宋代院体风格旅行海报设计

Please turn every travel photo I upload into an individual high-end design poster, no multi-image stitching, each photo output separately. The overall design uses a 3:4 vertical composition with a warm, delicate ivory silk paper background. The image must simultaneously feature the original photo and a stylized re-rendering, allowing viewers to clearly compare the changes between the photo and the Academy-style painting. The top-to-bottom ratio can be adjusted naturally according to the subject, not forced into an even split. The upper part accounts for about 40%—45%, faithfully preserving the identity, posture, architecture, boats, trees, rocks, water surface, and spatial relationships of the main subject in the original photo. Only apply slight artistic publication color grading and fine grain processing; do not re-draw the original image, and do not move, add, or change the subject. The lower part accounts for about 55%—60%, reorganizing the same scene into a typical "one-corner scene" found in Northern Song Dynasty Academy paintings. Do not completely replicate the photo, and do not let the re-rendering fill the entire area. Select the most recognizable foreground pivot point from the photo, such as an eave, pine branch, rock, boat, figure's posture, stone bridge, or waterside building, moderately enlarge it, and arrange it centrally in the lower left or lower right corner. The foreground outlines should be clear and finely depicted, while other elements gradually shrink, fade, break, and disappear into the silk surface. The lower re-rendering area must maintain at least 45%—60% whitespace. Unpainted silk surfaces can directly represent the sky, lake water, mist, distance, or a quiet environmental space. Do not add entire forests, complete mountains, or continuous backgrounds for the sake of completeness. Use meticulous yet restrained ink lines, light ink layers, azurite, malachite, grayish blue, ochre, and a very small amount of cinnabar. Outlines should be clear, but colors must not be gaudy or heavy. Figures should only retain their posture, clothing outlines, and direction, without depicting detailed facial features. Add a small amount of English text related to the photo in the blank areas: a 2—4 word title, a serial number, and a short observation sentence. Use serif fonts with generous letter spacing or gentle small caps; the layout should grow along with the whitespace and must not overlap the main imagery. The overall aesthetic should have the precise observation, corner composition, and subtle space of Song Dynasty Academy album leaves, while maintaining the clear order of a modern travel editorial poster. Quiet, delicate, and poetic, but not imitation antique cultural merchandise. Avoid: fully filled landscape paintings, average symmetrical compositions, complex backgrounds, fictional figures, cranes, extra boats, fake Chinese characters, poems, calligraphy, seals, author signatures, frames, scroll wooden poles, physical album leaf mockups, blurred subject edges, overflowing transparent watercolors, and a photorealistic bottom half.

请将我上传的每一张旅行照片分别制作成一张独立的高级设计海报，不多图拼接，每张照片单独输出。

整体采用3:4竖版构图，使用温暖、细腻的象牙色绢纸背景。画面必须同时出现原始照片和风格化转绘，使观者能够清楚比较照片与院体绘画之间的变化。上下比例可根据主体自然调整，不强制平均分割。

上方约占40%—45%，忠实保留原始照片中的主体身份、姿态、建筑、舟船、树木、山石、水面及空间关系。只进行轻微的艺术出版物调色和细腻颗粒处理，不得把原图重新绘制，不得移动、增加或改变主体。

下方约占55%—60%，将同一场景重新组织为北宋院体绘画中典型的“一角之景”。不要完整复刻照片，也不要让转绘铺满整个区域。

从照片中选择一个最具有识别性的近景支点，例如亭檐、松枝、山石、舟船、人物姿态、石桥或临水建筑，将其适度放大并集中安排在左下角或右下角。近景轮廓清晰、描绘精细，其他景物逐渐缩小、变淡、断开并消失到绢面中。

下方转绘区域至少保留45%—60%的空白。未绘制的绢面可以直接代表天空、湖水、雾气、距离或安静的环境空间。不要为了完整而补充整片树林、完整山体或连续背景。

使用精工而克制的墨线、淡墨层次、石青、石绿、灰蓝、赭石与极少量朱砂。轮廓需要清楚，但色彩不可艳丽厚重。人物只保留姿态、服装轮廓与方向，不描绘细致面孔。

在空白区域加入少量与照片相关的英文文字：一个2—4词标题、编号和一句简短的观察句。使用字距舒展的衬线字体或温和的小型大写字，排版应顺着留白生长，不能压住主要画面。

整体具有宋代院体册页的精确观察、边角构图和含蓄空间，同时保留现代旅行编辑海报的清晰秩序。安静、细腻、诗意，但不做仿古文创。

避免：完整铺满的山水画、平均对称构图、复杂背景、虚构人物、仙鹤、额外舟船、假中文、题诗、书法、印章、作者签名、画框、卷轴木杆、实体册页样机、模糊主体边缘、透明水彩泛滥和摄影写实的下半部分。