纪实摄影结合手工木雕浮雕编辑风格海报

Please turn every travel photo I upload into an independent 3:4 vertical editorial poster, outputting each photo separately without any multi-image tiling.

The top half retains the original photo, occupying about 50% of the frame. Accurately maintain the architectural identity, structural relationships, observation angles, real textures, natural light and shadow, and original color atmosphere in the photo. Only perform slight high-end photography color grading and extremely thin film grain processing. The top half must remain a clearly identifiable real photo; do not illustrate, redraw, move, distort, mirror, or replace the buildings.

The bottom half extracts the most recognizable architectural outlines, eaves, steps, bridges, water surfaces, rocks, or road relationships from the same photo, reconstructing them into a hand-carved wood-carving memory relief.

Do not overlay a wood-grain filter on the original photo, nor make it a smooth plastic 3D model. Use basswood, beech, light walnut, and a small amount of colored wood pieces to simulate real cork carving, stacked wood pieces, and low-shallow bas-relief. Use wood pieces of different thicknesses to reorganize different elements, expressing rounded hand-carved edges, visible wood grain, seams, tenon points, thin wood strips, slight misalignments, chiseled gaps, partial edge chipping, and natural short studio shadows.

The bottom half adopts a physical structured composition; do not copy the complete framing of the original photo. Keep only 2 to 4 of the most important architectural structures and a small amount of supporting spatial relationships, compressing the main subject into a compact wood-carved memento. The environment can be summarized as three to five layers of curved, polyline, or stepped wood pieces. The model occupies about 50% to 65% of the bottom half, with at least 35% continuous warm ivory paper whitespace around it, especially reserving a quiet area for text.

Colors are mainly natural wood tones, including basswood light yellow, beech warm brown, light walnut, and dark wood colors. Extract no more than three low-saturation accent colors from the original photo for roofs, walls, clothing, water surfaces, or architectural decorations. Do not use rainbow wood pieces, bright lacquer, high-saturation colors, or uniform fixed color schemes.

Add a small amount of readable mediated text in the whitespace area of the bottom half:
Main Title: "[1–3 word English title]"
Material Field: "[Location or Subject] / CARVED STUDY [Number]"
Observation Sentence: "[A short sentence describing a truly visible structure, action, or spatial relationship in the photo]"

Text should be like embossing, branding, woodcut type, or hand typography, becoming part of the paper or wood pieces. Use narrow serif or restrained humanist sans-serif fonts, dark wood color, few words and clear. Do not generate author names, signatures, logos, websites, QR codes, fictional dates, fictional coordinates, fake Chinese, garbled code, or watermarks.

Overall temperament:
hand-carved wood relief, stacked wood pieces, tactile memory object, carved travel keepsake, shallow bas-relief, visible wood grain, rounded chisel edges, handmade joinery, warm ivory paper, quiet editorial composition, museum craft object, restrained Chinese architectural memory.

Avoid:
wood-texture photo filter, smooth CGI, plastic toy, glossy lacquer, thick solid wooden slab, full scenic diorama, dense miniature details, complete background rendering, invented architecture, changed source photo, same-crop redraw, missing original photo, fake text, author name, logo, watermark, extra people, excessive shadows, edge-to-edge composition.

请将我上传的每一张旅行照片分别制作成一张独立的3:4竖版编辑海报，每张照片单独输出，不进行多图拼贴。

上半部分保留原始照片，占画面约50%。准确保持照片中的建筑身份、结构关系、观察角度、真实材质、自然光影和原有色彩氛围。仅进行轻微高级摄影调色与极薄胶片颗粒处理。上半部分必须仍然是清晰可辨的真实照片，不要插画化、重绘、移动、扭曲、镜像或替换建筑。

下半部分从同一张照片中提取最具识别性的建筑轮廓、屋檐、台阶、桥梁、水面、山石或道路关系，重构为一件手工制作的木雕记忆浮雕。

不要在原照片上覆盖木纹滤镜，也不要做成光滑塑料3D模型。使用椴木、榉木、浅胡桃木和少量彩色木片，模拟真实的软木雕刻、堆叠木片和低浅浮雕。不同元素使用不同厚度的木片重新组织，表现圆钝的手刻边缘、可见木纹、接缝、榫点、薄木条、轻微错位、凿刻缺口、局部崩边和自然的工作室短阴影。

下半部分采用实体结构化构图，不要照搬原照片的完整取景。只保留2至4个最重要的建筑结构与少量支撑空间关系，将主体压缩成一件紧凑的木雕纪念物。环境可以被概括为三至五层弧形、折线或阶梯状木片。模型占下半部分约50%至65%，四周保留至少35%的连续暖象牙色纸张留白，尤其为文字保留一块安静区域。

颜色以自然木色为主，包括椴木浅黄、榉木暖棕、浅胡桃木和深木色。只从原照片中提取不超过三种低饱和强调色，用于屋顶、墙面、服装、水面或建筑装饰。不要使用彩虹木片、亮漆、高饱和色或统一的固定配色。

在下半部分留白区域加入少量可读的媒介化文字：
主标题：“[1–3个英文单词标题]”
材料字段：“[地点或主题] / CARVED STUDY [编号]”
观察句：“[一句描述照片中真实可见结构、动作或空间关系的短句]”

文字应像压印、烙印、木刻铅字或手工排印，成为纸面或木片的一部分。使用窄体衬线或克制的人文无衬线字体，深木色，字数少而清晰。不要生成作者名、签名、Logo、网址、二维码、虚构日期、虚构坐标、假中文、乱码或水印。

整体气质：
hand-carved wood relief, stacked wood pieces, tactile memory object, carved travel keepsake, shallow bas-relief, visible wood grain, rounded chisel edges, handmade joinery, warm ivory paper, quiet editorial composition, museum craft object, restrained Chinese architectural memory.

Avoid:
wood-texture photo filter, smooth CGI, plastic toy, glossy lacquer, thick solid wooden slab, full scenic diorama, dense miniature details, complete background rendering, invented architecture, changed source photo, same-crop redraw, missing original photo, fake text, author name, logo, watermark, extra people, excessive shadows, edge-to-edge composition.