2:3 vertical single outdoor ancient-style environment portrait, shot from above through emerald green leaves and hanging branches near the lens in the upper right of the frame, foreground leaves forming an irregular top framing, covering part of the water surface and the space above the character's head, but must not block the character's face. High camera position shot downwards from the shore or a bridge, a bamboo raft made of old and new green bamboo tied side-by-side runs diagonally from the upper left to the lower right of the frame, bamboo nodes, horizontal fixed wooden strips, and rope knot structures are continuous and believable. A young adult East Asian female sits in the center-right of the bamboo raft, upper body slightly towards the left of the frame, head lifted looking at the camera at a high position, eyes naturally open, brow relaxed, lips slightly parted, expression quiet, soft, and slightly curious. Hips in clear contact with the bamboo raft, one leg bent and retracted on the raft surface, the other leg naturally hanging from the edge of the raft, bare feet gently exploring the water, small ripples and realistic water surface disturbance forming at the feet. Deep black long hair styled in a traditional low bun, adorned with light-colored jade hairpins, metal leaf hair accessories, and a small amount of thin long hanging ornaments, two strands of long straight hair falling from the shoulders to below the waist. Wearing multi-layered ancient-style clothing composed of cyan-green, peacock blue, grayish-blue, and light gray, light-colored close-fitting inner layer, deep cyan-green high-waisted loose long skirt, outer layer is semi-transparent gradient wide sleeves and pibao (silk drape), cyan, blue, and grayish-purple gauze layered over each other, able to reveal the inner fabric and the color of the bamboo raft. The pibao falls naturally from the shoulders and arms to both sides, the skirt hem forms large-area folds on the surface of the bamboo raft influenced by sitting posture, gravity, and bamboo node support, not floating. One hand naturally placed at the side of the knee or the edge of the bamboo raft, the other hand partially covered by the wide sleeve, shoulder line relaxed, neck slightly extended due to the raised head. Clothing features low-saturation bamboo leaf patterns, plant patterns, or water ripple patterns, patterns naturally deforming along the fabric folds. Inner fabric is soft, matte, and has draping weight, deep cyan long skirt retains extremely weak silk reflection, outer gauze is light and semi-transparent, no plastic feeling. The background is a garden pond, slow-moving river channel, or forest stream pool surrounded by trees, the water surface is deep green and grayish-green, retaining natural ripples, tree shadow reflections, and local cold blue reflections. The water surface below the bamboo raft and around the character is clearly discernible, the distant environment is moderately softened. Soft overcast scattered light or natural light filtered through the canopy enters from the front-above, evenly illuminating the character's face, neck, back of hands, and light-colored clothing layers, no hard shadows. Deep green and grayish-green water surface accounts for about 40%, cyan-yellow bamboo raft and earth-brown bamboo nodes about 25%, cyan-green and grayish-blue clothing about 20%, deep black hair and clothing shadows about 10%, light warm ivory skin and grayish-white highlights about 5%. Real ancient-style environment photography, medium depth of