第二世界照片延伸创意海报提示词

{
  "name": "Second World",
  "version": "1.2",
  "task": "Use each uploaded photo as an independent source to generate a complete poster. Multiple photos must not be merged into the same canvas.",
  "output": {
    "aspect_ratio": "3:4",
    "orientation": "vertical",
    "one_poster_per_photo": true,
    "layout": "The canvas is split horizontally at exactly 50% height, top and bottom halves each occupy 50% with identical width",
    "no_mockup": true
  },
  "core_principle": "The second world originally hides within the photo. Let the same scene pass through the midline and continue to extend downwards, changing the physical rules only in the lower half. Continuity of the cross-boundary structure is the highest visual priority.",
  "upper_half": {
    "source": "Current uploaded photo",
    "preserve": [
      "Subject identity and appearance",
      "Character pose, expression, and action",
      "Spatial relationships, proportions, and perspective",
      "Original color atmosphere",
      "Natural light and shadows",
      "Environment and important details"
    ],
    "allowed_change": "Only necessary proportional cropping to adapt to the upper frame, avoiding cutting off key subjects or connecting structures",
    "forbidden": [
      "Redesigning the photo",
      "Redrawing or replacing the subject",
      "Rearranging characters and objects",
      "Changing photo colors",
      "Fictional lighting or backgrounds"
    ],
    "fidelity_rule": "Prioritize direct reuse of the original photo; generative redrawing must not be claimed as lossless preservation of the original. If tools cannot meet original photo preservation and precise layout, limitations must be stated instead of lowering requirements while claiming full compliance."
  },
  "continuity": {
    "choose_one_source_structure": "Identify a structure from the original photo that can naturally extend to the midline, such as a road, coastline, water surface, reflection, tree branch, light beam, architectural lines, clothing flow, or body movement",
    "requirements": [
      "The structure must continue into the lower half at the exact meeting position of the midline",
      "Maintain credible continuity of direction, position, scale, and occlusion relationships",
      "Establish visible connections first, then develop the imagination of the lower half",
      "Both halves must be read as the same scene, not two independent images placed top and bottom"
    ],
    "transition_edge": {
      "optional": "Irregular torn paper edges allowed",
      "rule": "Tearing must occur along the original image structure, not just as decoration, and the same tearing shape must not be used for every image",
      "interaction": "Source elements can touch, cling to, pass through, or cross over the torn edge"
    }
  },
  "lower_half": {
    "background": "Warm ivory paper, subtly visible fibers, rich negative space",
    "media": [
      "Restrained photo fragments",
      "Simple paper-cut shapes",
      "A small amount of black hand-drawn lines"
    ],
    "construction": "Extend downwards from where the upper source structure meets the midline, then gradually reinterpret it as the second world",
    "prohibited": "Must not become an isolated entrance, window, stage, platform, or floating vignette, unless that form clearly grows continuously from the original photo",
    "density": "Bright, transparent, restrained, avoiding dense drawing and collage piling"
  },
  "second_world_logic": {
    "question": "If this structure in the photo became touchable, usable, accessible, foldable, stretchable, or changeable, what would it naturally become?",
    "interaction_count": 1,
    "instruction": "Establish only one specific, clear, and interesting interaction per image, prioritizing possibilities discovered from the shapes and actions of the original image rather than deducing from fixed props or templates.",
    "examples_for_logic_only": [
      "Water surface stays connected to the lake while being rolled up or stretched",
      "Road extends to the paper surface, becoming a path that can continue to be drawn",
      "An original beam of light extends down, becoming something that can be held gently"
    ],
    "variation": "Judge multiple works separately; do not mechanically repeat actions, connecting structures, compositions, or jokes. Examples are not mandatory content."
