朱紅の銀杏の光と影に包まれた、中国風シネマティックなファッション大作

As a world-class fashion photographer (Steven Meisel / Paolo Roversi / Harley Weir style), shoot a brand-defining autumn Guofeng (Chinese style) fashion editorial for the "SHANG CHENG SHI" brand, using **[Reference Image 1 to 100% strictly restore the facial features, hairstyle, and temperament of the person]**. The film focuses on cinematic close-ups and textural details, integrating Eastern framed view aesthetics with contemporary avant-garde fashion language. [Core Character Restoration] Strictly refer to Reference Image 1: Facial Features: 100% restoration of facial proportions, eye shape, nose shape, lip shape, and facial contours. Hairstyle: Reddish-brown large wavy curls (fluffy and soft texture, fitting the warm autumn tone). Temperament: Gentle, relaxed, and languid Oriental female elegance. But allow the following artistic adjustments: Makeup can be more cinematic (retaining natural base makeup, enhancing dramatic eye expression). Hair dynamics can show natural flow due to the autumn wind. Emotional expression can increase cinematic narrative tension based on "gentle gaze." [Deep Analysis of Brand DNA - Reference Image 2] Interpretation of the "SHANG CHENG SHI" brand prototype: Cultural Gene: Collision of Eastern classical aesthetics and contemporary fashion refinement. Aesthetic Core: The passionate romance of vermilion red + the gentle poetry of golden ginkgo + the Eastern narrative of red wall framed views. Target Audience Lifestyle: Urban women pursuing "relaxed elegance," loving the Guofeng atmosphere and refined dressing, aspiring to a life aesthetic that "reveals a contemporary attitude within a classical context." Brand Visual Language: High-saturation vermilion red as an emotional anchor. Autumn ginkgo as a seasonal symbolic system. Vintage gold jewelry as a carrier of refinement. Red wall framed view as Eastern compositional philosophy. [Narrative and Composition - Cinematic Multi-Lens Language] First Group: Intense Portrait Close-up (Cinematic Facial Narrative) Shot A - Eye Close-up: Extremely close focus on the eyes and upper face. The gaze penetrates the lens, conveying the "gentle yet firm" power of the Oriental woman. Emphasize: Golden ginkgo light and shadow reflected in the pupils. Detailed texture of individual eyelashes. Natural tension of subtle expression muscles around the eyes. Blurred halo of vintage gold necklace on the neck. Shot B - Side Profile Close-up: 45-degree side angle, capturing the perfect contour line from the forehead → nose bridge → lips → jawline. Reddish-brown curls fall behind the ear, and some strands are outlined with a golden edge by the autumn backlight. The background is a blurred collision of vermilion red walls and golden ginkgo colors. Second Group: Body Language and Emotional Posture (Cinematic Narrative Composition) Shot C - Full View of Chin-Resting Gaze: [Core replication shot of Reference Image 2] The person sits on the red wall window sill, resting their chin, curled up sideways, with soft and relaxed body lines. But add cinematic texture: The draping folds of the vermilion red fitted dress show a delicate velvet-like texture in the light and shadow. Gold bracelets form exquisite light spots on the wrist. Falling ginkgo leaves create natural foreground occlusion (increasing depth of field layers). Within the red wall frame, the golden ginkgo tree is rendered with soft focus, creating the Oriental aesthetic of a "picture within a picture." Shot D - Hand Detail Close-up: Tight crop: Slender fingers lightly touch the cheek, vintage gold bracelets stack on the wrist. Focus locked on: The contrast between the fine texture of the metal chains and the warm texture of the skin. The warp and weft details of the vermilion red cuff fabric. The natural luster of the nails. The background is blurred into abstract color blocks of vermilion red and gold. Third Group: Environmental Atmosphere and Oriental Framed View (Cinematic Scene Narrative) Shot E - Red Wall Framed Medium Shot: Using the red wall window frame as a natural frame, the person is centered within the frame. The composition follows the Eastern "framed view into painting" philosophy, but the lighting treatment has the chiaroscuro contrast of European cinema: The illuminated side of the red wall