔阴影描绘出盔甲的纹理，淡雅的粉彩则突出了光源。画中刻意在战斗人物周围留出空白，以增强他们的存在感。画面左下角醒目地盖上了红色的艺术家印章（宝雷印），将传统技法与画面荒诞的现代感巧妙地融合在一起。