  },
  "tiny_figures": {
    "count": "0–3",
    "appearance": "Minimalist, tiny black line figures",
    "add_only_if": "Figures can have necessary and clear physical interaction with the extended structure",
    "omit_if": "Source photo already contains strong human movement",
    "forbidden": "Using little people as irrelevant decoration or adding crowds for excitement"
  },
  "copy": {
    "language": "Mainly Chinese, paired with a small segment of English for finishing touch",
    "main_text": "A short, playful, cute, humorous, or slightly unexpected insightful Chinese side note",
    "english": "Shorter, lighter English supplement; can complement the Chinese without needing literal translation",
    "intent": "Makes the viewer smile or understand an extra layer after seeing the image and then the small text",
    "requirements": [
      "Re-create based on the specific interaction between this photo and the second world",
      "Do not just name the action or mechanically describe the image",
      "Can use personification, slight contrast, serious little jokes, or gentle self-deprecation",
      "Can have an enlightening meaning without preaching life philosophies",
      "Do not forcibly apply self-love, inspirational, or emotional comfort templates",
      "Humor targets the situation, not demeaning appearance, identity, or circumstances"
    ],
    "avoid": [
      "Empty chicken soup",
      "Grand maxims",
      "Preaching",
      "Advertising slogans",
      "Irrelevant internet memes",
      "Fixed 'Same..., Different...' sentence patterns",
      "Reusing the same copy for every image"
    ],
    "examples_for_tone_only": [
      {
        "context": "Taking the sunset away",
        "chinese": "这个不算超重吧",
        "english": "just a little sunset"
      },
      {
        "context": "Rolling the lake surface into paper tape",
        "chinese": "不用袋子，我卷着走",
        "english": "no bag, thanks"
      },
      {
        "context": "Shadow rolled into a blanket corner",
        "chinese": "影子先躺了，我再走会儿",
        "english": "five more minutes"
      }
    ],
    "example_rule": "Only borrow the humor mechanism, do not fix example sentences into new works."
  },
  "handwriting": {
    "scale": "Small side notes, English even smaller, not huge titles that dominate the screen",
    "placement": "Placed in natural negative space, not obstructing the subject, cross-boundary connections, or key interactions",
    "chinese": "Truly natural, slightly scrawly handwriting, not neat computer handwriting fonts",
    "english": "Similarly casual, relaxed, and irregular",
    "details": [
      "Slightly different font sizes",
      "Slightly fluctuating baseline",
      "Tilt angles not completely consistent",
      "Natural variation in spacing",
      "Strokes show pressure and pauses",
      "Small amounts of strokes can overlap or be incomplete"
    ],
    "corrections": {
      "allowed": true,
      "frequency": "Occasional, not required for every image",
      "method": "Can lightly cross out a wrong or revised word and write the correct version next to or above it",
      "limit": "Usually at most 1–2 places, do not make the whole page a draft of repeated corrections",
      "legibility": "Final meaning must be clear, cannot use gibberish or meaningless typos to simulate handwriting"
    }
  },
  "overall_style": {
    "mood": [
      "Independent magazine feel",
      "Bright and transparent",
      "Warm paper texture",
      "Restraint",
      "Light humor",
      "Subtle manual traces"
    ],
    "hierarchy": [
      "Original photo and cross-boundary structure",
      "Clear interaction in the lower half",
      "Small bilingual handwritten side notes"
    ],
    "finish": "Like a hidden world in the photo being gently uncovered, rather than an extra illustration pasted below the photo"
  },
  "negative_prompt": [
    "Separated bottom illustration",
    "Broken cross-boundary continuity",
    "Generic torn paper templates",
    "Isolated entrances or windows",
    "Irrelevant vignettes",
    "Dense illustration",
    "Random decorations",
    "Decorative crowds",
    "Changing original photo color",
    "Upper photo redesign",
    "Glossy 3D",
    "Scrapbook-style clutter",
    "Huge titles",
    "Neat print-style handwriting",
    "Gibberish text",
    "Inspirational chicken soup",
    "Watermarks",
    "Logos",
    "UI",
    "Merging multiple photos",
    "Grid layouts"
  ],
  "final_check": [
    "Does each original image correspond to an independent 3:4 poster?",
    "Are upper and lower areas strictly 50% each?",
    "Is the upper original photo faithfully preserved with only necessary cropping?",
    "Does a real source structure accurately continue at the midline?",
    "Does the lower half belong to the same scene as the original photo rather than being an isolated illustration?",
    "Is there only one clear, natural, and non-repetitive interaction?",
    "Is the Chinese interesting and thought-provoking rather than a simple label or lecture?",
    "Are the Chinese and English small, naturally scrawly, and legible?",
    "Is enough negative space preserved?"
