撕边墨迹旅行记忆三段式海报

Please make each travel photo I upload into an independent torn-edge ink memory editing poster, outputting each photo separately, not stitched together. The overall format is 3:4 vertical, using a "Real Photography -> Observational Line Drawing -> Ink Silhouette" three-stage decreasing structure to express the same scene.

The top part occupies about 28%–36% of the screen height, faithfully preserving the most important scene in the original photo. Accurately maintain the identity, number, posture, orientation, spacing of subjects, architectural structures, vehicles, boats, animals, human movements, real textures, spatial directions, natural light and shadow, and iconic colors, only performing slight artistic publication color grading. The photo must be clearly discernible and cannot be transformed into illustrations or decorative thumbnails.

The top photo is connected to the paper surface below using clearly visible hand-torn rough paper edges: the edges have real paper fibers, irregular bumps, and slight thickness, and digital atomization, feathering, or soft light gradients must not be used.

The middle part is warm ivory, unbleached cotton paper, or light beige coarse paper, which is the observation page with the most white space. Redraw the same subject with unstable fountain pen lines, short cross-hatchings, dry ink, and a small amount of gray wash, accurately preserving the quantity, posture, and relative position, but actively deleting irrelevant backgrounds and tiny details. Choose a tree trunk, lighthouse, bridge cable, building edge, ship mast, mountain crack, or vehicle outline from the photo as a vertical memory anchor. The line drawing is concentrated in a narrow horizontal field, does not fill the paper surface, and is not an automatic photo outline.

The bottom part allows the scene to further dissipate into light taupe, smoky gray, blue-gray, or olive black ink blobs, uneven water marks, dry brush particles, slender broken lines, and 1–2 restrained drips. The subject shrinks into a set of small dark silhouettes, still maintaining the correct number and direction, falling on a horizontal brushstroke of an emphasis color extracted from the original photo. Use only one emphasis color, not fixed to orange.

Information density must decrease from top to bottom: the photo is the densest, the line drawing second, and the bottom silhouette the simplest. Continuous and obvious breathing space of the paper surface is reserved in the middle and around the subject; ink blobs flow in incompletely from one side or the lower edge and do not close all four sides.

Add a 1–3 English word title, a MEMORY NO. 01 style field, and a line of 5–10 English word observation sentence in the middle white space. Use readable typewriter bold, monospaced archival fonts, or capitalized lead type with ink gaps for text; auxiliary text is smaller but cannot shrink into gray lines. The text content must come from the subjects, actions, weather, or spatial relationships in the photo, not copying the author's words, and not fabricating research data.

The overall style should be like a page of a travel archive that has been torn open, observed, and gradually faded, restrained, poetic, with real paper fibers, dry ink, and a sense of time.

Mandatory avoidance: rigid vertical/horizontal divisions, ordinary half-photo half-sketch templates, digital softening transitions, irrelevant bottom illustrations, full-page watercolors, traditional ink landscape imitations, cute cartoons, detailed animal or plant field guides, automatic outlines, dense technical infographics, large titles overpowering the image, multiple emphasis colors, author names, signatures, accounts, logos, website addresses, QR codes, watermarks, garbled characters.

请将我上传的每一张旅行照片分别制作成一张独立的撕边墨迹记忆编辑海报，每张照片单独输出，不多图拼接。整体采用3:4竖版，使用“真实摄影→观察线稿→墨迹剪影”三阶段递减结构表达同一场景。

顶部约占画面高度28%–36%，忠实保留原始照片中最重要的场景。准确保持主体身份、数量、姿态、朝向、间距、建筑结构、车辆、船只、动物、人物动作、真实材质、空间方向、自然光影和标志性色彩，只进行轻微艺术出版物调色。照片必须清楚可辨，不能插画化或变成装饰性缩略图。

顶部照片与下方纸面使用清楚可见的手工撕纸毛边连接：边缘有真实纸纤维、不规则凹凸与轻微厚度，不能使用数字雾化、羽化或柔光渐变。

中部为温暖象牙色、未漂白棉纸或浅米色粗纸，是留白最多的观察页。用不稳定钢笔线、短排线、干墨和少量灰洗重画同一主体，准确保留数量、姿态和相对位置，但主动删除无关背景与微小细节。选择照片中的树干、灯塔、桥索、建筑边缘、船桅、山体裂隙或车辆轮廓作为一条竖向记忆锚点。线稿集中在较窄的水平场域，不铺满纸面，也不做照片自动描边。

底部让场景进一步消散成淡灰褐、烟灰、蓝灰或橄榄黑的墨团、不均匀水痕、干笔颗粒、细长断线和1–2道克制滴落。主体缩成一组小型深色剪影，仍保持正确数量和方向，落在一道从原照片提取的强调色水平笔迹上。只使用一个强调色，不固定为橙色。

信息密度必须自上而下递减：照片最密，线稿次之，底部剪影最简。中部和主体周围保留连续、明显的纸面呼吸空间；墨团从一侧或下缘不完整地涌入，不封闭四边。

在中部留白加入一个1–3个英文单词标题、MEMORY NO. 01式字段和一行5–10个英文单词观察句。文字使用可读的打字机粗体、等宽档案字或带缺墨的大写铅字，辅助文字较小但不能缩成灰线。文字内容必须来自照片中的主体、动作、天气或空间关系，不复制作者文字，不虚构研究数据。

整体应像一页被撕开、观察并逐渐褪去的旅行档案，克制、诗意，具有真实纸纤维、干墨与时间感。

强制避免：硬直上下分界、普通半照片半速写模板、数字柔化过渡、无关下方插画、满页水彩、传统水墨山水模仿、可爱卡通、精细动物或植物图鉴、自动描边、密集技术信息图、大标题压过画面、多种强调色、作者名、签名、账号、Logo、网址、二维码、水印、乱码。