真实人物嵌入断线线描手绘背景旅行海报

Turn the buildings, streets, sky, water, or terrain behind the figures into broken-line drawings. This creates a visual tension of "real figures embedded in hand-drawn locations," where the figures' identity, posture, clothing, luggage, and proportions are not destroyed by line work, while the background gains warm paper, black ink, negative space, and a sense of manual observation.

Please make each travel photo I upload into an individual high-end travel editorial poster, outputting each photo separately without multi-image collage.

The overall composition uses a 3:4 vertical format, forming a clear "upper real photo + lower real figures and line-drawn background" top-to-bottom contrast. The height of the upper and lower areas is approximately 1:1, and the boundary must be horizontal, clear, and restrained; do not use feathering, tearing, or gradient blending, and do not let the two areas contaminate each other.

The upper part fully preserves the uploaded photo itself. Maintain the number of figures, identity, facial or back features, body proportions, posture, direction of movement, clothes, hats, backpacks, luggage, buildings, landmarks, observation angles, natural lighting, and real photographic texture. Perform only slight high-end photographic color grading, and do not stretch, distort, mirror, move, replace, or redraw the subject.

The lower part must preserve the real photographic figures from the original photo. The figures continue to have a photographic texture: real skin, hair, clothing, backpacks, luggage, shoes, lighting, and natural edges must be maintained; do not turn figures into illustrations, cartoons, line drawings, silhouettes, or vector shapes; do not add black outlines to figures; and do not change figures' postures, clothing, proportions, numbers, or positional relationships.

Only the background of the figures in the lower part is redrawn into a broken-line pen observation drawing on warm off-white paper: buildings, arcades, streets, cobblestone paths, bridges, water surfaces, sky, plants, and distant views use broken, paused, folded-back, misplaced double lines, local re-sketching, sparse hatching, and unfinished line ends. Remove irrelevant textures and tiny objects, preserving the structure, perspective direction, and landmark outlines that allow identification of the original scene. The figures should be naturally embedded in the line-drawn background, like real travelers standing in a hand-drawn location map.

The lower part should retain at least one continuous low-information paper area to provide space for a small amount of text. Text is placed only in the lower part: a title of 1—3 English words; one line of "FIELD NOTE 01" or an object field; one line of 5—12 English words of observation sentences. The text uses ink-deficient type, typewriter fonts, or narrow humanistic sans-serif, appearing as if printed on paper, and must not cover the figures, nor include author names, logos, URLs, QR codes, fake dates, signatures, garbled characters, or watermarks.

Key hard constraints: The upper half is a real photo; the lower half is real photographic figures + line-drawn background. Figures are not redrawn; the background is redrawn. Do not generate a second illustrated figure, do not turn the figure outlines into line art, and do not make the lower half a complete scene line drawing.

Overall temperament: real photographic figure embedded in a fragmented ink-drawn travel environment, warm archival paper, broken black pen lines, sparse architectural observation, restrained accent color, editorial travel study, quiet handmade texture.

Avoid: full-body redraw, illustrated person, cartoon person, ink contour around the person, altered face or pose, changed clothing, changed luggage, extra people in foreground, multiple-photo collage, full-poster filter, same-crop tracing, vector-clean background, watercolor wash, oil paint, anime, 3D rendering, invented landmarks, fake logo, watermark, gibberish text.

把人物背后的建筑、街道、天空、水面或地形转成断线线描。这样形成“真实人物嵌入手绘地点”的视觉张力，人物的身份、姿态、服装、行李和比例不会被线稿破坏，背景则获得暖纸、黑墨、留白和手工观察感。

请将我上传的每一张旅行照片分别制作成一张独立的高级旅行编辑海报，每张照片单独输出，不进行多图拼贴。

整体采用 3:4 竖版构图，形成清晰的“上方真实照片＋下方真实人物与线描背景”上下对照。上下区域高度约 1:1，边界必须水平、清晰、克制；不要羽化、撕裂、渐变融合，也不要让上下两区互相污染。

上半部分完整保留上传照片本身。保持人物数量、身份、面部或背影特征、身体比例、姿态、动作方向、衣服、帽子、背包、行李、建筑、地标、观察角度、自然光影和真实摄影质感。只做轻微高级摄影调色，不得拉伸、扭曲、镜像、移动、替换或重新绘制主体。

下半部分必须保留原照片中的真实摄影人物。人物继续是照片质感：真实皮肤、头发、衣物、背包、行李、鞋子、光影和自然边缘都要保持；不得把人物变成插画、卡通、线稿、剪影或矢量形状，不得给人物添加黑色描边，不得改变人物姿态、服装、比例、数量或位置关系。

只将下半部分的人物背景转绘为暖米白纸张上的断线钢笔观察画：建筑、拱廊、街道、石板路、桥、水面、天空、植物和远景使用断裂、停顿、回折、错位复线、局部重描、稀疏排线和未完成线端表现。删除无关纹理和细碎物件，保留能够辨认原场景的结构、透视方向和地标轮廓。人物要自然嵌入线描背景，像真实旅行者站在一张手绘地点图中。

下半部分保留至少一块连续的低信息纸面，为少量文字提供空间。文字只放在下半部分：一个 1—3 个英文单词的标题；一行“FIELD NOTE 01”或对象字段；一行 5—12 个英文单词的观察句。文字使用缺墨铅字、打字机体或细窄人文无衬线，像印在纸上，不得覆盖人物，不得加入作者名、Logo、网址、二维码、虚假日期、签名、乱码或水印。

关键硬约束：上半是真实照片；下半是真实摄影人物＋线描背景。人物不转绘，背景转绘。不要生成第二个插画人物，不要把人物轮廓线稿化，不要把下半做成完整场景线稿。

整体气质：real photographic figure embedded in a fragmented ink-drawn travel environment, warm archival paper, broken black pen lines, sparse architectural observation, restrained accent color, editorial travel study, quiet handmade texture.

避免：full-body redraw, illustrated person, cartoon person, ink contour around the person, altered face or pose, changed clothing, changed luggage, extra people in foreground, multiple-photo collage, full-poster filter, same-crop tracing, vector-clean background, watercolor wash, oil paint, anime, 3D rendering, invented landmarks, fake logo, watermark, gibberish text.