旅行照片与涂鸦转绘高级设计海报

Please turn each travel photo I upload into a separate high-end design poster. Output each photo individually; no multi-image stitching.

Overall adopts a 3:4 vertical composition, consisting of a clearly visible real photo and a "photo doodle travel object" redrawing of the same scene. The height of the upper and lower areas is close to 1:1, using a clear, straight, and restrained horizontal boundary; do not use blurring, feathering, gradual fusion, or image overlapping at the boundary.

## Upper Part: Real Original Photo

Faithfully preserve the identity, quantity, posture, movement direction, core objects, character relationships, street or spatial structure, observation angle, real materials, natural lighting, and original color atmosphere of the subjects in the original photo.

Only perform slight travel magazine, independent publication, or photography exhibition-level color grading, and add an extremely thin film grain. The upper part must remain a clear, real, and substantial photographic work.

Do not redraw the photo, do not move people, do not change the identity and structure of vehicles, food, shops, tables and chairs, boats, or souvenirs, and do not add cultural symbols and travel objects that do not exist in the photo.

To adapt to the frame, a small amount of sky, ground, walls, or surrounding environment can be naturally extended, but the subject must not be stretched, squeezed, mirrored, copied, or distorted.

## Lower Part: Photo Doodle Travel Objects

Extract one core travel object most worth remembering from the same photo, such as:

- Vehicles, bicycles, motorcycles, boats, or carts;
- Coffee cups, plates, food, cutlery, or tabletop combinations;
- Chairs, suitcases, road signs, umbrellas, or souvenirs;
- Shop fronts, sales windows, newsstands, or street stalls;
- Other everyday objects with clear outlines and local atmosphere.

Characters can be retained, but only as auxiliary relationships to the object's action, usage, and travel story; they must not steal the main visual center.

First understand the identity, outline, direction, color, and usage relationship of the most important object in the photo, then actively delete complex backgrounds, irrelevant passers-by, repetitive buildings, advertisements, dense signs, small decorations, and photographic noise.

Do not shrink the original photo and place it in the lower part, nor simply outline or cartoonize the entire photo.

## Re-composition

Adopt a "shrink and refine" editorial composition.

The core object occupies about 40%–65% of the width and about 30%–58% of the height of the lower part, placed in the center, slightly below, or to one side. According to the photo content, change the scale, cropping method, and spatial position of the main subject, making the lower part clearly different from the photo above.

Retain only one core object, accompanied by one to three necessary scene clues, such as:

- A short section of road, track, or tabletop;
- A door, a window, or a corner of a wall;
- A hand using the object or a shrunken figure;
- A shadow, steam, movement trajectory, or direction line.

The redrawing area must retain about 35%–55% of continuous warm white paper or light-colored open space, allowing breathing room around the subject. Do not use template-style white sidebars, and do not break the blank space into many small gaps.

## Photo Slices and Matte Color Blocks

The core object cannot completely become a regular illustration.

Retain a small amount of real texture from the original photo, which can use:

- One to three cropped photo-textured areas;
- The most recognizable real surface of the object;
- Local photographic textures of car windows, food, fabrics, metal, or wood;
- Irregular photo slices that adapt to the object's outline.

Photo slices should be naturally embedded in matte color blocks and hand-drawn lines; do not have regular photo frames, and do not assemble into a dense photo album.

The rest of the structure is re-summarized using 4–6 matte flat color blocks extracted from the photo. Retain one most recognizable bright color as the visual focus, and moderately reduce the saturation of the remaining colors.

Color block edges allow for slight manual deviations, pigment gaps, and paper show-through, avoiding smooth vector shapes and commercial digital illustration textures.

## Narrative Doodles

Add a very small amount of hand-drawn doodles related to the real scene around the core object.

Choose based on the photo content:

- Arrows indicating action or direction of travel;
- Movement trajectories of vehicles, boats, or people;
- Steam lines above food and drinks;
- Slight sound symbols, vibration lines, or waiting marks;
- Arcs connecting people and objects;
- Circles, underlines, or brief observation marks;
- One or two very simple small symbols.

Doodles must explain the object's action, usage, or travel mood, rather than being purely decorative.

Use black, dark brown, or a dark color from the photo, expressed with loose marker, crayon, oil pen, or pencil lines. Lines can have breaks, redraws, slight overruns, and uneven ink marks.