  ]
}

{
  "name": "第二世界",
  "version": "1.2",
  "task": "以每张上传照片为独立来源，各生成一张完整海报。不得把多张照片合并到同一画布。",
  "output": {
    "aspect_ratio": "3:4",
    "orientation": "vertical",
    "one_poster_per_photo": true,
    "layout": "画布在高度精确50%处水平分割，上下各占50%，宽度相同",
    "no_mockup": true
  },
  "core_principle": "第二世界原本就藏在照片里。让同一个场景穿过中线，继续向下延伸，只在下半部分改变物理规则。跨界结构的连续性是最高视觉优先级。",
  "upper_half": {
    "source": "当前这张上传照片",
    "preserve": [
      "主体身份与外观",
      "人物姿势、表情和动作",
      "空间关系、比例与透视",
      "原始色彩氛围",
      "自然光线与阴影",
      "环境和重要细节"
    ],
    "allowed_change": "仅为适应上半画幅进行必要的比例裁剪，避免裁掉关键主体或连接结构",
    "forbidden": [
      "重新设计照片",
      "重新绘制或替换主体",
      "重新安排人物和物件",
      "改变照片色彩",
      "虚构光线或背景"
    ],
    "fidelity_rule": "优先直接复用原照片；不得将生成式重绘宣称为原片无损保留。若工具无法满足原片保留与精确布局，须说明限制，不得自行降低要求后宣称完全达标。"
  },
  "continuity": {
    "choose_one_source_structure": "从原照片中识别一条能够自然延伸到中线的结构，例如道路、海岸线、水面、倒影、树枝、光束、建筑线条、衣物走势或身体动作",
    "requirements": [
      "结构必须在中线的准确相遇位置继续进入下半部",
      "保持方向、位置、尺度和遮挡关系的可信连续性",
      "先建立可见的连接，再发展下半部的想象",
      "两半必须读作同一个场景，不能像两张独立图片上下摆放"
    ],
    "transition_edge": {
      "optional": "允许不规则撕纸边缘",
      "rule": "撕裂必须顺着原图结构发生，不得仅作为装饰，不得每张使用同一种撕裂形状",
      "interaction": "源元素可以触碰、贴着、穿过或越过撕裂边缘"
    }
  },
  "lower_half": {
    "background": "温暖象牙色纸张，细微可见纤维，丰富负空间",
    "media": [
      "克制的照片碎片",
      "简洁剪纸形状",
      "少量黑色手绘线条"
    ],
    "construction": "从上半部源结构与中线相遇的位置向下延续，再逐渐将其重新解释为第二世界",
    "prohibited": "不得成为孤立入口、窗口、舞台、平台或漂浮小插图，除非该形态明显由原照片连续生长出来",
    "density": "明亮、通透、克制，避免密集绘制和拼贴堆砌"
  },
  "second_world_logic": {
    "question": "如果照片里的这个结构变得可以触摸、使用、进入、折叠、拉伸或改变，它会自然变成什么？",
    "interaction_count": 1,
    "instruction": "每张只建立一种具体、清楚、有趣的互动，优先从原图的形状和动作发现可能性，不从固定道具或模板倒推。",
    "examples_for_logic_only": [
      "水面保持与湖相连，同时被卷起或拉伸",
      "道路延续到纸面，变成可以继续画出的路径",
      "一束原有的光线延下来，变成可以轻轻拿住的东西"
    ],
    "variation": "多张作品分别判断，不机械重复动作、连接结构、构图或玩笑。示例不是必须出现的内容。"
  },
  "tiny_figures": {
    "count": "0–3",
    "appearance": "极简、微小的黑色线条人物",
    "add_only_if": "人物能与延续结构发生必要而明确的物理互动",
    "omit_if": "源照片已包含强烈的人类动作",
    "forbidden": "把小人当作无关装饰或为凑热闹添加人群"
  },
  "copy": {
    "language": "中文为主，搭配一小段英文点睛",
    "main_text": "一句短小、俏皮、可爱、诙谐或带有轻微意外洞察的中文旁注",
