宋玉穿衣全过程宋式闺房古风摄影

【Song Yu Dressing Full Process | Song Style Boudoir】

Professional high-end ancient style fashion photography; 9:16 vertical full canvas, internal strict 3 columns × 3 rows nine-square grid, each grid is proportional, consistent in size, with narrow and neat spacing; characters in each grid are mainly full-body or near full-body compositions to ensure a complete presentation of clothing changes.

Using the same adult Oriental female from the input reference image as the sole character subject, maintaining the same face, hairstyle, body proportions, makeup, and character temperament; using the complete clothing in the reference image as the basis for the final look, strictly maintaining the visual characteristics of light cyan-white ancient style clothing system, embroidery patterns, semi-transparent tulle, waist seals, skirts, hair ornaments, jewelry, and footwear, without designing another set of clothing by oneself.

The nine grids represent the entire continuous process of the same adult woman completing her dressing in an elegant Song-style boudoir, from basic undergarments layered up to the complete look in the reference image. Grid 1: Wearing only exquisite and simple light-colored basic undergarments, standing next to a clothes rack, preparing to dress; Grid 2: Putting on the light cyan embroidered inner top from the reference image; Grid 3: Putting on the corresponding skirt, tidying the waistband and hem; Grid 4: Starting to put on the semi-transparent light cyan outer robe, putting arms through the sleeves; Grid 5: Tying the wide waist seal from the reference image, forming a complete waist layer; Grid 6: Completing the outer robe dressing, tidying the lapel, long sleeves, and tulle layers in front of a bronze mirror; Grid 7: Tidying the complete lower garment and skirt layers, ensuring the leg clothing state is consistent with the reference image; Grid 8: Sitting by the couch putting on the shoes from the reference image, while wearing the necklace, earrings, and other existing accessories; Grid 9: All clothing, shoes, jewelry, and hair ornaments are completed, standing naturally in front of a bronze mirror, presenting the complete final look from the reference image.

Each grid must strictly inherit all clothing already worn in the previous grid, only adding or completing one clear step; the clothing state accumulates grid by grid according to chronological order, and must not disappear, be replaced, change color, change style, or suddenly add clothing that does not exist in the reference image; the same character, the same set of clothing, the same boudoir, and the same era atmosphere run through all nine grids. Actions must have clear evidence of dressing behavior, such as taking clothes, putting on clothes, putting through sleeves, tidying lapels, tying waist seals, tidying in the mirror, tidying the skirt hem, putting on shoes, and wearing jewelry, so that the nine grids form a real and continuous Getting Dressed visual narrative.

The background is an elegant Song-style boudoir, with wooden lattice windows, light-colored gauze curtains, wooden clothes racks, simple ancient makeup tables and bronze mirrors, clothing boxes, low couches, simple and elegant screens, a few book scrolls, and flower branches; the space is elegant, lived-in, with a sense of real residence, avoiding excessive stacking of antiques; cream-white, light wood, cyan-gray, and pale cyan tones, naturally echoing the reference clothing. Natural window light enters the room, soft light and shadow, real ancient style portrait photography, high-end magazine editorial feel, real natural skin texture, exquisite makeup, smooth and shiny hair; embroidery, stitching, folds, metal accessories, semi-transparent fabrics, and clothing layers are clear and natural.

The nine-square grid must have clear temporal continuity: Grid 1 is the initial state, Grid 9 is the final state, and each grid in between is a non-skippable transition state; maintain high consistency in character face, hairstyle, clothing color, clothing style, spatial structure, light direction, and overall photographic quality; character poses can change naturally according to real dressing behaviors, such as standing, sitting, bending over, tidying clothes, etc., but must not change character identity and clothing state.

Must not appear: different characters, different clothing, modern furniture, modern clothing, modern items, sudden scene changes, changes in photography style, clothing suddenly disappearing, clothing suddenly increasing, repeated steps, extra characters, text, numbers, titles, watermarks, or brand logos.

【宋玉穿衣全过程｜宋式闺房】

专业高级古风时尚摄影；9:16竖版完整画布，内部严格3列×3行九宫格，每格等比例、尺寸一致、间距细窄整齐；每格人物均以全身或接近全身构图为主，确保完整呈现服装穿着变化。

以输入参考图中的同一位成年东方女性为唯一人物主体，保持相同面容、发型、体型比例、妆容与人物气质；以参考图中的完整服装作为最终造型依据，严格保持浅青白色古风服饰体系、刺绣纹样、半透明薄纱、腰封、裙装、发饰、首饰与鞋履的视觉特征，不自行设计另一套服装。

九格表现同一位成年女子在清雅宋式闺房中连续完成穿衣的全过程，从基础贴身衣物逐层穿到参考图中的完整造型。第1格：仅穿精致简约的浅色基础贴身衣物，站在衣架旁，准备穿衣；第2格：穿上参考图中的浅青色刺绣内搭上衣；第3格：穿上对应裙装，整理裙腰与裙摆；第4格：开始穿入半透明浅青色外衫，将双臂穿入衣袖；第5格：系上参考图中的宽腰封，形成完整腰部层次；第6格：完成外衫穿着，在铜镜前整理衣襟、长袖与薄纱层次；第7格：整理完整下装与裙摆层次，确保腿部服饰状态与参考图一致；第8格：坐在榻边穿好参考图中的鞋履，同时佩戴项链、耳饰及其他已有配饰；第9格：所有服饰、鞋履、首饰与发饰全部完成，在铜镜前自然站立，呈现参考图中的完整最终造型。

每一格必须严格继承上一格已经穿好的全部衣物，只新增或完成一个明确步骤；服装状态按照时间顺序逐格累积，不得消失、替换、变色、改变款式或突然增加参考图中不存在的服装；同一人物、同一套服装、同一闺房、同一时代氛围贯穿九格。动作必须具有明确的穿衣行为证据，例如取衣、套衣、穿袖、整理衣襟、系腰封、照镜整理、整理裙摆、穿鞋、佩戴首饰，让九格形成真实连续的Getting Dressed视觉叙事。

背景为清雅宋式闺房，木质格窗、浅色纱帘、木质衣架、古朴妆台与铜镜、衣箱、低矮榻、简雅屏风、少量书卷与花枝；空间雅致、生活化、有真实居住感，避免过度堆砌古董；米白、浅木、青灰、淡青色调，与参考服装自然呼应。自然窗光进入室内，柔和光影，真实古风人像摄影，高级杂志编辑感，真实自然肤质，精致妆容，柔顺有光泽的头发；刺绣、缝线、褶皱、金属配件、半透明面料与服装层次清晰自然。

九宫格必须具有明确的时间连续性：第1格是最初状态，第9格是最终状态，中间每格都是不可跳跃的过渡状态；保持人物面容、发型、服装颜色、服装款式、空间结构、光线方向和整体摄影质感高度一致；人物姿势可以根据真实穿衣行为自然变化，站立、坐姿、弯腰、整理衣物等动作均可出现，但不得改变人物身份与服装状态。

不得出现不同人物、不同服装、现代家具、现代服饰、现代物品、场景突然变化、摄影风格变化、服装突然消失、服装突然增加、重复步骤、额外人物、文字、数字、标题、水印或品牌Logo。