High-end Japanese-style photoshoot of a mafia heiress

Please generate a set of 'Yakuza Heiress · High-end Japanese-style Photoshoot' based on the clear single-person portrait reference photo I uploaded, a total of 9 images, all as individual pictures, no nine-square grids, no composite posters. Each 3:4 vertical composition.

## Fixed General Control

Strictly preserve the real identity characteristics of the reference person: face shape, facial proportions, eye shape, nose, lips, jawline, hairline, skin tone, sense of age, and overall recognizability. No face swapping, do not turn into a stranger, no internet celebrity face, no infantilization, no animation, no AI doll face. Skin retains real texture, slight pores, natural facial shadows, and real photographic quality.

Overall style: Young heir of a Yakuza family, high-end Japanese-style photoshoot, cold and elegant, restrained, dangerous, noble, sense of control, feminine charm but not vulgar. The frame looks like a 10,000-yuan-level studio fashion blockbuster, not cosplay, not a game poster, not cheap studio style.

The scene is unified as a Japanese-style washitsu built in a real photography studio: bright shoji doors, tatami, bamboo shadows, black paper umbrellas, white flower branches, low tea tables, white porcelain tea sets, old folding screens, dark wooden spaces. The frame can be dark, but not pitch black; black fabrics must have layers of gray-black, charcoal black, tea-brown-black, and ink black, with visible folds, embroidery, and sleeve hems.

Lighting: Side-angled hard window light + soft reflected fill light + slight rim light. Shoji doors can be bright, but the person's face, skin, kimono, tea set, and flower branches must not be blurred.

Clothing: High-end black kimono or modified furisode, obvious white inner lining collar, embroidery in dark red, withered gold, old silver, ink green, floral patterns, butterfly patterns, or family crests. Silver-gray-gold brocade obi (waist belt), heavy and three-dimensional. Dark brown-black or black hair, loose or high updo with natural stray hairs, paired with dark red spider lilies, red hairpins, metal hairpins, or fine tassels. Cold and elegant makeup, slender eye makeup, deep red, wine red, or brownish-red lips, no pink girlish vibe.

Body and posture must be real and natural: Only one person appears, normal body proportions, clear logic for arms and legs, joints are natural, fingers are normal. No extra hands or feet, no missing legs, do not show only one leg causing a sense of disconnection, no fused legs, do not twist waist and hips, no toe deformities. In any scene showing legs, the posture of both legs must be understandable: one leg folded, the other extended, or both legs naturally covered by the kimono but the body structure is complete. Actions are high-class and restrained, not pornographic, not excessively sexualized.

Frame restrictions: No text, no vertical Japanese characters, no logos, no watermarks, no photography studio signatures. No firearms, no blood, no fighting. Katana, scabbards, and folding fans can appear, but only as static aura props.

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## 01｜Sitting Pose in Tea Room with Paper Umbrella

Inside a Japanese-style washitsu, bright shoji doors are at the rear side; a black paper umbrella, white flower branches, a low tea table, and white porcelain tea sets form the background layers.

The character sits on the tatami, body slightly turned, not sitting upright. One hand holds a tea cup, and the other hand is placed lightly on the knee. The kimono collar is naturally loose, revealing the collarbone and neck lines. She looks directly at the camera with a calm, aloof, and oppressive gaze.

Bust to 3/4 body vertical composition, focusing on the face, neck, tea cup, hands, obi, and the texture of the black kimono.

--- 

## 02｜High-Angle Shot with Folding Fan

A slightly high-angle shot of the complete Japanese-style washitsu, showing tatami texture, window grille light and shadow, low tea table, white porcelain tea set, black paper umbrella, white flower branches, and bamboo shadow screen.

The character sits slightly to one side of the center of the tatami, holding an open black folding fan in one hand, with the other hand naturally supporting on the ground. The posture is elegant and quiet, head down or eyes closed, not looking at the camera, like a moment caught in a snapshot.

The body structure must be stable: both legs must have clear logic. One leg is naturally folded, the other leg extends forward or diagonally forward; the kimono hem naturally spreads out, but it cannot show only one leg causing a sense of disconnection. The focus of the frame is the space, the folding fan, the tatami, the kimono layout, and the body curves.

--- 

## 03｜Close-up with Katana and Gaze

A close-up of the washitsu under bright window grille light, with shoji doors, black paper umbrella outlines, white flower branches, and dark screens in the background.

The character wears a black embroidered kimono, with a clear white collar and an obvious silver-gray-gold obi. Both hands hold a scabbard or a half-drawn katana as a static power prop, without making any attacking moves.

