垂直平分摄影与极简纸艺拼贴

Vertical 3:4 canvas split into two strictly equal horizontal halves: top 50% and bottom 50%. The upper half stays photographic; the lower half becomes the continued Second World. Together they must read as one scene.

the

UPPER HALF

Keep the photo faithful. Preserve the subject, pose, spatial relationships, color atmosphere, and natural light. Do not redesign, repaint, replace, or restage it. Only necessary proportional

cropping is allowed.

CONTINUITY (highest priority)

Identify one source structure that naturally reaches the center split: a road, shoreline, water, reflection, branch, beam of light, piece of architecture, or body movement. This structure must cross the boundary and continue into the lower half. The Second World begins from the photograph itself, so the same scene passes through the seam and simply changes its physical rules.

TRANSITION EDGE

The center may use an irregular torn-paper edge, but the tear must follow the source structure, never act as decoration. Source elements may touch, follow, break through, or extend beyond edge. Never force the same tear shape onto every image.

The Second World

LOWER HALF

Ivory paper with subtle fibers and abundant negative space. Continue the chosen structure downward from the exact point where it meets the split, then reinterpret it with restrained photo fragments, cut-paper forms, and minimal black hand-drawn lines. The lower world must stay visibly attached Never isolate it as a separate portal, window, stage, platform, or floating vignette unless it clearly comes from the photo.

SECOND WORLD LOGIC

Ask: if this structure became touchable, usable, enterable, or changeable, what would it naturally become? Create one image-specific interaction. For example, water may stay attached while being pulled, a road may continue as a drawn path, or light may become something held. Do not repeat actions mechanically.

FIGURES

Add 0-3 tiny black line figures only when useful. They must physically interact with the continued structure. If the photo already contains strong human action, add none. Never use figures as decoration.

World

CAPTION

One

short handwritten English caption (2-6 words) based on the action. Natural, light, slightly witty. Spell it correctly. No inspirational quotes and no fixed "Same..., different..." phrasing.

STYLE

Real photography above, warm paper below, minimal black line doodles, subtle handmade collage texture, independent-magazine mood. Bright, airy, restrained. It should feel as if the Second already hidden inside the photo and simply continued downward.

was

NEGATIVE

No detached lower-half illustration, no generic torn-paper template, no isolated portal, no unrelated vignette, no broken continuity, no dense illustration, no random decoration, no crowd, altered photo colors, no redesign of the upper image, no glossy 3D, no scrapbook clutter, no gibberish text, no watermark, no logo, no UI.

垂直3:4画布被严格平分为上下两个水平部分：顶部50%和底部50%。上半部分保持摄影风格；下半部分成为延续的第二世界。它们必须共同构成一个场景。

上半部分
保持照片的忠实度。保留主体、姿势、空间关系、色彩氛围和自然光线。不要重新设计、重绘、替换或重新布置。仅允许必要的比例裁剪。

连续性（最高优先级）
识别一个自然延伸至中心分割线的源结构：道路、海岸线、水面、倒影、树枝、光束、建筑构件或肢体动作。该结构必须跨越边界并延伸到下半部分。第二世界始于照片本身，因此同一场景穿过接缝并简单地改变其物理规则。

过渡边缘
中心可以使用不规则的撕纸边缘，但撕裂必须遵循源结构，绝不能作为装饰。源元素可以接触、遵循、突破或延伸至边缘之外。绝不要在每张图像上强加相同的撕裂形状。

第二世界
下半部分
带有细微纤维和大量留白的象牙色纸张。从与分割线相遇的精确点开始向下延续所选结构，然后用克制的照片碎片、剪纸形状和极简的黑色手绘线条对其进行重新诠释。下层世界必须保持可见的连接，绝不能将其孤立为一个单独的门户、窗口、舞台、平台或漂浮的插图，除非它明显源自照片。

第二世界逻辑
思考：如果这个结构变得可触碰、可用、可进入或可改变，它会自然变成什么？创建一个特定于图像的互动。例如，水在被拉动时可能保持连接，道路可能延续为一条绘制的小径，或者光可能变成某种被握住的东西。不要机械地重复动作。

人物
仅在有用时添加0-3个微小的黑色线条人物。他们必须与延续的结构产生物理互动。如果照片中已经包含强烈的人类动作，则不添加。绝不要将人物用作装饰。

标题
一个根据动作而定的简短手写英文标题（2-6个单词）。自然、轻盈、略带幽默。拼写正确。不要使用励志名言，也不要使用固定的“Same..., different...”句式。

风格
上方是真实摄影，下方是温暖的纸张，极简的黑色线条涂鸦，细微的手工拼贴纹理，独立杂志氛围。明亮、通透、克制。它应该让人感觉第二世界早已隐藏在照片中，只是向下延续。

负面提示
无脱离的下半部分插图，无通用的撕纸模板，无孤立的门户，无无关的插图，无断裂的连续性，无密集的插图，无随机的装饰，无人群，无改变的照片颜色，无重新设计上半部分图像，无光滑的3D，无剪贴簿堆砌，无乱码文字，无水印，无标志，无UI。