Keep the number of doodles restrained, usually using only 3–7 sets of small lines or symbols. Do not let the entire image become a children's doodle book, comic panel, or dense sticker page.

## Text

Before generation, determine and accurately render the following text based on the objects, locations, actions, or atmosphere actually visible in the photo:

1. A main title of 1–3 English words;
2. Field: "OBJECT NOTE 01";
3. One line of 5–12 English words for an observation sentence.

The title can be the object name or a brief travel feeling, such as:

- "YELLOW TRAM"
- "LATE LUNCH"
- "CORNER TABLE"
- "SMALL FERRY"
- "STREET CART"
- "RAINY RIDE"

Observation sentences only describe the colors, actions, positions, and object relationships that actually exist in the photo; do not fabricate brands, locations, dates, or stories.

Text is concentrated in continuous white space areas, forming a clear editorial caption set with the core object and doodles. The main title must be clearly readable at chat preview size, and auxiliary text cannot shrink into unrecognizable decorative gray lines.

Fonts use loose handwriting, old printed small characters, or narrow fonts with a marker texture. Text edges can have slight ink shortages, repeated descriptions, and paper friction, as if the artist wrote them on the paper along with the doodles; do not use smooth, floating digital typography.

Forbidden to copy advertisements, signs, and brand text from the original photo. Forbidden to use author names, signatures, social media accounts, logos, website URLs, QR codes, fake Chinese, garbled characters, and meaningless serial numbers.

## Overall Vibe

Like picking out the little thing you're most reluctant to forget from a travel photo, and then saving it again using photo fragments, matte colors, and a few casually drawn notes.

Relaxed, smart, observant, slightly humorous, and full of life, while maintaining the restrained layout of independent travel magazines and art publications.

Forced Avoidance: full-photo cartoon filter, same-crop same-scale redraw, complete realistic lower background, dense doodles, childish cartoon page, comic panel, generic travel stickers, copied signage, invented brand, excessive arrows, excessive symbols, multiple competing objects, glossy 3D, smooth vector shapes, digital gradients, oversaturated colors, tiny decorative source photo, missing source-photo comparison, fake text, author signature, watermark.

请将我上传的每一张旅行照片分别制作成一张独立的高级设计海报。每张照片单独输出，禁止多图拼接。

整体采用3:4竖版构图，由清楚可见的真实照片与同场景“照片涂鸦旅行物件”转绘组成。上下区域高度接近1:1，使用清楚、平直、克制的水平分界，不要在分界处进行模糊、羽化、渐融或图像重叠。

## 上半部分：真实原始照片

忠实保留原始照片中的主体身份、数量、姿态、动作方向、核心物件、人物关系、街道或空间结构、观察角度、真实材质、自然光影和原有色彩氛围。

只进行轻微的旅行杂志、独立出版物或摄影展级调色，并加入极薄的胶片颗粒。上半部分必须仍然是一张清楚、真实、具有实质面积的摄影作品。

不得重新绘制照片，不得移动人物，不得改变车辆、食物、店铺、桌椅、船只或纪念品的身份和结构，不得增添照片中不存在的文化符号与旅行物件。

为适应画幅，可以自然延展少量天空、地面、墙面或周边环境，但不得拉伸、挤压、镜像、复制或扭曲主体。

## 下半部分：照片涂鸦旅行物件

从同一张照片中提取一个最值得被记住的核心旅行物件，例如：

- 车辆、单车、摩托车、船只或推车；
- 咖啡杯、餐盘、食物、餐具或桌面组合；
- 椅子、行李箱、路牌、雨伞或纪念品；
- 店铺门面、售货窗口、报刊亭或街头摊位；
- 其他轮廓清楚、具有地点气息的日常物件。

人物可以保留，但只作为物件动作、使用方式和旅行故事的辅助关系，不得抢走主要视觉中心。

首先理解照片中最重要的物件身份、轮廓、方向、颜色和使用关系，然后主动删除复杂背景、无关路人、重复建筑、广告、密集招牌、细小装饰和摄影噪声。

不要把原照片完整缩小后放进下半部分，也不要将整张照片简单描边或卡通化。

## 二次构图

采用“缩小提炼”的编辑构图。

核心物件占下半部分宽度约40%–65%、高度约30%–58%，放置在中央、偏下或一侧。根据照片内容改变主体尺度、裁切方式和空间位置，使下半部分明显区别于上方照片。