shows a rough, grainy texture. The edge of the window frame forms a sharp dividing line between light and dark. The person is softly illuminated by diffused light (from the ginkgo reflection). The ancient ginkgo architecture in the background forms an abstract golden-yellow atmosphere outside the depth of field. Shot F - Dynamic of Falling Ginkgo Leaves: Capturing the moment ginkgo leaves fall in the air. Foreground leaves are sharp, the mid-ground half-body portrait is sharply focused, and the background red wall and ginkgo tree are completely blurred. Conveys "autumn flow" and "poetic time." [Styling and Avant-Garde Aesthetics (Key Breakthrough Points)] Clothing: Main Body: Vermilion red fitted long dress (draping velvet or thick cotton/linen texture, fitted but not overtly sexy, conveying the "elegant restraint" of Eastern aesthetics). Avant-garde Elements: Can add asymmetrical cuts or architectural structural lines to the cuffs and neckline, breaking the established impression of traditional Qipao. Accessories: Vintage Gold Jewelry: Multi-layered necklaces + stacked bracelets, the metallic luster shows a "bygone era" texture in the warm autumn light. Unexpected Element: Can add a light sheer shawl (translucent texture) floating in the autumn wind, increasing dynamic movement and layering in the image. Props: Falling ginkgo leaves (can hold one, increasing interaction). Ancient red wall window sill used as a natural seat. This photo must feel: Original (natural relaxed feeling, not posed), Expensive (texture of high-quality fabric and gold jewelry), Deeply Tactile (the viewer can "feel" the autumn breeze and velvet texture). [Technical Aesthetics - Cinematic Photography Parameters] Ultra-realistic Texture: Film Grain: Medium grain (simulating Kodak Portra 400 film), adding a sense of "time" and "warmth." Texture Detail: Highly restore pores, hair strands, fabric warp and weft, metal scratches, and the rough surface of the red wall. Depth of Field Control: Large aperture (f/1.4-f/2.0) to create creamy bokeh, highlighting the subject while retaining the environmental atmosphere. Lighting - Cinematic Treatment of Autumn Natural Light: Main Light Source: Softly diffused autumn afternoon sunlight (color temperature 3500K-4000K warm tone). Auxiliary Light: Golden diffuse reflection from ginkgo leaves (creating soft fill light on the face). Outline Light: Backlight outlining hair strands and body edges with a golden halo. Shadow Treatment: Retain soft shadows (not extreme chiaroscuro contrast), maintaining the "reserved blank space" of Eastern aesthetics. Color - Refined Editing Palette: Main Tones: High-saturation vermilion red (#C8102E) + warm golden yellow (#F4C430). Auxiliary Colors: Ancient architecture gray-white (#E8E8E8) + reddish-brown hair color (#8B4513). Atmospheric Color: Warm orange-yellow ambient light (simulating the "golden hour" before autumn dusk). Color Relationship: "Passionate collision" of red and yellow + "calm balance" of gray-white = core of "Guofeng atmosphere." Photography Style Reference: Paolo Roversi's soft-focus portrait texture (soft yet rich in detail). Wong Kar-wai's film color saturation and nostalgic atmosphere. Chinese traditional Gongbi painting's "framed composition" and "philosophy of blank space." [Final Output Requirements] Character Appearance: 100% restoration of facial features, hairstyle, and temperament from Reference Image 1 (hairstyle can be slightly dynamic, makeup can be cinematic, but facial contours must be absolutely precise). Style Atmosphere: 80% reference to Reference Image 2's "Autumn Guofeng atmosphere" (red walls, ginkgo, vermilion dress, chin-resting pose) + 20% world-class fashion photography's "cinematic texture and avant-garde styling." Technical Standards: 4K/8K ultra-high definition quality. Cinematic color grading (warm autumn color temperature). Medium film grain. Precise depth of field control (sharp subject, soft focus background). Brand Exposure: Retain the "SHANG CHENG SHI" brand logo at the top of the image (elegant modern font, not distracting from the main subject). Final Tone: This is not an ordinary fashion editorial, but a cross-cultural visual work that "can simultaneously exist on the cover of an international fashion magazine and in an Oriental aesthetics art book."

