旅行照片青绿山水绢本设计海报

Please turn each travel photo I upload into a separate high-end design poster, outputting each photo individually without multi-image collage.

The overall composition uses a 3:4 vertical layout with warm ivory natural silk as the background. The final image must simultaneously retain the clearly visible original photo and a blue-green landscape (Shanshui) re-rendering of the same scene, forming a contrast between real travel imagery and classical handscroll painting.

The upper part occupies about 40%—45%, faithfully retaining the peaks, rivers, terraced fields, villages, forests, roads, and their relative positions from the original photo. Only apply slight artistic publication color grading and extremely thin grain processing; do not redraw the original image, and do not add buildings, boats, figures, or peaks that do not exist in the photo.

The lower part occupies about 55%—60%, setting a wide and low horizontal painting area within a large area of ivory empty silk, making it look like a section captured from a blue-green landscape handscroll. Do not generate complete physical scrolls; do not show wooden poles, rolled edges, tassels, or product displays.

Re-analyze the spatial route of the photo and organize the real landscape into a "roaming view" order unfolding from left to right. Distant mountains, river surfaces, peak forests, terraced fields, shorelines, villages, or woodlands can be arranged in sequence, but they must follow the actual topography and positional relationships in the photo, without creating traditional buildings or ancient figures out of thin air.

Use fine line drawing, "cun" (brushstroke) textures, and restrained mineral pigment expression. Colors are mainly azurite, malachite green, gray-blue, ochre, and light ink, allowing a very small amount of cinnabar as visual emphasis. The pigments should be calm, delicate, and have a silk grain feel; do not use high-saturation emerald green or magnificent golden decorative effects.

Keep obvious empty silk within the painting core. Water surfaces, sky, clouds/mist, and valleys can be directly represented by uncolored areas, letting the blank space become a pause in the horizontal route. The upper and lower boundaries of the painting core should be clear, with wide silk surfaces maintained outside the painting core, avoiding stuffing the lower half into a full-bleed landscape.

Add a small amount of accurate English typography in the blank space outside the painting core: a 2—4 word title extracted from the location or landscape, a number, and a short observation sentence. Use restrained serif fonts or small caps with loose letter spacing; the text should be clearly readable and echo the horizontal rhythm of the handscroll.

The overall style refers to blue-green landscape, silk handscrolls, mineral pigments, and modern museum publication design. The image is calm, distant, clear, has a sense of horizontal roaming, while retaining the real regional identity of the travel photo.

Avoid: fake Chinese, calligraphy, seals, ancient poetry, author names, complete scroll products, wooden poles, tassels, picture frames, wall mockups, fictional temples, ancient people, cranes, extra boats, randomly added peaks, golden decorations, neon blue-green, full-bleed coloring, photo-realism in the lower half, and simple filtering.

请将我上传的每一张旅行照片分别制作成一张独立的高级设计海报，每张照片单独输出，不进行多图拼贴。

整体采用3:4竖版构图，以温暖的象牙色天然绢纸作为背景。最终画面必须同时保留清楚可见的原始照片和同场景的青绿山水转绘，形成真实旅行影像与古典手卷绘画之间的对照。

上方约占40%—45%，忠实保留原始照片中的山峰、河流、梯田、村落、树林、道路及其相对位置。仅进行轻微艺术出版物调色和极薄颗粒处理，不重新绘制原图，不增加照片中不存在的建筑、舟船、人物或山峰。

下方约占55%—60%，在大面积象牙色空绢中设置一条宽而低的横向绘画区域，使其像从一幅青绿山水手卷中截取出来的一段画面。不要生成完整实体卷轴，不出现木杆、卷边、流苏或商品展示。

重新分析照片的空间路线，将真实景观组织成从左到右逐步展开的游观顺序。可以依次安排远山、江面、峰林、梯田、岸线、村落或林地，但必须遵循照片中的真实地形和位置关系，不得凭空制造传统建筑或古代人物。

使用精细勾线、皴擦纹理和克制的矿物颜料表现，色彩以石青、石绿、灰蓝、赭石、淡墨为主，允许极少量朱砂作为视觉强调。颜料沉静、细腻、有绢本颗粒感，不使用高饱和翡翠绿或金碧辉煌的装饰效果。

画芯内部保留明显的空绢。水面、天空、云雾和山谷可以由未着色区域直接表示，让空白成为横向路线中的停顿。画芯上下边界应清楚，画芯外继续保留宽阔绢面，避免将下半部分塞成完整满幅风景。

在画芯外的留白中加入少量准确英文排版：一个由地点或景观提炼的2—4词标题、编号与一句简短观察句。使用字距宽松、克制的衬线字体或小型大写字，文字应清楚可读，并与手卷的横向节奏呼应。

整体参考青绿山水、绢本手卷、矿物颜料与现代博物馆出版设计。画面沉静、悠远、清晰、有横向游观感，同时保留旅行照片的真实地域身份。

避免：假中文、书法、印章、古诗、作者名字、完整卷轴产品、木杆、流苏、画框、墙面样机、虚构寺庙、古人、仙鹤、额外舟船、随意增加山峰、金碧装饰、霓虹青绿、满幅填色、下半部分摄影写实和简单滤镜化。