    "english": "更短、更轻的英文补充；可以与中文互相补充，不必逐字翻译",
    "intent": "让人看完画面，再看到小字时会心一笑，或突然多理解一层",
    "requirements": [
      "根据这张照片与第二世界的具体互动重新创作",
      "不要只是给动作命名，也不要机械看图说话",
      "可以有拟人、轻微反差、一本正经的小玩笑或温柔的自嘲",
      "可以有点醒人的意味，但不讲人生大道理",
      "不强行套用自爱、励志或情绪安慰模板",
      "幽默针对情境，不贬损人物外貌、身份或处境"
    ],
    "avoid": [
      "空泛鸡汤",
      "宏大格言",
      "说教",
      "广告标语",
      "无关网络热梗",
      "固定的“同样……，不同……”句式",
      "每张复用相同文案"
    ],
    "examples_for_tone_only": [
      {
        "context": "把晚霞带走",
        "chinese": "这个不算超重吧",
        "english": "just a little sunset"
      },
      {
        "context": "将湖面卷成纸带",
        "chinese": "不用袋子，我卷着走",
        "english": "no bag, thanks"
      },
      {
        "context": "影子卷成被角",
        "chinese": "影子先躺了，我再走会儿",
        "english": "five more minutes"
      }
    ],
    "example_rule": "只借鉴幽默机制，不把例句固定写进新作品。"
  },
  "handwriting": {
    "scale": "小号旁注，英文更小，不做抢占画面的巨大标题",
    "placement": "放在自然留白处，不遮挡主体、跨界连接点或关键互动",
    "chinese": "真正自然、略潦草的手写字，不是整齐的电脑手写字体",
    "english": "同样像随手写下，轻松、不规整",
    "details": [
      "字大小略有差异",
      "基线轻微起伏",
      "倾斜角度不完全一致",
      "间距自然变化",
      "笔画有压力和停顿",
      "少量笔迹可重叠或不完整"
    ],
    "corrections": {
      "allowed": true,
      "frequency": "偶尔出现即可，不要求每张都有",
      "method": "可以将一个写错或想改的词轻轻划掉，在旁边或上方补写正确版本",
      "limit": "通常最多1–2处，不把整页做成反复涂改的草稿",
      "legibility": "最终意思必须清楚，不能用乱码或无意义错字模拟手写"
    }
  },
  "overall_style": {
    "mood": [
      "独立杂志感",
      "明亮通透",
      "温暖纸感",
      "克制",
      "轻巧幽默",
      "细微手工痕迹"
    ],
    "hierarchy": [
      "原照片与跨界结构",
      "下半部明确的互动",
      "小号双语手写旁注"
    ],
    "finish": "像照片中的隐藏世界被轻轻揭开，而非在照片下方额外贴上一幅插画"
  },
  "negative_prompt": [
    "分离的下半部插图",
    "断裂的跨界连续性",
    "通用撕纸模板",
    "孤立入口或窗口",
    "无关的小插图",
    "密集插画",
    "随机装饰",
    "装饰性人群",
    "改变原照片颜色",
    "上层照片重新设计",
    "光泽3D",
    "剪贴簿式杂乱",
    "巨大标题",
    "整齐印刷式手写",
    "胡言乱语文本",
    "励志鸡汤",
    "水印",
    "徽标",
    "UI",
    "多张照片合并",
    "九宫格"
  ],
  "final_check": [
    "是否每张原图对应一张独立的3:4海报？",
    "上下区域是否严格各占50%？",
    "上半原照片是否忠实保留，仅做必要裁剪？",
    "是否有一条真实源结构在中线准确接续？",
    "下半部是否与原图属于同一场景，而非孤立插画？",
    "是否只有一种清楚、自然且不重复套用的互动？",
    "中文是否有趣、有余味，而非简单动作标签或说教？",
    "中英文是否小号、自然潦草且可读？",
    "是否保留了足够的负空间？"
  ]
}