唐风女子石桌白梅清晨告别图

Generate a new, independent image, strictly using 941x1672 pixels, 9:16 vertical aspect ratio; no collages, grids, long images, contact sheets, or multi-frames. The reference image is only used to maintain the same character identity and visual system: the same 26-year-old clearly adult fictional Oriental female, soft oval face, slender phoenix eyes, long black hair partially draped and partially tied in a low bun, silver hairpin and small pearls, moon white and pale cyan-green complete Tang-style large-sleeve robe, cyan-green embroidered waistband, long skirt, and light gauze shawl. The new image must change the scene and action. Main Route: Ancient style Xianxia beauty image; gentle older-sister vibe; realistic Oriental cinematic still, not an illustration, not a poster layout. This is the 4th image of a continuous four-act story: The morning mist has just dissipated, she returns alone to a quiet courtyard, placing a small branch of white plum blossom on an empty stone table, like leaving a final farewell for a date that never happened. Only this one female in the frame, no other characters. She stands by the stone table in the courtyard, her body slightly turned towards the tabletop, her left hand having just released the flower branch, her right hand gathering the light gauze shawl, the action frozen at the moment after the branch has landed; shoulders and neck relaxed, center of gravity stable, head slightly lowered, gaze falling on the branch of white plum on the stone table, not looking at the camera; expression gentle, restrained, subtly disappointed, but also a bit relieved, no crying, no excessive sorrow. Maintain the same set of moon white and pale cyan-green Tang-style large-sleeve robe and the same hairstyle, silver hairpin, and small pearls; the edges of the clothing in the morning have a slight sense of dew, but the clothing is complete and dignified, opaque, and not revealing. The scene retains only three key details: an empty light gray stone table, a branch of white plum on the table, a half-open wooden window in the background, and a few moist bamboo shadows; no sea of flowers, no complex courtyard, no extra characters. Adopt a composition from the upper body to above the knees, eye-level to slightly low camera angle, the character is on the left side of the frame, the stone table and white plum are at the bottom right as the emotional focal point, there is a small area of blurred leaf shadows in the foreground, the character and stone table are in the middle ground, and the background is blurred with a shallow depth of field. The light comes from the soft cold daylight on the right in the early morning, passing through the wooden window to illuminate the side of her face, fingers, white plum, and silver hairpin, with clean and readable shadows; overall use of low-saturation moon white, pale cyan, gray-green, and very little warm beige, realistic skin, stone, petals, and clothing textures, like the quiet morning of the final frame of an Oriental movie, subtle and lingering. Generate only this one independent image, no text, watermarks, logos, or gibberish.

生成一张新的、独立的图片，严格使用 941x1672 像素、9:16 竖幅；不要拼图、网格、长图、联系人表或多画面。参考图只用于保持同一人物身份与视觉系统：同一位 26 岁明确成年的虚构东方女性、柔和鹅蛋脸、细长丹凤眼、黑色长发半披半挽低位发髻、银色簪子和小珍珠、月白与淡青碧色完整唐风大袖衫、青碧刺绣腰封、长裙与轻纱披帛。新图必须改变场景和动作。主 Route：古风仙侠美人图；温柔姐姐感；写实东方电影剧照，不是插画，不是海报排版。

这是连续四幕故事的第 4 张：清晨薄雾刚散，她独自回到安静庭院，把一枝小小的白梅花放在空着的石桌上，像给一场没有发生的约会留下最后的告别。画面中只有这一位女性，不要其他人物。她站在庭院石桌旁，身体轻微侧向桌面，左手刚刚松开花枝，右手收拢轻纱披帛，动作停在花枝落下后的瞬间；肩颈舒展，重心稳定，头部微微低下，视线落在石桌上的那一枝白梅，不看镜头；表情温柔、克制、含蓄失落，但也有一点释然，不哭泣、不过度悲情。

保持同一套月白淡青碧唐风大袖衫和同一发型、银簪、小珍珠；清晨的衣料边缘有轻微露水感，但服装完整端庄、不透明、不暴露。场景只保留三个关键细节：空旷的浅灰石桌、桌上一枝白梅、背景一扇半开的木窗和少量湿润竹影；不要花海、不要复杂庭院、不要额外人物。采用大半身到膝上构图，平视略低机位，人物位于画面左侧，石桌和白梅位于右下方成为情绪落点，前景有一小片虚化叶影，中景是人物和石桌，背景浅景深虚化。光线来自清晨右侧的柔和冷白天光，穿过木窗照亮她的脸侧、手指、白梅和银簪，暗部干净可读；整体用低饱和月白、淡青、灰绿和极少暖米色，真实皮肤、石材、花瓣和衣料纹理，像东方电影最后一帧安静的清晨，含蓄而有余韵。只生成这一张独立图片，禁止文字、水印、logo、乱码。