Close-up composition, concentrated on the face, eyes, neck, hands, and sword hilt. She raises her eyes to look directly at the camera, her gaze sharp, cold and elegant, alert, and oppressive. Fingers must be natural, and the sword hilt must not be deformed.

--- 

## 04｜Side Sitting with Extended Long Legs

On the floor of a Japanese-style washitsu, the background has bright shoji doors, bamboo shadows, black paper umbrellas, white flower branches, low tea tables, and white porcelain tea sets. Window grille light hits the tatami and the character's legs at an angle, forming real light and shadow cuts.

The character sits sideways on the tatami, body leaning back slightly, one hand supporting on the ground, the other hand lightly holding a folding fan or near the tea table. Both legs must be complete and natural: one leg folded on one side of the body, the other leg extended forward, showing normal thigh, knee, calf, and foot lines. Do not show only one leg, do not fuse legs, and no foot deformities.

She looks away with her side eyes, her expression lazy, cold, and dangerous. Medium shot vertical composition, highlighting the sense of body extension, waist and hip lines, leg posture, foreground flower branches, and black kimono folds.

--- 

## 05｜Leaning Over the Tea Table

The character is near a low tea table with a white porcelain teapot, tea cups, small flower branches, and a closed folding fan on the table. The background includes shoji doors, black paper umbrellas, and bamboo shadow screens.

She leans forward slightly, one hand holding the edge of the table, and the other hand lightly taking a tea cup or a folding fan. The shoulder line tilts naturally, the waist twists slightly, forming a soft upper body curve. The kimono collar opens naturally, highlighting the collarbone and neck, but maintaining a high-end restraint.

She looks down at the tea cup, then slightly raises her eyes to look at the camera, with an aloof, calm expression carrying a hint of dangerous attraction. Half-body vertical composition, focusing on the face, collarbone, arms, tea set, and tabletop details.

--- 

## 06｜Standing Pose Side View with Katana

In the center of a Japanese-style washitsu, the background has bright shoji doors, bamboo shadow screens, black paper umbrellas, white flower branches, and wooden spaces. Overall more formal, the light is clear but with contrast.

The character stands sideways, weight on one leg, waistline slightly pulled in, and shoulders and neck stretched out. Both hands hold the scabbard or katana vertically; the sword serves as an aura prop, not for attacking. The head turns slightly, and the gaze looks toward the front side or with eyes half-closed, cold and elegant, restrained, and dangerous.

3/4 body vertical composition, focusing on the sword, profile of the face, neck, obi, sleeve hems, and the standing aura. Body proportions must be normal, fingers and sword hilt must not be deformed.

--- 

## 07｜Semi-Lying on Tatami

Dark washitsu floor, background with shoji doors, old screens, low wooden table, white vases, and white flower branches. There are clear window grille light and shadows on the floor, and the foreground can have slightly blurred flower branches or tea sets.

The character is semi-lying on the tatami, one arm supporting the upper body, the other hand lightly placed near the obi or hem. The upper body is slightly twisted, the waistline naturally tightened, and the legs naturally intersect and extend under the kimono.

Note that the body must be real: the positions of both legs must be logical; even if covered by the kimono, it cannot form a missing leg, broken leg, or extra leg. She turns her head to look at the camera, her gaze nonchalant, cold, and charming. Medium-long shot vertical composition, highlighting body curves, tatami texture, light and shadow cuts, and the layers of black fabric.

--- 

## 08｜Looking Back While Half-Kneeling

Dark washitsu, background with bamboo shadow screens, white flower branches, shoji doors, and black paper umbrellas. Oblique light from outside the window illuminates the back, shoulder line, and side face.

The character has her back or side-back to the camera, half-kneeling on the tatami. The patterns, butterfly patterns, and gold embroidery on the back and sleeves of the black kimono are clear, and there is a three-dimensional silver-gold obi knot at the back of the waist.

The body is forward, the head and upper body turn back slightly, forming an elegant arc from the back to the waist. One hand holds the scabbard or folding fan, and the other hand lightly supports the ground or hem. Both legs are in a natural half-kneeling position, covered by the kimono but with complete structure; no strange lower body or extra limbs should appear.

She looks back at the camera, her gaze cold, steady, alert, dangerous yet feminine. 3/4 body vertical composition, focusing on the back, obi, neck, looking-back gaze, and the beauty of the body twist.

--- 

## 09｜Final Converging Main Visual

The main hall of a Japanese family mansion, with shoji doors, dark wooden pillars, old screens, black paper umbrellas, white flower branches, and low tea tables in the background. Overall more solemn and formal, like the cover of the entire photoshoot set.

