Format vertical 9:16, realistic life-like photo of a woman taken with the standard main camera of an iPhone. A young adult East Asian female with a visual age of approximately 20–26 years, possessing natural and clear East Asian female characteristics, not overly Westernized, not appearing older, and with no sense of being a minor. The overall style is a realistic home snapshot under the emotion of waiting in the evening. The scene is located at the junction of the living room and the entrance, near the front door. The space is an ordinary modern apartment. In the background, a wooden entrance door, wall switches or smart panels, a living room sofa, a coffee table, decorative paintings, wooden furniture, and a small amount of real-life items are visible. The overall look is clean but with traces of living; it is not a show house or a photography studio. The character's temperament is relaxed, bright, expectant, natural, and lightly sweet, like looking at a phone while waiting for movement outside the door at home. Facial features are those of a beautiful young East Asian woman in real life: a soft oval or slight melon-seed face, smooth and natural facial contours, clear apricot eyes, a gentle and spirited gaze, a delicate and smooth nose bridge, a natural nose tip, a soft lip shape, and a nude pink or low-saturation bean paste lip color, retaining only light makeup. Facial proportions are harmonious but retain slight natural asymmetry. No "internet celebrity" face, no commercial model face, no over-sharpening, and no perfect porcelain doll face. Fair and natural skin, retaining slight pores, slight uneven skin tone, slight facial texture, and a real-life state. No skin smoothing, no plastic skin. Hairstyle is black or dark brown long hair casually tied into a loose high bun or natural updo, with a few loose hairs in front of the forehead and on the sides of the face, bringing a bit of homey relaxation. No exquisite styling. The character's body shape is a plump, natural curvy type. Breasts are full and natural with clear contours but not overly exaggerated. The chest-to-waist ratio is harmonious, the waistline is clear and natural, and the transition from waist to hip is realistic. Hip and leg lines are rounded and smooth, and shoulder and neck lines are soft. Overall, the body proportions are healthy and harmonious. Lines are emphasized as medium to strong, but must be reflected through slim-fitting clothes, a natural standing posture, and body orientation, not relying on exaggerated waist twisting, chest thrusting, or deliberate butt lifting. Clothing is a light pale yellow slim-fit camisole short dress, made of soft close-fitting knitted or cotton fabric, with a thin strap design. The fabric has a small amount of natural wrinkles and realistic wear marks, which can naturally outline the chest-waist ratio and body curves. Paired with a loose white thin shirt on the outside, the shirt is naturally half-draped over the shoulders and arms, slightly loose, and not tidied too neatly, presenting a realistic home-wear state. The character naturally leans against the wall at the junction of the entrance and the living room. Both feet are fully on the ground with clear support from the floor. One foot bears the main center of gravity, while the other foot is naturally shifted half a step forward or to the side. Knees are slightly relaxed, with no leg lifting and no stepping on the wall. The pelvis, chest, and shoulders are mostly facing the camera, with only a slight side turn. The overall body is more toward the camera side than a pure side profile, making the chest, waistline, and front contour of the body more naturally visible. The back or one shoulder is lightly leaning against the wall, but the body should not be stiff or completely flat against the wall; gravity is naturally relaxed. The character holds a phone with both hands. Originally looking down at the phone, she then looks up slightly at the camera after hearing a sound. Her expression has a bit of a natural reaction, as if just noticing the other person, with a very slight smile at the corners of the mouth. No posing, no deliberate flirting. Arms are naturally close to the body, shoulders are relaxed, and the chest is not excessively thrust forward. The full upper bust and chest-waist ratio are naturally shown through the more frontal body orientation and the slim-fit camisole dress. Lighting uses real evening apartment indoor ambient light, coming from warm-colored living room lights, entrance lights, and a small amount of residual natural light from outside the window. The color temperature is slightly warm but not excessively orange-yellow. Natural highlights are formed by ordinary residential lighting on the face, neck, collarbone, chest, arms, and legs, while retaining slight shadows, slight exposure imperfections, and real contrast. No softboxes, no commercial rim light, no cinematic lighting, and no excessive HDR. The overall image must present a clear sense of a snapshot taken in ordinary mode with an iPhone: real phone main camera perspective, equivalent to 24–28mm wide angle, ordinary auto exposure, real auto white balance, slight phone algorithm sharpening, slight noise, allowing local slight out-of-focus and imperfect composition. The character and the entrance/living room background are kept clearly identifiable. No portrait mode, no large aperture background blur, no cinematic depth of field, and no commercial photography retouching. The first real memory point is: next to the entrance of an ordinary apartment in the evening, a young East Asian woman with fair skin, naturally beautiful features, and a plump and soft body, wearing a light pale yellow slim-fit camisole short dress and a half-draped white shirt. Her feet are naturally on the ground, most of her body is facing the camera, she is leaning against the wall holding a phone, and she looks up slightly after hearing a sound. Her breasts are full and natural, her waistline is clear, and the overall look is like a real-life photo casually taken at home with an iPhone. Negative constraints: no commercial photography feel, no studio retouching, no influencer filters, no CG feel, no 3D rendering feel, no movie poster feel, no fashion editorial feel, no excessive skin smoothing, no perfectly symmetrical face, no exaggerated breasts, no exaggerated S-shape, no twisted waist posing, no feet on the wall, no legs lifted in the air, no deformed soles, no deformed toes, no wrong fingers, no wrong stress points, no strong depth-of-field blur, and no fake light and shadow.

[Personnalisation] Marque : [Nom de la marque] Thème : [Musique / Mode / Beauté / Voyage / Livres / etc.] Portrait : [Âge, sexe, apparence, expression] Éléments de collage : [Photos, magazines, cartes, fleurs, pages de livres, billets, etc.

Scène : Cabine d’essayage minimaliste du magasin phare Calvin Klein Underwear à New York, murs blancs et rideaux gris, étiquette métallique CK fixée au bord du miroir, vêtements d’échantillon avec étiquettes Calvin Klein suspendus aux cintr

@Image, sautant d'un immeuble de grande hauteur, s'envolant lentement vers le haut alors qu'il approche du sol, prenant librement son envol, corps léger suspendu dans l'air, posture élégante et stable ; glissant avec agilité entre les gratt