留白蜡笔旅行姿态原图对比海报

Please make each photo I upload into an independent "SPARSE CRAYON TRAVEL GESTURE | Sparse Crayon Travel Gesture" original image comparison poster, no multi-image stitching.

This style is suitable both for individual animals with clear outlines and poses, and for objects with clear individual outlines encountered during travel, such as suitcases, cameras, hats, shoes, coffee cups, pottery, bicycles, roadside seats, or small souvenirs.

The overall structure uses a vertical upper-and-lower diptych layout, with the top and bottom areas each occupying about 50%, and a clear, straight boundary in the middle.

The upper part faithfully preserves the original photo. Accurately maintain the identity, quantity, pose, direction, outer contour, key structure, light and shadow, and real environment of the animal or travel object, with only slight photographic color grading. Do not change the subject or stylize the photo area into an illustration.

The lower part uses extreme reduction and extraction.

If the subject is an animal, only retain the most important ear shape, head-to-body ratio, tail direction, standing/sitting pose, and expression.

If the subject is a travel object, only retain the outer contour, handle, wheels, lens, cup rim, folds, straps, or wear characteristics that define its identity.

Delete almost all of the background, keeping only a small section of a ground line, corner, stone, or one to two slight clues that explain the scene of use.

Use hesitant, broken, slightly paused black crayon outlines, and one to two light crayon smears extracted from the original photo. Allow line crossing, paper grain, unfilled areas, repetitive lines, and partial pauses.

Do not fill the subject completely. Let the paper white directly constitute the animal's body, the object's surface, and the surrounding space. Travel objects cannot be drawn as fine product illustrations or accurate industrial drawings.

The subject occupies approximately 38%—58% of the width and 30%—52% of the height of the re-rendered area, usually placed in the lower-middle or slightly to one side. The continuous warm white paper negative space is no less than 55%.

In a quiet white paper area, add a short English title, a "CRAYON STUDY 01" type field, and a sentence of observation text derived from the facts of the photo. The text uses slightly shaky crayon handwriting similar to the drawing and must be clearly legible.

Avoid fine fur, cute vector mascots, complete coloring, dense graffiti, complete backgrounds, smooth digital pencils, fine product illustrations, overly small text, author signatures, logos, and watermarks.

请将我上传的每一张照片分别制作成一张独立的
「SPARSE CRAYON TRAVEL GESTURE｜留白蜡笔旅行姿态」
原图对比海报，不多图拼接。

这套风格既适用于轮廓与姿态清楚的单只动物，也适用于旅行途中具有明确单体轮廓的物件，例如行李箱、相机、帽子、鞋、咖啡杯、陶器、自行车、路边座椅或小型纪念物。

整体采用竖版上下双联结构，上下区域各占约50%，中间边界清楚平直。

上半部分忠实保留原始照片。准确保持动物或旅行物件的身份、数量、姿态、方向、外轮廓、关键结构、光影与真实环境，仅进行轻微编辑摄影调色。不得改变主体或将照片区域插画化。

下半部分采用极端缩小提炼。

如果主体是动物，只保留最重要的耳形、头身比例、尾巴方向、站坐姿态和表情。

如果主体是旅行物件，只保留决定其身份的外轮廓、把手、轮子、镜头、杯口、折面、绑带或磨损特征。

删除几乎全部背景，只保留一小段地面线、墙角、石块或一至两条能够说明使用现场的轻微线索。

使用迟疑、断裂、略带停顿的黑色蜡笔轮廓，以及一至两块从原照片提取的浅色蜡笔擦画。允许越线、纸齿、未填满、反复描线和局部停笔。

不要把主体完整涂满。让纸白直接构成动物的身体、物件的表面以及周围空间。旅行物件不能画成精细产品插画或准确工业制图。

主体约占转绘区域宽度的38%—58%、高度的30%—52%，通常放在中下部或略微偏向一侧。连续暖白纸张留白不少于55%。

在一块安静的纸白区域加入一个简短英文标题、`CRAYON STUDY 01`式字段和一句来自照片事实的观察文字。文字使用与画面相同的略微晃动的蜡笔手写字，必须清楚可读。

避免精细毛发、可爱矢量吉祥物、完整填色、密集涂鸦、完整背景、光滑数字铅笔、精细产品插画、过小文字、作者签名、Logo和水印。