The character wears the most gorgeous high-end black kimono of the set, with a white inner collar, dark red, withered gold, and old silver embroidery, a heavy silver-gray-gold brocade obi, more obvious spider lily hair accessories, and deep red lips.

She adopts a formal sitting posture with a sense of a queen: sitting upright but with the upper body leaning forward or turning slightly. One hand is placed on the knee, and the other hand holds a tea cup, folding fan, or scabbard. The posture is steady but retains the stretching of the neck, waistline, and feminine aura.

She looks directly at the camera, her gaze calm and with a sense of power, like a Yakuza heiress truly settled into her position. Formal vertical composition, focusing on the face, gaze, neck, hands, obi, and the overall power aura.

请基于我上传的清晰单人人像参考图，生成一组「黑道千金 · 高级和风写真」，共 9 张，全部为单独图片，不要九宫格拼图，不要合成海报。每张 3:4 竖构图。

## 固定总控

严格保留参考人物本人的真实身份特征：脸型、五官比例、眼睛形状、鼻子、嘴唇、下颌线、发际线、肤色、年龄感和整体辨识度。不能换脸，不能变成陌生人，不能网红脸，不能幼态化，不能动漫化，不能 AI 娃娃脸。皮肤保留真实纹理、轻微毛孔、自然面部阴影和真实摄影质感。

整体风格：黑道家族年轻继承人，高级和风写真，冷艳、克制、危险、贵气、有掌控感，有女性魅力但不低俗。画面像万元级棚拍时尚大片，不是 cosplay，不是游戏海报，不是廉价影楼风。

场景统一为真实摄影棚搭建的日式和室：明亮障子门、榻榻米、竹影、黑色纸伞、白色花枝、低矮茶桌、白瓷茶具、旧屏风、深色木质空间。画面可以暗，但不能死黑；黑色布料必须有灰黑、炭黑、茶褐黑、墨黑层次，能看到褶皱、刺绣和袖摆。

光线：侧向窗格硬光 + 柔和反射补光 + 轻微轮廓光。障子门可以明亮，但人物脸、皮肤、和服、茶具、花枝不能糊。

服装：黑色高级和服或改良振袖，白色内衬领口明显，暗红、枯金、旧银、墨绿、花枝纹、蝶纹或家纹刺绣。银灰金织锦 obi 腰封，厚重立体。深棕黑发或黑发，松散盘发或高盘发，有自然碎发，配暗红彼岸花、红色簪花、金属发簪或细流苏。妆容冷艳，细长眼妆，深红、酒红或棕红唇，不要粉嫩少女感。

身体与姿态必须真实自然：只出现一个人，身体比例正常，双臂双腿逻辑清晰，关节自然，手指正常。不要多手多脚，不要缺腿，不要只露出一条腿造成断裂感，不要融合腿，不要扭曲腰胯，不要脚趾畸形。凡是露腿画面，必须让两条腿的姿态都能被理解：一条腿折起，另一条腿延展，或两条腿都被和服自然遮挡但身体结构完整。动作高级克制，不色情，不过度性感化。

画面限制：不要文字、不要日文竖排字、不要 logo、不要水印、不要摄影机构署名。不要枪支、不要血腥、不要打斗。可以出现武士刀、刀鞘、折扇，但只能作为静态气场道具。

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## 01｜纸伞茶室坐姿图

日式和室内，明亮障子门在侧后方，黑色纸伞、白色花枝、低矮茶桌和白瓷茶具形成背景层次。

人物坐在榻榻米上，身体轻微侧转，不要正襟危坐。一只手拿茶盏，另一只手轻放膝上。和服领口自然松弛，露出锁骨和肩颈线条。她直视镜头，眼神冷静、疏离、有压迫感。

半身到 3/4 身竖构图，重点表现脸、肩颈、茶盏、手部、腰封和黑色和服质感。

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## 02｜高位俯拍折扇图

略高机位俯拍完整日式和室，能看到榻榻米纹理、窗格光影、低矮茶桌、白瓷茶具、黑纸伞、白色花枝和竹影屏风。

人物坐在榻榻米中央偏一侧，手持打开的黑色折扇，另一只手自然撑地。姿势优雅安静，低头或闭眼，不看镜头，像被抓拍到的一瞬间。

身体结构必须稳定：两条腿都要有清晰逻辑。一条腿自然折起，另一条腿向前或斜前方延展；和服下摆自然铺开，但不能只露出一条腿造成断裂感。画面重点是空间、折扇、榻榻米、和服铺陈和身体曲线。