只保留一个核心物件，并搭配一至三条必要的场景线索，例如：

- 一小段道路、轨道或桌面；
- 一扇门、一个窗口或一角墙面；
- 一只使用物件的手或一位缩小人物；
- 一道影子、蒸汽、运动轨迹或方向线。

转绘区域必须保留约35%–55%的连续暖白纸面或浅色空场，让主体周围能够呼吸。不要使用模板式白色边栏，也不要把空白切碎成许多小缝隙。

## 照片切片与哑光色块

核心物件不能完全变成普通插画。

保留少量来自原照片的真实质感，可以使用：

- 一至三块经过裁切的照片质感区域；
- 物件最有识别度的真实表面；
- 车窗、食物、织物、金属或木材的局部摄影纹理；
- 与原物轮廓相适应的不规则照片切片。

照片切片应自然嵌入哑光色块和手绘线条中，不要出现规则照片框，不要拼成密集相册。

其余结构使用从照片中提取的4–6种哑光平涂色块重新概括。保留一处最有辨识度的鲜明颜色作为视觉焦点，其余颜色适度降低饱和度。

色块边缘允许轻微手工偏差、颜料缺口和纸张透底，避免光滑矢量形状和商业数字插画质感。

## 叙事涂鸦

在核心物件周围加入极少量与真实场景有关的手绘涂鸦。

可以根据照片内容选择：

- 指示动作或行进方向的箭头；
- 车辆、船只或人物的运动轨迹；
- 食物与饮品上方的蒸汽线；
- 轻微声音符号、震动线或等待标记；
- 连接人物与物件的弧线；
- 圈点、下划线或简短观察标记；
- 一两个非常简单的小型符号。

涂鸦必须解释物件的动作、使用方式或旅行情绪，而不是纯粹装饰。

使用黑色、深褐色或照片中的一种深色，以松动马克笔、蜡笔、油性笔或铅笔线表现。线条可以有断裂、重画、轻微越线和不均匀墨迹。

涂鸦数量保持克制，通常只使用3–7组小型线条或符号。不要让整个画面变成儿童涂鸦本、漫画分镜或密集贴纸页。

## 文字

在生成前，根据照片中真实可见的物件、地点、动作或气氛，确定并准确渲染以下文字：

1. 一个1–3个英文单词的主标题；
2. 字段：“OBJECT NOTE 01”；
3. 一行5–12个英文单词的观察句。

标题可以是物件名称或简短旅行感受，例如：

- “YELLOW TRAM”
- “LATE LUNCH”
- “CORNER TABLE”
- “SMALL FERRY”
- “STREET CART”
- “RAINY RIDE”

观察句只描述照片中真实存在的颜色、动作、位置和物件关系，不得虚构品牌、地点、日期或故事。

文字集中放置在连续留白区域，与核心物件和涂鸦形成一组明确的编辑题签。主标题在聊天预览尺寸下必须清楚可读，辅助文字不能缩成无法辨认的装饰灰线。

字体使用松动手写体、旧印刷小字或带有马克笔质感的窄体字。文字边缘可以有轻微缺墨、重复描写和纸张摩擦感，像画者与涂鸦一起写在纸面上，不要使用光滑悬浮的数字排版。

禁止复制原照片中的广告、招牌和品牌文字。禁止作者名、签名、社交账号、Logo、网址、二维码、假中文、乱码和无意义编号。

## 整体气质

像从一张旅行照片里挑出最舍不得忘记的小东西，再用照片残片、哑光颜色和几笔随手画下的注释，把它重新保存一次。

轻松、聪明、有观察感、略带幽默和生活气息，同时保持独立旅行杂志与艺术出版物的克制版式。

强制避免：full-photo cartoon filter, same-crop same-scale redraw, complete realistic lower background, dense doodles, childish cartoon page, comic panel, generic travel stickers, copied signage, invented brand, excessive arrows, excessive symbols, multiple competing objects, glossy 3D, smooth vector shapes, digital gradients, oversaturated colors, tiny decorative source photo, missing source-photo comparison, fake text, author signature, watermark.