作为世界级时尚摄影师（Steven Meisel / Paolo Roversi / Harley Weir 风格），为**[参考图1人物100%严格还原面部特征、发型、气质]**拍摄《上城士 SHANG CHENG SHI》品牌定义性的秋日国风时尚大片。影片聚焦电影级特写与质感细节,融合东方框景美学与当代先锋时尚语言。 【人物核心还原】 严格参照参考图1: 面部特征: 100%还原五官比例、眼型、鼻型、唇形、脸部轮廓 发型: 红棕色大波浪卷发(蓬松柔软质感,契合秋日暖调) 气质: 温柔舒展、松弛慵懒的东方女性优雅感 但允许以下艺术化调整: 妆容可更偏向电影质感(保留自然底妆,强化眼神戏剧性) 发丝动态可因秋风吹拂产生自然流动 情绪表达可在"温柔凝视"基础上增加电影叙事张力 【品牌DNA深度分析 - 参考图2】 《上城士》品牌原型解读: 文化基因: 东方古典美学与当代时尚精致感的碰撞 审美内核: 朱砂红的热烈浪漫 + 银杏金黄的温柔诗意 + 红墙框景的东方叙事 目标受众生活方式: 追求"松弛优雅感"的都市女性,热爱国风氛围与精致穿搭,向往"在古典意境中流露当代态度"的生活美学 品牌视觉语言: 高饱和朱砂红作为情绪锚点 银杏秋日作为季节性符号系统 复古金饰作为精致感载体 红墙框景作为东方构图哲学 【叙事与构图 - 电影级多重镜头语言】 第一组: 强烈肖像特写（电影级面部叙事） 镜头A - 眼神特写: 极近距离聚焦眼睛与上半面部。目光穿透镜头,传递"温柔而坚定"的东方女性力量感。强调: 瞳孔中反射的金黄银杏光影 睫毛根根分明的细节质感 眼角细微表情肌的自然张力 复古金饰项链在颈部的虚化光晕 镜头B - 侧脸轮廓特写: 侧面45度角,捕捉从额头→鼻梁→唇部→下颌的完美轮廓线。红棕色卷发从耳后垂落,部分发丝被秋日逆光勾勒出金边。背景是虚化的朱砂红墙与金黄银杏的色彩碰撞。 第二组: 身体语言与情绪姿态（电影级叙事性构图） 镜头C - 托腮凝视全景: [参考图2核心复刻镜头] 人物坐于红墙窗沿,托腮侧身蜷坐,身体线条柔和舒展。但增加电影质感: 朱砂红修身长裙的垂坠褶皱在光影中呈现丝绒般的细腻肌理 金饰手链在手腕处形成精致的光斑 飘落的银杏叶在前景形成自然遮挡(增加景深层次) 红墙框景内,金黄银杏树以柔焦形式呈现,营造"画中画"的东方美学 镜头D - 手部细节特写: 紧密裁剪:纤细手指轻触面颊,复古金饰手链在手腕处堆叠。焦点锁定: 金属链条的细密纹理与皮肤的温润质感对比 朱砂红袖口面料的经纬线细节 指甲的自然光泽 背景虚化成朱砂红与金黄的抽象色块 第三组: 环境氛围与东方框景（电影级场景叙事） 镜头E - 红墙框景中景: 以红墙窗框作为天然画框,人物居于框景中央。构图遵循东方"框景入画"哲学,但光线处理带有欧洲电影的明暗对比: 红墙受光面呈现粗糙的颗粒质感 窗框边缘形成硬朗的明暗分界线 人物受柔和漫反射光照亮(来自银杏反光) 背景银杏古建在景深外形成金黄色调的抽象氛围 镜头F - 银杏叶飘落动态: 捕捉银杏叶在空中飘落的瞬间,前景叶片清晰,中景人物半身像焦点锐利,背景红墙与银杏树完全虚化。传递"秋日流动感"与"时间诗意"。 