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## 03｜持刀近景眼神图

明亮窗格光下的和室近景，背景有障子门、黑纸伞轮廓、白色花枝和暗色屏风。

人物穿黑色刺绣和服，白色领口清楚，银灰金 obi 明显。双手持一把刀鞘或半出鞘武士刀，作为静态权力道具，不做攻击动作。

近景构图，集中在脸、眼睛、肩颈、手部和刀柄。她抬眼直视镜头，眼神锋利、冷艳、警觉、有压迫感。手指必须自然，刀柄不能变形。

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## 04｜侧坐长腿延展图

日式和室地面，背景有明亮障子门、竹影、黑色纸伞、白色花枝、低矮茶桌和白瓷茶具。窗格光斜射在榻榻米和人物腿部，形成真实光影切割。

人物侧坐在榻榻米上，身体微微后仰，一只手撑地，另一只手轻拿折扇或靠近茶桌。两条腿必须完整自然：一条腿折起收在身体一侧，另一条腿向前延展，能看出正常大腿、膝盖、小腿和脚部线条。不要只露出一条腿，不要融合腿，不要脚部畸形。

她侧眼看向远处，神情慵懒、冷淡、危险。中景竖构图，突出身体延展感、腰胯线条、腿部姿态、前景花枝和黑色和服褶皱。

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## 05｜茶桌边俯身图

人物靠近低矮茶桌，桌上有白瓷茶壶、茶杯、小花枝和合上的折扇。背景为障子门、黑纸伞和竹影屏风。

她身体微微前倾，一只手扶桌沿，另一只手轻拿茶杯或折扇。肩线自然倾斜，腰部轻微扭转，形成柔和上半身曲线。和服领口自然打开，突出锁骨和肩颈，但保持高级克制。

她低头看向茶杯，再微微抬眼看镜头，表情疏离、冷静、带一点危险吸引力。半身竖构图，重点表现脸、锁骨、手臂、茶具和桌面细节。

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## 06｜站姿持刀侧身图

日式和室中央，背景有明亮障子门、竹影屏风、黑色纸伞、白色花枝和木质空间。整体更正式，光线清透但有反差。

人物站立侧身，重心放在一侧腿上，腰线微收，肩颈舒展。双手竖持刀鞘或武士刀，刀作为气场道具，不攻击。头微微偏转，眼神看向侧前方或半垂眼，冷艳、克制、危险。

3/4 身竖构图，重点突出刀、脸部侧影、肩颈、腰封、袖摆和站姿气场。身体比例必须正常，手指和刀柄不能变形。

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## 07｜榻榻米半躺图

暗色和室地面，背景有障子门、旧屏风、低矮木桌、白色花瓶和白花枝。地面有清晰窗格光影，前景可有轻微虚化花枝或茶具。

人物半躺在榻榻米上，一侧手臂撑起上半身，另一只手轻搭在腰封或衣摆旁。上身轻微扭转，腰线自然收紧，腿部在和服下自然交错延展。

注意身体必须真实：两条腿的位置要合理，即使被和服遮挡，也不能形成缺腿、断腿或额外腿。她转头看向镜头，眼神漫不经心，冷淡又迷人。中远景竖构图，突出身体曲线、榻榻米纹理、光影切割和黑色布料层次。

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## 08｜回头半跪背影图

暗色和室，背景有竹影屏风、白色枝花、障子门和黑色纸伞。窗外斜射光照亮背部、肩线和侧脸。

人物背对或侧背对镜头，半跪坐在榻榻米上。黑色和服背部与袖子上的花纹、蝶纹、金色刺绣清晰，腰后有立体银金色 obi 结。

身体向前，头和上半身微微回转，形成背部到腰部的优雅弧线。一只手握刀鞘或折扇，另一只手轻扶地面或衣摆。双腿为自然半跪坐姿，被和服覆盖但结构完整，不能出现奇怪下半身或多余肢体。

她回头看向镜头，眼神冷、稳、警觉，危险又有女性魅力。3/4 身竖构图，重点表现背部、腰封、肩颈、回头眼神和身体扭转美感。

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## 09｜最终收束主视觉

日式家族宅邸主厅，背景有障子门、深色木柱、旧屏风、黑色纸伞、白色枝花和低矮茶桌。整体更庄重正式，像整组写真封面。

人物穿整组最华丽的黑色高级和服，白色内衬领口，暗红、枯金、旧银刺绣，厚重银灰金织锦 obi，彼岸花发饰更明显，深红唇。

她采用女王感正式坐姿：身体端坐但上半身轻微前倾或侧转。一只手放膝上，另一只手扶茶盏、折扇或刀鞘。姿态稳，但保留肩颈舒展、腰线和女性气场。

她直视镜头，眼神冷静、有权力感，像真正坐稳位置的黑道千金。正式竖构图，重点表现脸、眼神、肩颈、手部、腰封和整体权力气场。