field, character clarity slightly higher than water surface and leaves, low-saturation cyan-green tone, quiet, serene, with landscape poetic imagery. Core relationship is high-angle top-down shot, foreground leaf framing, diagonal bamboo raft, character sitting by water, bare feet in water, and cyan-green multi-layered ancient clothing. Negative Prompt Low camera angle, eye-level composition, bamboo raft placed horizontally, foreground leaves missing, leaves covering the character's whole face, character floating, hips not touching the bamboo raft, sitting posture force error, abnormal number of knees, confused leg positions, deformed toes, extra toes, feet passing through water surface, no ripples at the entry point, water surface like solid, bamboo raft bamboo tubes broken, bamboo nodes misaligned, confused number of bamboo tubes, bamboo raft perspective error, rope knots floating, crossbeams cannot connect, extra fingers, missing fingers, hand deformity, fingers passing through clothing, long hair and pibao stuck together, hair ornaments floating, bun structure confused, outer robe fused into a single green cloth ball, gauze completely opaque, shiny plastic gauze, hard organza, cheap stage satin, zero-gravity streamers, flat sticker patterns, modern raincoat texture, single green filter for the whole image, skin obviously turning green, excessive skin smoothing, plastic skin, heavy makeup, exaggerated expressions, modern clothing, modern architecture, tourists, boats, text, watermark, brand logo, HDR, over-sharpening, strong flash, strong portrait mode blur, commercial studio ancient costume feel. 2:3 竖幅单人户外古风环境人像,隔着画面右上方靠近镜头的翠绿色树叶与垂落枝条俯拍,前景叶片形成不规则顶部框景,遮住部分水面和人物头顶空间,但不得遮挡人物面部。高机位从岸边或桥上向下拍摄,一张由新旧青竹并排捆扎而成的竹筏沿画面左上至右下斜向贯穿,竹节、横向固定木条与绳结结构连续可信。 一位年轻成年东亚女性坐在竹筏中央偏右,上身略朝画面左侧,头部抬起看向高处镜头,眼睛自然睁开,眉间舒展,嘴唇轻轻分开,神态清静、柔和、略带好奇。臀部与竹筏明确接触,一条腿屈曲收在筏面,另一条腿从竹筏边缘自然垂落,赤足轻轻探入水中,脚边形成细小涟漪和真实水面扰动。 深黑色长发梳成传统低位盘发,配浅色玉簪、金属叶片发饰和少量细长垂坠饰件,两缕长直发从肩部垂落至腰部以下。穿青绿、孔雀蓝、灰蓝和浅灰色组成的多层古风衣装,浅色贴身内搭,深青绿色高腰宽松长裙,外层为半透明渐变宽袖和披帛,青、蓝、灰紫色薄纱互相叠加,能够透出内层衣料与竹筏颜色。披帛从肩臂向两侧自然垂落,裙摆在竹筏表面形成受坐姿、重力和竹节支撑影响的大面积褶皱,不悬浮。 人物一只手自然放在膝侧或竹筏边缘,另一只手被宽袖部分遮挡,肩线放松,颈部因抬头而轻微延伸。服装带有低饱和竹叶纹、植物纹或水波纹,纹样顺着布料褶皱自然变形。内层衣料柔软哑光并具有垂坠重量,深青长裙保留极弱丝质反射,外层薄纱轻盈半透明,没有塑料感。 背景为树木包围的园林池塘、缓慢河道或林间溪潭,水面呈深绿与灰绿色,保留自然波纹、树影反射和局部冷蓝反光。竹筏下方与人物周围水面清楚可辨,远处环境适度柔化。柔和阴天散射光或树冠过滤后的自然光从前上方进入,均匀照亮人物面部、颈部、手背和浅色衣层,没有硬阴影。 深绿与灰绿水面约占四成,青黄竹筏与土棕竹节约占两成半,青绿与灰蓝衣装约占两成,深黑头发和衣物暗部约占一成,浅暖象牙肤色与灰白高光约占半成。真实古风环境摄影,中等景深,人物清晰度略高于水面与树叶,低饱和青绿色调,安静、清幽、具有山水诗意。核心关系为高位俯拍、前景树叶框景、斜向竹筏、人物临水坐姿、赤足入水和青绿多层古风衣装。 负向提示词 低机位,平视构图,竹筏水平摆放,前景树叶缺失,树叶遮住人物整张脸,人物悬浮,臀部没有接触竹筏,坐姿受力错误,膝盖数量异常,双腿位置混乱,脚趾畸形,多余脚趾,脚掌穿过水面,入水处没有涟漪,水面像固体,竹筏竹筒断裂,竹节错位,竹筒数量混乱,竹筏透视错误,绳结悬浮,横梁无法连接,多余手指,缺失手指,手掌畸形,手指穿过衣料,长发与披帛粘连,发饰悬浮,盘发结构混乱,外袍融合成单一绿色布团,薄纱完全不透明,亮面塑料纱,硬质欧根纱,廉价舞台缎,无重力飘带,平面贴纸纹样,现代雨衣质感,整张图单一绿色滤镜,皮肤明显发绿,过度磨皮,塑料皮肤,浓妆,夸张表情,现代服装,现代建筑,游客,船只,文字,水印,品牌标识,HDR,过度锐化,强闪光,强烈人像模式虚化,商业影楼古装感。

{ "direction": "Not an advertising photo, but the kind of ultra-close-up vertical selfie taken by a friend holding a phone to their face in a dim cafe. An adult Japanese woman in her 20s. The character occupies about 85-90% of the screen,

巨大的超写实街头艺术壁画覆盖整面墙壁,主题人物以壁画形式绘制,使用上传的面部参考,上半身和头部从 2D 涂鸦中突破到 3D 现实,无缝的 2D 到 3D 过渡,叛逆的坏笑,强烈的眼神接触,电影般的真实感。彩绘部分穿着沾有彩色喷漆的连帽衫和帽子,颜料滴落,充满活力的分层涂鸦标签,大胆的印尼街头艺术风格,混乱的色彩飞溅,细致的喷雾笔触。一个年轻男子使用我的身份,逼真的 3D 人物,站在墙前,面向观众,自信的姿态,休闲的都市装束,手指指向壁画的确切位置,真实人物与彩绘自我之间的互动

Japanese variety show adult female artist person with back to the mechanism wall hands holding the head can only rely on pelvic posterior movement to touch large buttons of different heights. 日本综艺 成年女艺人 人物背对机关墙,双手抱头,只能靠骨盆后移去触碰不同高度的大按钮。