【造型与先锋美学（关键突破点）】 服装: 主体: 朱砂红修身长裙(垂坠丝绒或厚实棉麻质感,贴合身形但不性感,传递"优雅克制"的东方审美) 先锋元素: 可在袖口、领口增加不对称剪裁或建筑感结构线,突破传统旗袍的既定印象 配饰: 复古金饰: 多层次项链+手链堆叠,金属光泽在秋日暖光中呈现"旧时光"质感 意想不到的元素: 可增加一件轻薄的纱质披肩(半透明质感),在秋风中飘动,增加画面动态与层次 道具: 飘落的银杏叶(可手持一片,增加互动感) 古建红墙窗沿作为天然座椅 这张照片必须感觉: 原始(非摆拍的自然松弛感)、昂贵(高级面料与金饰的质感)、触感深刻(观者能"感受到"秋日微风与丝绒触感) 【技术美学 - 电影级摄影参数】 超写实质感: 胶片颗粒: 中等颗粒感(模拟Kodak Portra 400胶片),增加"时光感"与"温度感" 纹理细节: 高度还原毛孔、发丝、织物经纬线、金属划痕、红墙粗糙表面 景深控制: 大光圈(f/1.4-f/2.0)创造奶油般焦外,突出主体同时保留环境氛围 灯光 - 秋日自然光的电影化处理: 主光源: 柔和漫射的秋日午后阳光(色温3500K-4000K暖调) 辅助光: 银杏叶片反射的金黄漫反射(营造面部柔和补光) 轮廓光: 逆光勾勒发丝与身体边缘的金色光晕 阴影处理: 保留柔和阴影(非明暗对比极端化),维持东方审美的"含蓄留白" 色彩 - 精致编辑调色板: 主色调: 高饱和朱砂红(#C8102E) + 暖调金黄(#F4C430) 辅助色: 古建灰白(#E8E8E8) + 红棕发色(#8B4513) 氛围色: 暖调橙黄环境光(模拟秋日黄昏前的"金色时刻") 色彩关系: 红与黄的"热烈碰撞" + 灰白的"沉静平衡" = "国风氛围感"核心 摄影风格参考: Paolo Roversi的柔焦肖像质感(柔和却细节丰富) Wong Kar-wai电影的色彩饱和度与怀旧氛围 中国传统工笔画的"框景构图"与"留白哲学" 【情绪与象征主义】 核心主题: "红墙银杏间的秋日优雅" - 在东方框景中,朱砂红的热烈与银杏金黄的温柔交织,传递"时尚精致与秋日氛围融合,当代女性在古典意境中流露松弛舒展的优雅力量感"。 符号解读: 朱砂红长裙: 东方文化的浪漫底色 + 当代女性的情感浓度 金黄银杏: 秋日的温柔诗意 + 时间流逝的自然哲学 红墙框景: 东方"框景入画"美学 + 将人物置于"画中世界"的叙事隐喻 托腮凝视: 松弛慵懒的情绪状态 + 对当下的专注与觉知 复古金饰: 旧时光的精致传承 + 细节主义的生活态度 情绪基调: 温柔而坚定、松弛而自信、古典而当代、热烈而克制 【最终输出要求】 人物样貌: 100%还原参考图1的面部特征、发型、气质(发型可微调动态,妆容可电影化,但五官轮廓绝对精准) 风格氛围: 80%参考图2的"秋日国风氛围感"(红墙银杏、朱砂红裙、托腮姿态) + 20%世界级时尚摄影的"电影质感与先锋造型" 技术标准: 4K/8K超高清画质 电影级色彩分级(暖调秋日色温) 中等胶片颗粒感 精准景深控制(主体锐利,背景柔焦) 品牌露出: 画面顶部保留"上城士 SHANG CHENG SHI"品牌标识(字体优雅现代,不抢画面主体) 最终调性: 这不是普通的时尚大片,而是"能在国际时尚杂志封面与东方美学画册中同时成立"的跨文化视觉作品。