Generate 9 different shot sizes from one image

<instruction> (Instruction)
Analyze the entire composition of the input image. Identify all key subjects present (whether individuals, groups/couples, vehicles or specific objects) and their spatial relationships/interactions.
Generate a coherent 3x3 grid "contact sheet" showing nine different shots of these subjects in the same environment.
You must adapt standard movie shot types to fit the content (e.g., if it's a group, keep them together; if it's an object, include the whole object):
First row (Establishing background):
Extreme long shot (ELS): The subject appears very small within a vast environment.
Long shot (LS): The full subject or group is visible from top to bottom (head to toe / wheel to roof).
Medium long shot (American shot/three-quarters): Composition from above the knees (for people) or three-quarters view (for objects).
Second row (Core coverage):
4. Medium shot (MS): Composition from above the waist (or center core of an object). Focus on interaction/action.
5. Medium close-up (MCU): Composition from above the chest. Intimate composition of the main subject.
6. Close-up (CU): Tight composition focused on the face or "front" of an object.
Third row (Details and angles):
7. Extreme close-up (ECU): Strong focus on micro details of key features (eyes, hands, logos, textures).
8. Low angle shot (looking up/bug's eye view): Looking up at the subject from the ground (grand/heroic feel).
9. High angle shot (overhead/bird's eye view): Looking down at the subject from above.
Ensure strict consistency: The same person/object, same clothing and same lighting in all nine panels. Depth of field should realistically vary (background blur in close-up shots).
</instruction>
A professional 3x3 movie storyboard grid containing nine panels.
This grid presents the specific subject/scene from the input image across a full range of focal lengths.
Top row: Wide environmental shot, full view, three-quarters composition (knee-up shot).
Middle row: Above-the-waist view, above-the-chest view, face/front close-up.
Bottom row: Macro detail, low angle, high angle.
All frames have photo-realistic textures, consistent cinematic color grading, and the correct composition specific to the analyzed subject or object.